D23: Remembering, Repeating, and Working ThroughRoom: 23Chair: David Bering-Porter (Michigan State University)Ari Mattes (University of Notre Dame, Australia), "Harmony Korine’s Spring Breakers (2013): Toward a Theory ofAccidental Narrative"Chelsey Crawford (Oklahoma State University), "Layering Time and Nostalgia’s Ecstasy: Home Movie Exhibitionin Fiction Film"Atene Mendelyte (Lund University), "The Art of Failure in Films So Bad They're Good"David Bering-Porter (Michigan State University), "Signatures of the Digital: GIFs, Loops, and the ReanimatedImage"D24: Scandinavian Nymphomania: A National and Transnational LegacyRoom: 24Chair: Linda Badley (Middle Tennessee State University)Laura Horak (Carleton University), "Good Sex in Sweden: Sexuality and Landscape in Swedish Films of the1920s"Linda Badley (Middle Tennessee State University), "Nymphomaniac as Retro Scandinavian Blue"Mariah Larsson (Stockholm University), "A Transnational Legacy of Sex Films? Christina Lindberg,Nymphomaniacs, and Iconic Eye-Patches"Meryl Shriver-Rice (Miami Dade College), "Female Desire, Puzzy Power, and the Transnational Legacy of theScandinavian Sex Film"Wednesday, March 25, 2015 06:00PM-07:45PM (Session E)E1: Self-representation and the Politics of Difference in the “Post-Racial” EraRoom: 1Chair: Jade Petermon (University of California, Santa Barbara)Eddy Alvarez (SUNY Oneonta), "Gloria Trevi: ‘The Mexican Madonna,’ Self-representation and Her LGBTQLatin@ Fans"Faithe Day (University of Michigan, Ann Arbor), "Black Awkward: Awkward Black Girl and the QueerConsumption of a Web Series Redefining Black Womanhood"Sara Hinojos (University of California, Santa Barbara), "‘Scheck It Out!’: Visual ‘Accent’ and the Politics of Selfrepresentationof La Coacha"Jade Petermon (University of California, Santa Barbara), "Looking Within/Seeing Ourselves: Reading the Workof Ava DuVernay"E2: WORKSHOP Perverse Pedagogy: John Waters, American and International IconRoom: 2Chair: Louise Wallenberg (Stockholm University)Workshop Participants:Christine Holmlund (University of Tennessee)Gary Needham (Nottingham Trent University)Misha Kavka (University of Auckland)Louise Wallenberg (Stockholm University)
Dana Heller (Old Dominion University)E3: Transatlantic Rivalries: Contemporary French Cinema and Hollywood GenresRoom: 3Chair: David Pettersen (University of Pittsburgh)Kelley Conway (University of Wisconsin, Madison), "Same Old Song? Singing in Contemporary French Cinema"Charlie Michael (University of Georgia), "The 'Pragmatic' Neoliberalism of Contemporary French Action Cinema"David Pettersen (University of Pittsburgh), "What’s French about French Horror Cinema?"Margaret Flinn (Ohio State University), "'We Are All French': The Franco-International Omnibus Film"E4: How Comedy Works: Narrative, Technology, Genre, and ContextRoom: 4Chair: Philip Scepanski (Vassar College)Burke Hilsabeck (Oberlin College), "Narrative, Narrativity, and Anarchic Burlesque: Mack Sennett, D. W. Griffith,and "Tillie’s Punctured Romance" (1914)"Sulgi Lie (Free University Berlin), "Short-circuited Comedy: Jerry Lewis and the Video Assist"Jacqueline Bowler (Rensselaer Polytechnic Institute), "Where's the Punch Line?: Louie and the Slow TelevisionComedy"Philip Scepanski (Vassar College), "Only through Comedy: African-American Television Comedy and the 1992Los Angeles Riots/Uprising"E5: Powerful or Unruly?: The Ambivalence of Postfeminist Bodies Across Media PlatformsRoom: 5Chair: Jennifer McClearen (University of Washington)Kavita Nayar (University of Massachusetts Amherst), "Working It: Adult Webcam Modeling and the CulturalProduction of Postfeminist Sexual Subjectivities"Tisha Dejmanee (University of Southern California), "The Digital, Postfeminist Subject: Branding ConsumableBodies on Food Blogs"Tasha Rennels (University of South Florida), "Challenging Postfeminist Portrayals in Reality Television: ACautionary, Contradictory, and Critical Analysis of Here Comes Honey Boo Boo"Jennifer McClearen (University of Washington), "Negotiating the Performance of Femininities in Pre-FightWalkouts for the Ultimate Fighting Championship"E6: Franchise Building and Management in a Multi-Platform UniverseRoom: 6Chair: Kimberly Owczarski (Texas Christian University)Co-Chair: Ashley Elaine York (University of Alberta)Maria Boyd (Georgia State University), "Kevin Feige: Marvel’s Franchise Management Superhero"Kyra Hunting (University of Wisconsin, Madison), "In a Franchise Far, Far, Away: Phineas and Ferb, Marvel, StarWars and Disney’s Cross-promotion Franchising Strategy"Ashley Elaine York (University of Alberta), "Positioning the ‘Women’s Blockbuster’ as a Four-Quadrant Film: TheAncillary Marketing and Merchandising Efforts of The Hunger Games Franchise"
- Page 1 and 2: SCMS 2015 CONFERENCE PROGRAMPRELIMI
- Page 3: Frederik Byrn Kohlert (University o
- Page 6 and 7: A16: Television and National Identi
- Page 11 and 12: Feng-Mei Heberer (University of Sou
- Page 13 and 14: Sheila Murphy (University of Michig
- Page 15 and 16: Laliv Melamed (New York University)
- Page 17 and 18: Dolores McElroy (University of Cali
- Page 19 and 20: T.L. Cowan (The New School for Soci
- Page 21 and 22: Room: 3Chair: Sylvie Bissonnette (I
- Page 23: Room: 11Chair: Charlotte Howell (Un
- Page 28 and 29: Kimberly Owczarski (Texas Christian
- Page 30 and 31: Morgan O'Brien (University of Texas
- Page 32 and 33: E23: Cut-scenes Reloaded: Making a
- Page 34 and 35: Denise Mok (University of British C
- Page 36: F16: Constructing Otherness, Decons
- Page 39 and 40: Kyle Stine (McGill University), "Ci
- Page 41 and 42: Carl Laamanen (The Ohio State Unive
- Page 43 and 44: Linda Mizejewski (Ohio State Univer
- Page 45 and 46: Angelica Lawson (University of Minn
- Page 47 and 48: Roy Grundmann (Boston University),
- Page 49 and 50: Myles McNutt (University of Wiscons
- Page 51 and 52: Camilla Sears (Thompson Rivers Univ
- Page 53 and 54: Johnny Walker (Northumbria Universi
- Page 55 and 56: I22: Data Drives: Encoded Subjects
- Page 57 and 58: J7: Intermediality in Industry Hist
- Page 59 and 60: Douglas Kern (University of Marylan
- Page 61 and 62: J24: Inhuman BodiesRoom: 24Chair:He
- Page 63 and 64: Room: 8Chair: Justus Nieland (Michi
- Page 65 and 66: Room: 16Chair: Chantal Nadeau (Univ
- Page 67 and 68: Mary Desjardins (Dartmouth College)
- Page 69 and 70: L9: The Body at Risk: War Cinema in
- Page 71 and 72: Room: 17Chair: Sara Saljoughi (Univ
- Page 73 and 74: Room: 3Chair: Matthew Stoddard (Uni
- Page 75 and 76: Room: 11Chair: Chuck Maland (Univer
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Friday, March 27, 2015 04:15PM-05:3
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Russell Meeuf (University of Idaho)
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Room: 13Chair: Sarah Barkin (Syracu
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N21: WORKSHOP Outside the Film and
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O5: Women's Narratives in Wartime M
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Respondent: Jon Haynes (Long Island
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Jonathan Cohn (University of Albert
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Janet Walker (University of Califor
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Bryn Kelly (Independent Scholar)Ale
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Respondent: Fenwick McKelvey (Conco
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Andrew Ritchey (University of Iowa)
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Room: 12Chair: Alison Griffiths (Ci
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*This workshop will be streamed*Q20
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Kosuke Fujiki (King's College Londo
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Charles O'Brien (Carleton Universit
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Workshop Participants:Peter Aliluna
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Norman McLaren: Animated Musician,
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Ryan Linkof (Los Angeles County Mus
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Room: 16Chair: Matthew Perkins (Uni
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Room: 1Chair: Ryan Friedman (Ohio S
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Katherine Rennebohm (Harvard Univer
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Room: 18Chair: Simone Becque (South
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U3: WORKSHOP What Can Disability St
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Room: 11Chair: Eileen McEwan (Muhle
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U19: Television and IdentityRoom: 1
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Banerjee, Sandeep S10Banerji, Sushm
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Condon, Carolyn B23Connolly, Matthe
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Gadassik, Alla S23Gagnon, Jean Q4Ga
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Ivakhiv, Adrian J12, K7Iversen, Gun
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Losh, Elizabeth B17, N19Lothian, Al
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Nochimson, Martha H11Nony, Anais P2
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Ross, Steven M11Rossie, Amanda R5Ro
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Swanson, Alexander Q14Swanson, Dwig
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Zemel, Dustin P24Zeng, Li U23Zhang,