Craig Robertson (Northeastern University), "The Emergence of the Filing Cabinet: The Spatial and TemporalStorage of Modern Information"Shannon Mattern (The New School), "Intellectual Furnishings: Media Storage Devices as Epistemic Structures"Matthew Kirschenbaum (University of Maryland College Park), "Sand----Tables"Respondent: Lynn Spigel (Northwestern University)H2: Representations of Aging in CinemaRoom: 2Chair: E. Ann Kaplan (Stony Brook University)Timothy Shary (Independent Scholar), "The Penultimate Road to Resolution in Elder Odyssey Movies"Nan McVitti (Northeastern Illinois University), "Ageism for Laughs: The Generational Politics of Bad Grandpa andOff Their Rockers"E. Ann Kaplan (Stony Brook University), "Trauma and the Elderly in Film"Respondent: Lester Friedman (Hobart and William Smith Colleges)H3: Animation and Politics 1: Aesthetics and TheoryRoom: 3Chair: Suzanne Buchan (Middlesex University)Nea Ehrlich (University of Edinburgh), "(Re)Considering Realism as a Political Aesthetic in Animated Non-fiction"Eric Herhuth (University of Wisconsin, Milwaukee), "The Aesthetics of Judgment and the Politics of Animation"Oliver Gaycken (University of Maryland), "From the Mass Ornament to MASSIVE: Nature, Contingency, and theCalculated Image"Paul Morton (University of Washington, Seattle), "The Pre-political Mind of Sándor Reisenbüchler"H4: Making Habits and Breaking Habits: Moving Images in Monuments and Heavily Screened Urban MediaEnvironmentsRoom: 4Chair: Zach Melzer (Concordia University)Co-Chair: David Colangelo (Ryerson and York Universities)Zach Melzer (Concordia University), "Moving Image Real Estate: The Case of New York City’s Times Squareand Montréal’s Quartier des spectacles"Dave Colangelo (Ryerson University), "Massive Media: The New 'New Monumentality' in Urban MediaEnvironments"Annie Dell'Aria (The Graduate Center, City University of New York), "Never Forget/Never Remember: TheTexture of Media in Contemporary Memorials"Tanya Sondergaard Toft (University of Copenhagen), "Curating Criticality in Urban Digital Art Spectacles"H5: Indigenous Cinema I: Programming and PedagogyRoom: 5Chair: Angelica Lawson (University of Minnesota, Twin Cities)Jan-Christopher Horak (University of California, Los Angeles), "Through Indian Eyes – Programming NativeAmerican Cinema"
Angelica Lawson (University of Minnesota, Twin Cities), "Resistance and Resilience in Native American Cinemaand New Media: Teaching Indigenous Ethics and Aesthetics in Film"Joanna Hearne (University of Missouri), "Digital Indigenous Studies"Jeff Berglund (Northern Arizona University), "Kinship in Contemporary Diné Film"H6: Politics of the Image II: The Politics of AestheticsRoom: 6Chair: Hector Amaya (University of Virginia)Olivier Tchouaffe (Southwestern University), "Thoughts on Fiction, Conformity, Obedience, and Resistance inJean-Pierre Bekolo’s The President (2013)."Alina Predescu (San Francisco State University), "Aesthetic Avenues of Ethical Engagement in Rithy Panh’s TheMissing Picture"Parfait Bonkoungou (Auburn University), "The Iconic Representation of Space in Yeelen (1987) and Buud Yam(1997)"Hector Amaya (University of Virginia), "Bloody Blogs: Visuality and Violence beyond Politics"H7: From Maverick to Muse: Gendering Creative Strategies in Independent CinemaRoom: 7Chair: Kathleen McHugh (University of California, Los Angeles)Christine Holmlund (University of Tennessee), "Indie Women and Their Muses"Christina Lane (University of Miami), "That's My Story and I'm Sticking to It: Women Directors and the Art of Selfreinventionin a Changing Technological Landscape"Mirasol Enriquez (Cognella, Inc.), "Elizabeth Avellán: Independent Troublemaking to Hollywood and Back Again"Kathleen McHugh (University of California, Los Angeles), "Miranda July’s DIY/W/F Strategies for Indie ArtCinema"H8: Experiencing the Movies. Recent Trends in Film-PhenomenologyRoom: 8Chair: Jennifer M. Barker (Georgia State University)Jane Stadler (University of Queensland), "Sonic Disturbance: Film, Phenomenology, and the Threshold ofAcoustic Experience"Julian Hanich (University of Groningen), "Viewers Watching Together, Collective Experiences in Cinema andTheater – A Comparative Phenomenology"Jennifer M. Barker (Georgia State University), "You’ve Always Been Synaesthetic: Time, Sensation, and the'Unhuman' Body"Respondent: Carl Plantinga (Calvin College)H9: United in Diversity? Targeting Transnational Film and Television Audiences on European ScreensRoom: 9Chair: Huw Jones (University of York)Ilse Schooneknaep (Free University of Brussels), "Digital Wonderland or Digital Never-never Land?: Should EURelease Its Release Window Policy?"
- Page 1 and 2: SCMS 2015 CONFERENCE PROGRAMPRELIMI
- Page 3: Frederik Byrn Kohlert (University o
- Page 6 and 7: A16: Television and National Identi
- Page 11 and 12: Feng-Mei Heberer (University of Sou
- Page 13 and 14: Sheila Murphy (University of Michig
- Page 15 and 16: Laliv Melamed (New York University)
- Page 17 and 18: Dolores McElroy (University of Cali
- Page 19 and 20: T.L. Cowan (The New School for Soci
- Page 21 and 22: Room: 3Chair: Sylvie Bissonnette (I
- Page 23: Room: 11Chair: Charlotte Howell (Un
- Page 26 and 27: D23: Remembering, Repeating, and Wo
- Page 28 and 29: Kimberly Owczarski (Texas Christian
- Page 30 and 31: Morgan O'Brien (University of Texas
- Page 32 and 33: E23: Cut-scenes Reloaded: Making a
- Page 34 and 35: Denise Mok (University of British C
- Page 36: F16: Constructing Otherness, Decons
- Page 39 and 40: Kyle Stine (McGill University), "Ci
- Page 41 and 42: Carl Laamanen (The Ohio State Unive
- Page 43: Linda Mizejewski (Ohio State Univer
- Page 47 and 48: Roy Grundmann (Boston University),
- Page 49 and 50: Myles McNutt (University of Wiscons
- Page 51 and 52: Camilla Sears (Thompson Rivers Univ
- Page 53 and 54: Johnny Walker (Northumbria Universi
- Page 55 and 56: I22: Data Drives: Encoded Subjects
- Page 57 and 58: J7: Intermediality in Industry Hist
- Page 59 and 60: Douglas Kern (University of Marylan
- Page 61 and 62: J24: Inhuman BodiesRoom: 24Chair:He
- Page 63 and 64: Room: 8Chair: Justus Nieland (Michi
- Page 65 and 66: Room: 16Chair: Chantal Nadeau (Univ
- Page 67 and 68: Mary Desjardins (Dartmouth College)
- Page 69 and 70: L9: The Body at Risk: War Cinema in
- Page 71 and 72: Room: 17Chair: Sara Saljoughi (Univ
- Page 73 and 74: Room: 3Chair: Matthew Stoddard (Uni
- Page 75 and 76: Room: 11Chair: Chuck Maland (Univer
- Page 77 and 78: Friday, March 27, 2015 04:15PM-05:3
- Page 79 and 80: Russell Meeuf (University of Idaho)
- Page 81 and 82: Room: 13Chair: Sarah Barkin (Syracu
- Page 83 and 84: N21: WORKSHOP Outside the Film and
- Page 85 and 86: O5: Women's Narratives in Wartime M
- Page 87 and 88: Respondent: Jon Haynes (Long Island
- Page 89 and 90: Jonathan Cohn (University of Albert
- Page 91 and 92: Janet Walker (University of Califor
- Page 93 and 94: Bryn Kelly (Independent Scholar)Ale
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Respondent: Fenwick McKelvey (Conco
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Andrew Ritchey (University of Iowa)
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Room: 12Chair: Alison Griffiths (Ci
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*This workshop will be streamed*Q20
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Kosuke Fujiki (King's College Londo
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Charles O'Brien (Carleton Universit
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Workshop Participants:Peter Aliluna
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Norman McLaren: Animated Musician,
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Ryan Linkof (Los Angeles County Mus
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Room: 16Chair: Matthew Perkins (Uni
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Room: 1Chair: Ryan Friedman (Ohio S
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Katherine Rennebohm (Harvard Univer
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Room: 18Chair: Simone Becque (South
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U3: WORKSHOP What Can Disability St
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Room: 11Chair: Eileen McEwan (Muhle
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U19: Television and IdentityRoom: 1
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Banerjee, Sandeep S10Banerji, Sushm
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Condon, Carolyn B23Connolly, Matthe
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Gadassik, Alla S23Gagnon, Jean Q4Ga
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Ivakhiv, Adrian J12, K7Iversen, Gun
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Losh, Elizabeth B17, N19Lothian, Al
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Nochimson, Martha H11Nony, Anais P2
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Ross, Steven M11Rossie, Amanda R5Ro
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Swanson, Alexander Q14Swanson, Dwig
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Zemel, Dustin P24Zeng, Li U23Zhang,