Nicholas Hanford (Rensselaer Polytechnic Institute), "A Topology of Frames: Adapting the Filmic Frame forGamic Action"Jason Coley (Rensselaer Polytechnic Institute), "Playing in the Interactive Archive: Adaptation of Genre in RedDead Redemption as Neo-Baroque Entertainment Art"Caroline Bem (McGill University), "The Pursuit of Vertigo: On the Use of Graphic Sex in Two Rockstar® Games"Sandra Danilovic (University of Toronto), "Procedurally Yours: Love, Debugging Trauma, and the Mundanity ofGame Design Practice"C24: Modes of Documentary, New and OldRoom: 24Chair: Francesco Pitassio (University of Udine)Daniel Cohen (Stanford University), "The Clamor of Documentary: Polyphonic Mediation and the Politics of Art"Whitney Pow (Northwestern University), “‘That Is the Last Picture of My Dad Alive’: Google Maps as an AffectiveArchive of Grief"Mi Young Park (Southern Illinois University Carbondale), "Touchscreen and Entrepreneur of the Self: HansRichter and the i-Phone"Francesco Pitassio (University of Udine), "Recurring Removal. Trauma and Historical Discourse in Post-warItalian Documentary"Wednesday, March 25, 2015 04:00PM-05:45PM (Session D)D1: “Plugged In: Brazilian Television Fiction and Reflections on Recent Social, Political and EconomicTransformations”Room: 1Chair: Joseph Straubhaar (University of Texas, Austin)Esther Hamburger (University of Sao Paulo), "Avenida Brasil: Extra-Diegetic References to Ongoing SocialProcesses"Ana Lopez (Tulane University), "Domestic Service, Transmediality and the Contemporary Brazilian Telenovela"Joseph Straubhaar (University of Texas, Austin), "The Political Economy of Race, Class, and Favela Depictionsin Brazilian Telenovelas"Leslie Marsh (Georgia State University), "Self- and Place-branding in Contemporary Brazilian Telenovelas"D2: Queer Media Affect: Locations and Mobilities of FeelingRoom: 2Chair: Alexander Cho (University of Texas, Austin)F. Hollis Griffin (Denison University), "Affective Networks in Tales of the City"Misha Kavka (University of Auckland), "The Reparative Impulse of SpongeBob QueerPants"Alexander Cho (University of Texas, Austin), "Liberté, Égalité, Beyoncé”: Queer Youth of Color and Territories ofInsurgence"Respondent: Dana Heller (Old Dominion University)D3: Media Specificity and Cognition in Animation and Digital Visual Effect Cinema
Room: 3Chair: Sylvie Bissonnette (Independent Scholar)Janet Blatter (Independent Scholar), "Animation and Cognitive Film Theory – The Missing Framework"Erwin Feyersinger (University of Innsbruck), "Intentional and Unintentional Use of Image Schemas in AnimatedVisualizations"Nathan Blake (Northeastern University), "The Information Affect: CG Worlds and Fantasies of TranscendentCognition in The Matrix, Limitless, and Lucy"Alberto J. L. Carrillo Canán (Benemérita Universidad Autónoma de Puebla (México)), "Medium Specificity andDigital Effects in Cinema"D4: Viewing SitesRoom: 4Chair: Michelle Baroody (University of Minnesota, Twin Cities)David Gray (University of California, Santa Barbara), "On the Screening Site as Space of Memorialization inSouthern Cone Documentary"Joshua Coonrod (Joshua Coonrod), "Haunted Screens and Empty Seats: An Ethnographic Approach to theFailing Rural Film Festival"Michelle Baroody (University of Minnesota, Twin Cities), "World Cinema, Local Screens: (Re)Presenting ArabPictures at a Midwest Film Fest"D5: Women Before and Behind the CameraRoom: 5Chair: Veronica Fitzpatrick (University of Pittsburgh)Leah Vonderheide (University of Iowa), "The Bearded Gentleman and Rumors of War: The Cinema of NicoleVédrès"Patricia White (Swarthmore College), "Indie Cinema and Lesbian Representability"Dijana Jelaca (St. John's University), "Millennial Girls, Unbearable Sex and the Ambivalence of Power in MajaMiloš' Clip"Veronica Fitzpatrick (University of Pittsburgh), "The Also at Work in Every Intended Something: Belief,Belonging, Sound of My Voice, The East"D6: Surveilling SurveillanceRoom: 6Chair: Gregory Flaxman (University of North Carolina, Chapel Hill)Sylvia Chong (University of Virginia), "A Tale of Two Tortures: Visualizing State-sanctioned Violence in ZeroDark Thirty (2012) and The Purple Heart (1944)"Christopher Rowe (University of Toronto), "Closing the Circuit: Surveillance as a New Mode of Realism in theFilms of Michael Haneke"Brooke Belisle (Stony Brook University), "Surveillance Panoramas: From Cinematic Montage to Digital Mosaic"Gregory Flaxman (University of North Carolina, Chapel Hill), "Off the Grid: Contemporary Hollywood and theCinema of Control"D7: The Great Depression: Politics and Social Change at the Movies
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- Page 3: Frederik Byrn Kohlert (University o
- Page 6 and 7: A16: Television and National Identi
- Page 11 and 12: Feng-Mei Heberer (University of Sou
- Page 13 and 14: Sheila Murphy (University of Michig
- Page 15 and 16: Laliv Melamed (New York University)
- Page 17 and 18: Dolores McElroy (University of Cali
- Page 19: T.L. Cowan (The New School for Soci
- Page 23: Room: 11Chair: Charlotte Howell (Un
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- Page 28 and 29: Kimberly Owczarski (Texas Christian
- Page 30 and 31: Morgan O'Brien (University of Texas
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- Page 34 and 35: Denise Mok (University of British C
- Page 36: F16: Constructing Otherness, Decons
- Page 39 and 40: Kyle Stine (McGill University), "Ci
- Page 41 and 42: Carl Laamanen (The Ohio State Unive
- Page 43 and 44: Linda Mizejewski (Ohio State Univer
- Page 45 and 46: Angelica Lawson (University of Minn
- Page 47 and 48: Roy Grundmann (Boston University),
- Page 49 and 50: Myles McNutt (University of Wiscons
- Page 51 and 52: Camilla Sears (Thompson Rivers Univ
- Page 53 and 54: Johnny Walker (Northumbria Universi
- Page 55 and 56: I22: Data Drives: Encoded Subjects
- Page 57 and 58: J7: Intermediality in Industry Hist
- Page 59 and 60: Douglas Kern (University of Marylan
- Page 61 and 62: J24: Inhuman BodiesRoom: 24Chair:He
- Page 63 and 64: Room: 8Chair: Justus Nieland (Michi
- Page 65 and 66: Room: 16Chair: Chantal Nadeau (Univ
- Page 67 and 68: Mary Desjardins (Dartmouth College)
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Room: 17Chair: Sara Saljoughi (Univ
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Room: 3Chair: Matthew Stoddard (Uni
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Room: 11Chair: Chuck Maland (Univer
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Friday, March 27, 2015 04:15PM-05:3
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Russell Meeuf (University of Idaho)
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Room: 13Chair: Sarah Barkin (Syracu
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N21: WORKSHOP Outside the Film and
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O5: Women's Narratives in Wartime M
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Respondent: Jon Haynes (Long Island
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Jonathan Cohn (University of Albert
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Janet Walker (University of Califor
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Bryn Kelly (Independent Scholar)Ale
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Respondent: Fenwick McKelvey (Conco
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Andrew Ritchey (University of Iowa)
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Room: 12Chair: Alison Griffiths (Ci
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*This workshop will be streamed*Q20
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Kosuke Fujiki (King's College Londo
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Charles O'Brien (Carleton Universit
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Workshop Participants:Peter Aliluna
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Norman McLaren: Animated Musician,
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Ryan Linkof (Los Angeles County Mus
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Room: 16Chair: Matthew Perkins (Uni
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Room: 1Chair: Ryan Friedman (Ohio S
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Katherine Rennebohm (Harvard Univer
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Room: 18Chair: Simone Becque (South
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U3: WORKSHOP What Can Disability St
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Room: 11Chair: Eileen McEwan (Muhle
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U19: Television and IdentityRoom: 1
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Banerjee, Sandeep S10Banerji, Sushm
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Condon, Carolyn B23Connolly, Matthe
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Gadassik, Alla S23Gagnon, Jean Q4Ga
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Ivakhiv, Adrian J12, K7Iversen, Gun
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Losh, Elizabeth B17, N19Lothian, Al
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Nochimson, Martha H11Nony, Anais P2
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Ross, Steven M11Rossie, Amanda R5Ro
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Swanson, Alexander Q14Swanson, Dwig
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Zemel, Dustin P24Zeng, Li U23Zhang,