2015PreliminaryConfProgDraft

Glyn Davis (University of Edinburgh), "Waiting, Cruising: My Hustler's Slowness"I3: Institutional Frameworks for Documentary Film in AsiaRoom: 3Chair: Dean Wilson (University of Montreal)Camille Deprez (Hong Kong Baptist University), "‘Archives of the Planet’: French Elitist Representations ofColonial India"Dean Wilson (University of Montreal), "Conflict and Reception: Newsreels during the Japanese Occupation ofVietnam"Thong Win (University of California, Santa Barbara), "Screening the Revolution across the Mekong Delta:Guerilla Cinema and Vietnam’s Cultural Policy"Qui Ha Nguyen (University of Southern California), "Shooting Down the Enemy: Representations of FemaleWarriors in Vietnamese Revolutionary Cinema of the 1960s"I4: Watching the Trailer: Audiences and the Coming AttractionRoom: 4Chair: Keith Johnston (University of East Anglia)Keith Johnston (University of East Anglia), "‘“It Wasn’t As Good As the Trailer”: Historicizing the AudienceResponse"Ed Vollans (University of East Anglia), "The Film/Trailer/Audience Triad"Frederick Greene (University of California, Los Angeles), "What Trailer Audiences Know, and When They KnowIt"James Deaville (Carleton University), "Music and Sound in Film Trailers: A Preliminary Ethnographic Study ofProducers and Consumers"I5: Indigenous Cinema II: Production Cultures, Social Contexts and Institutional FramesRoom: 5Chair: Kristin Dowell (University of Oklahoma)Kristin Dowell (University of Oklahoma), "Aboriginal Media Art and Intercultural Collaboration at the grunt galleryin Vancouver"Dory Nason (University of British Columbia), "Indigenous Feminist Filmmaking and the Ethics of Collaboration:The Embargo II Collective"Karrmen Crey (University of California Los Angeles), "Producing Sovereignty: The Aboriginal Film and Video ArtAlliance and Indigenous Self-Government in Media Practice"Respondent: Pamela Wilson (Reinhardt University)I6: Interrogating Contemporary Celebrity Culture: Feminist Intersections, Contexts, DebatesRoom: 6Chair: Camilla Sears (Thompson Rivers University)Natasha Patterson (University of Northern British Columbia), "'Why Do You Want My Photo?': UnderstandingWomen’s Negotiation of Postfeminist Reality-Celebrity"