2015PreliminaryConfProgDraft

Georgia Luikens (Brandeis University), "Singing Suburbia, Seeing Suburbia: Leonard Bernstein’s Trouble inTahiti and the Operatic Teleplay"F12: The Experimental Cinema/Electronic Literature FrontierRoom: 12Chair: Roderick Coover (Temple University)Roderick Coover (Temple University), "Hybridity and Recombinatory Approaches to the Non-fiction Image"Jim Bizzocchi (Simon Fraser University), "The Poetics of Computationally Generative Cinematic Artworks"Dana Coester (West Virginia University), "The Reverberatory Narrative"Steven Wingate (South Dakota State University), "Toward an Aesthetic of Recombinatory Cinema"F13: Remembering and Investigating Captivity in War MediaRoom: 13Chair: Debra White-Stanley (Keene State College)Karen Ritzenhoff (Central Connecticut State University), "The Captive Mind: Amnesia and Recollection in Jean-Pierre Jeunet’s A Very Long Engagement (2004)"Douglas Cunningham (Westminster College), "The Varieties of Captive Experience: Masculinity in the Prisonerof-WarFilm"Yuki Obayashi (University of California, Santa Cruz), "The Gendered Remembrance of Japanese-AmericanInternment: Come See the Paradise and Snow Falling on Cedars"Debra White-Stanley (Keene State College), "Angelina Jolie: Building Celebrity around the Response to WartimeCaptivity"F14: Reading Affect in Films of the Berlin SchoolRoom: 14Chair: Angelica Fenner (University of Toronto)Olivia Landry (University of Pittsburgh), "Quotidian Movement and Urban Embodiment in Thomas Arslan’s BerlinTrilogy"Daniela Agostinho (Catholic University of Portugal), "Looking Back to the Present: The Cold (war) Gaze inChristian Petzold’s Barbara (2012)"Claudia Breger (Indiana University), "Complex Affectscapes: Form and Sensation in Hochhäusler’s Cinema"Respondent: Tanja Nusser (University of Cincinnati)F15: Poisonous RelationsRoom: 15Chair: Heike Klippel (University of Fine Arts of Hamburg)Heike Klippel (University of Fine Arts of Hamburg), "Poisonous Spaces and Failed Feminine Subjectivity"Kathrin Peters (Berlin University of the Arts), "Magique Matters: On Gender Transformation and Early Film"Anke Zechner (Braunschweig University of Art), "Poisonous Cinema"Michaela Wuensch (University of California, Los Angeles), "Poison and Counter-Poison in Zombie Films"