Huw Jones (University of York), "Making British Films with European Partners: The Case of Ken Loach andSixteen Films"Eva Redvall (University of Copenhagen), "Calibrating Co-produced Crime Dramas for Transnational Audiences:A Case Study of the ‘Road Movie Police Series, The Team"Respondent: Patrick Vonderau (Stockholm University)H10: WORKSHOP Working from the Archive: New Scholarship on Experimental Film and Media ArtistsRoom: 10Chair: Michael Zryd (York University)Workshop Participants:Robin Blaetz (Mount Holyoke College)Josh Guilford (Brown University)Sarah Keller (University of Massachusetts, Boston)Kenneth White (Stanford University)Michael Zryd (York University)H11: New Perspectives on David Lynch: Digital Haptics, Marx, and Quantum MechanicsRoom: 11Chair: Anne Jerslev (University of Copenhagen)Anne Jerslev (University of Copenhagen), "David Lynch and Haptic Audio-Visality in Crazy Clown Time"Martha Nochimson (Professor Emerita), "Heart of the Matter: The Physics of David Lynch's Art"Todd McGowan (University of Vermont), "Lynch with Marx"Respondent: David Lavery (Middle Tennessee State University)H12: Historicizing Cinema's Sounds and ColorRoom: 12Chair: Andrew Horton (University of Oklahoma)Birk Weiberg (Zurich University of the Arts), "Functional Colors"Benjamin Wright (University of Toronto), "The House That Zimmer Built: Romantic Minimalism and Group Stylein Contemporary Film Music"Julie Hubbert (University of South Carolina), "Records, Repertoire, and Rollerball (1975): The Hi-Fi Movementand the New Hollywood Soundtrack"John Belton (Rutgers University), "Man, God, and Kodachrome: The Beginnings of a Color Vernacular"H13: The Unfinished PanelRoom: 13Chair: Brian Hoyle (University of Dundee)Co-Chair: Dennis Bingham (Indiana University/Purdue University Indianapolis)Brian Hoyle (University of Dundee), "'Nae Feenish Picturs': Unfinished Scottish Films"Dennis Bingham (Indiana University/Purdue University Indianapolis), "Finishing Off Fosse: Starting with Ending,Ending Up with All That Jazz"
Roy Grundmann (Boston University), "Harun Farocki’s Unfinished Business: From Workers' Films to the GlobalVideo Workshop, ‘Labour in a Single Shot’”J. E. Smyth (University of Warwick), "Fred Zinnemann’s Unfinished History"H14: Beyond Star Studies: The Other ActorsRoom: 14Chair: Daniel Leberg (Concordia University)Katrina G. Boyd (University of Oklahoma), "Getting Broadminded: Claude Rains Goes Slumming in Hollywood"Kelly Wolf (University of South Carolina, Columbia), "Multispecies Stardom: Working Relations, EmbodiedCommunication, and Intersubjectivity"Megan Boyd (University of Wisconsin, Madison), "Placing Performance in Avant-garde Film"F Booth Wilson (University of Wisconsin, Madison), "Waving the Palochka: Yakov Protazanov, Acting, and theMoscow Art Theater's Legacy in Soviet Cinema"H15: Reimagined Communities: Re-examining Discourses of the NationalRoom: 15Chair: Adan Avalos (University of New Mexico)Jake Ivan Dole (Georgia State University), "The Soviet Adventures of Sherlock Holmes: UnderstandingBrezhnev-era Historical Adventure Television Films and their Audiences"Mary Adekoya (University of Chicago), "A Culture of Critics: Nollywood Criticism As (Trans)National Pastime"Zeynep Yasar (Indiana University, Bloomington), "In the Wake of Winter Sleep: Transnational Reimaginings ofTurkish Cinema"Adan Avalos (University of New Mexico), "Focusing the Periphery: Breaking Down Mexican Cinema"H16: Orphan Documentary and the Global Imaginary, 1948-1967Room: 16Chair: Lisa Rabin (George Mason University)Suzanne Langlois (Glendon College, York University), "Paradoxes of UN Internationalism in Film"Lisa Rabin (George Mason University), "Seeds of Destiny: Orphan School Films in the Post-War Period, 1945-1955"Yuval Sagiv (York University), "Global Happening by Means of Television: The 1967 Broadcast of Our World andIts Contemporary Audience"Respondent: Jonathan Kahana (University of California, Santa Cruz)H17: Reimagining Sinophone Cultures through the Lens of Cold War CinemasRoom: 17Chair: Danju Yu (Stony Brook University/SUNY)Shi-Yan Chao (Columbia University), "An Auteurist Journey through the Fantastic Mode"Ting-Wu Cho (New York University), "Taiwan Pulp! Subversive Pleasure at the Neoliberalist Turn? (1970s-1980s)"Pi-Ju Liang (Stony Brook University), "Imagining Modern Taiwan: Cultural Encounters in Qi Xin’s Taiwanese-Dialect Cinemas from the Late 1950s to the 1960s"
- Page 1 and 2: SCMS 2015 CONFERENCE PROGRAMPRELIMI
- Page 3: Frederik Byrn Kohlert (University o
- Page 6 and 7: A16: Television and National Identi
- Page 11 and 12: Feng-Mei Heberer (University of Sou
- Page 13 and 14: Sheila Murphy (University of Michig
- Page 15 and 16: Laliv Melamed (New York University)
- Page 17 and 18: Dolores McElroy (University of Cali
- Page 19 and 20: T.L. Cowan (The New School for Soci
- Page 21 and 22: Room: 3Chair: Sylvie Bissonnette (I
- Page 23: Room: 11Chair: Charlotte Howell (Un
- Page 26 and 27: D23: Remembering, Repeating, and Wo
- Page 28 and 29: Kimberly Owczarski (Texas Christian
- Page 30 and 31: Morgan O'Brien (University of Texas
- Page 32 and 33: E23: Cut-scenes Reloaded: Making a
- Page 34 and 35: Denise Mok (University of British C
- Page 36: F16: Constructing Otherness, Decons
- Page 39 and 40: Kyle Stine (McGill University), "Ci
- Page 41 and 42: Carl Laamanen (The Ohio State Unive
- Page 43 and 44: Linda Mizejewski (Ohio State Univer
- Page 45: Angelica Lawson (University of Minn
- Page 49 and 50: Myles McNutt (University of Wiscons
- Page 51 and 52: Camilla Sears (Thompson Rivers Univ
- Page 53 and 54: Johnny Walker (Northumbria Universi
- Page 55 and 56: I22: Data Drives: Encoded Subjects
- Page 57 and 58: J7: Intermediality in Industry Hist
- Page 59 and 60: Douglas Kern (University of Marylan
- Page 61 and 62: J24: Inhuman BodiesRoom: 24Chair:He
- Page 63 and 64: Room: 8Chair: Justus Nieland (Michi
- Page 65 and 66: Room: 16Chair: Chantal Nadeau (Univ
- Page 67 and 68: Mary Desjardins (Dartmouth College)
- Page 69 and 70: L9: The Body at Risk: War Cinema in
- Page 71 and 72: Room: 17Chair: Sara Saljoughi (Univ
- Page 73 and 74: Room: 3Chair: Matthew Stoddard (Uni
- Page 75 and 76: Room: 11Chair: Chuck Maland (Univer
- Page 77 and 78: Friday, March 27, 2015 04:15PM-05:3
- Page 79 and 80: Russell Meeuf (University of Idaho)
- Page 81 and 82: Room: 13Chair: Sarah Barkin (Syracu
- Page 83 and 84: N21: WORKSHOP Outside the Film and
- Page 85 and 86: O5: Women's Narratives in Wartime M
- Page 87 and 88: Respondent: Jon Haynes (Long Island
- Page 89 and 90: Jonathan Cohn (University of Albert
- Page 91 and 92: Janet Walker (University of Califor
- Page 93 and 94: Bryn Kelly (Independent Scholar)Ale
- Page 95 and 96: Respondent: Fenwick McKelvey (Conco
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Andrew Ritchey (University of Iowa)
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Room: 12Chair: Alison Griffiths (Ci
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*This workshop will be streamed*Q20
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Kosuke Fujiki (King's College Londo
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Charles O'Brien (Carleton Universit
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Workshop Participants:Peter Aliluna
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Norman McLaren: Animated Musician,
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Ryan Linkof (Los Angeles County Mus
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Room: 16Chair: Matthew Perkins (Uni
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Room: 1Chair: Ryan Friedman (Ohio S
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Katherine Rennebohm (Harvard Univer
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Room: 18Chair: Simone Becque (South
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U3: WORKSHOP What Can Disability St
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Room: 11Chair: Eileen McEwan (Muhle
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U19: Television and IdentityRoom: 1
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Banerjee, Sandeep S10Banerji, Sushm
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Condon, Carolyn B23Connolly, Matthe
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Gadassik, Alla S23Gagnon, Jean Q4Ga
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Ivakhiv, Adrian J12, K7Iversen, Gun
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Losh, Elizabeth B17, N19Lothian, Al
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Nochimson, Martha H11Nony, Anais P2
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Ross, Steven M11Rossie, Amanda R5Ro
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Swanson, Alexander Q14Swanson, Dwig
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Zemel, Dustin P24Zeng, Li U23Zhang,