Room: 7Chair: J. E. Smyth (University of Warwick)Ina Hark (University of South Carolina), "Shirley Temple and Hollywood’s Colonialist Ideology"Anna Siomopoulos (Bentley University), "Lincoln, Juarez, and FDR: The Welfare State Rhetoric of Sympathy andHollywood Films of the 1930s"Brian Neve (University of Bath), "Our Daily Bread and the Limits of Thirties Political Imagining"Respondent: Catherine Jurca (California Institute of Technology)D8: New Takes on DeleuzeRoom: 8Chair: Chang-Min Yu (University of Iowa)Joshua Jordan (New York University), "Cinema at the Speed of Thought: Henri Michaux and Images of aVisionary World"Lakshmi Padmanabhan (Brown University), "Mani Kaul’s Time Image: Deleuzian Aesthetics and Indian FilmHistory"Chang-Min Yu (University of Iowa), "Bodies of/in Excess: An Underexplored Dimension of European ModernistFilms"D9: Cinema's Visual Worlds: Dream-scapes, Set Design, and the PictorialRoom: 9Chair: Susan Felleman (University of South Carolina)Cary Elza (University of Wisconsin-Stevens Point), "Unus Mundus Artis: Guillermo del Toro and Neo-BaroqueWorld-Building"Shelton Wakdrep (University of Southern Maine), "Un-moving Pictures: Stanley Kubrick, James Bond, and thePictorial"Simran Bhalla (Northwestern University), "Through an Opera Glass, Darkly: Gendered Design in Charulata andGhare Baire"Susan Felleman (University of South Carolina), "Source Hunting in a Dreamscape"D10: Transnational Cinemas: South Korea, Japan, and BeyondRoom: 10Chair: Hye Seung Chung (Colorado State University)Co-Chair: David Scott Diffrient (Colorado State University)Sangjoon Lee (Nanyang Technological University, Singapore), "The Asia Foundation, Japan, and the SouthKorean Film Industry in the 1950s"Minhwa Ahn (University of Minnesota), "Magical Realism and Female Fantasy in Kim Kiyoung’s Films: A CrossculturalReading of Japanese Films during the Postwar Period"Nathaniel Heneghan (University of Southern California), "Alterity and Excess in the Works of Sai Yoichi"Ji-yoon An (University of Cambridge), "Home and Away: Adoption and Diaspora in A Brand New Life (2009) andTreeless Mountain (2009)"D11: Music Screens, Music Stars, Music Scenes
Room: 11Chair: Charlotte Howell (University of Texas at Austin)Kristen Alfaro (New York University), "Screens of Punk, Punks of Screen: Video History and the NightclubbingCollection at the Fales Library, New York University"Matt Stahl (University of Western Ontario), "We Have Paid a Price to Sing this Music: Aging R&B Stars' Strugglefor Reparations and Royalty Reform in the US Recording Industry, 1984-2004"Brad Stiffler (University of Minnesota), "Anti-Anti-Network TV: 'TV Party' and the (Un)Popular Avant-garde on1970s Cable Access"Charlotte Howell (University of Texas at Austin), "Symbolic Capital and Cable Access: Production Discourse ofThe American Music Show"D12: Experimental Film and Video in National and Transnational ContextsRoom: 12Chair: Henning Engelke (Goethe University Frankfurt)Maria Vinogradova (New York University), "Beyond Art and Dissent: Experimental Film in the Soviet Union"Joseph Pfender (New York University), "The Lifespan of Circuits: Cinematic Experimentalism the Chaotic Musicof Louis and Bebe Barron"Sonja Simonyi (New York University), "Image, Structure, Meaning: Gábor Bódy and Artistic Experimentation atthe Balázs Béla Studio"Henning Engelke (Goethe University Frankfurt), "Before “Expanded Cinema”: Intersections of Experimental Film,Art, and Electronic Media at the Batman Gallery, 1960-1965"D13: The Politics and Ethics of Remix VideoRoom: 13Chair: Jaimie Baron (University of Alberta)David Gurney (Texas A&M University, Corpus Christi), "Remediating Boyhood: Gendered Nostalgia and theChronotopic Remix"Jordan Lavender-Smith (CUNY Graduate Center), "'You’re My Life Support. Your Life is My Sport': FoundFootage, Remix, and Control"Jaimie Baron (University of Alberta), "The Politics of (Dis)comfort: Camp and Mimesis in Remix Video"Elena del Rio (University of Alberta), "Folding Film into Media: Aesthetics and Micropolitics of Digital RemixCinema"D14: The Politics and Problems of Hollywood Action-AdventureRoom: 14Chair: Aviva Dove-Viebahn (Arizona State University)Scott Ferguson (University of South Florida), "Why Do We Fall: Action-Adventure Physics and the Problem ofCare"David Seitz (Pennsylvania State University, Mont Alto), "Captain Phillips and the Hierarchy of Disposability:Necropolitics, Neoliberalism, and Hollywood’s Africa"Aviva Dove-Viebahn (Arizona State University), "Seriality, Feminine Intuition, and the 'Subject Supposed toKnow': The Privileges and Pitfalls of the Female Action Hero"
- Page 1 and 2: SCMS 2015 CONFERENCE PROGRAMPRELIMI
- Page 3: Frederik Byrn Kohlert (University o
- Page 6 and 7: A16: Television and National Identi
- Page 11 and 12: Feng-Mei Heberer (University of Sou
- Page 13 and 14: Sheila Murphy (University of Michig
- Page 15 and 16: Laliv Melamed (New York University)
- Page 17 and 18: Dolores McElroy (University of Cali
- Page 19 and 20: T.L. Cowan (The New School for Soci
- Page 21: Room: 3Chair: Sylvie Bissonnette (I
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- Page 28 and 29: Kimberly Owczarski (Texas Christian
- Page 30 and 31: Morgan O'Brien (University of Texas
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- Page 34 and 35: Denise Mok (University of British C
- Page 36: F16: Constructing Otherness, Decons
- Page 39 and 40: Kyle Stine (McGill University), "Ci
- Page 41 and 42: Carl Laamanen (The Ohio State Unive
- Page 43 and 44: Linda Mizejewski (Ohio State Univer
- Page 45 and 46: Angelica Lawson (University of Minn
- Page 47 and 48: Roy Grundmann (Boston University),
- Page 49 and 50: Myles McNutt (University of Wiscons
- Page 51 and 52: Camilla Sears (Thompson Rivers Univ
- Page 53 and 54: Johnny Walker (Northumbria Universi
- Page 55 and 56: I22: Data Drives: Encoded Subjects
- Page 57 and 58: J7: Intermediality in Industry Hist
- Page 59 and 60: Douglas Kern (University of Marylan
- Page 61 and 62: J24: Inhuman BodiesRoom: 24Chair:He
- Page 63 and 64: Room: 8Chair: Justus Nieland (Michi
- Page 65 and 66: Room: 16Chair: Chantal Nadeau (Univ
- Page 67 and 68: Mary Desjardins (Dartmouth College)
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- Page 71 and 72: Room: 17Chair: Sara Saljoughi (Univ
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Room: 3Chair: Matthew Stoddard (Uni
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Room: 11Chair: Chuck Maland (Univer
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Friday, March 27, 2015 04:15PM-05:3
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Russell Meeuf (University of Idaho)
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Room: 13Chair: Sarah Barkin (Syracu
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N21: WORKSHOP Outside the Film and
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O5: Women's Narratives in Wartime M
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Respondent: Jon Haynes (Long Island
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Jonathan Cohn (University of Albert
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Janet Walker (University of Califor
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Bryn Kelly (Independent Scholar)Ale
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Respondent: Fenwick McKelvey (Conco
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Andrew Ritchey (University of Iowa)
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Room: 12Chair: Alison Griffiths (Ci
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*This workshop will be streamed*Q20
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Kosuke Fujiki (King's College Londo
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Charles O'Brien (Carleton Universit
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Workshop Participants:Peter Aliluna
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Norman McLaren: Animated Musician,
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Ryan Linkof (Los Angeles County Mus
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Room: 16Chair: Matthew Perkins (Uni
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Room: 1Chair: Ryan Friedman (Ohio S
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Katherine Rennebohm (Harvard Univer
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Room: 18Chair: Simone Becque (South
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U3: WORKSHOP What Can Disability St
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Room: 11Chair: Eileen McEwan (Muhle
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U19: Television and IdentityRoom: 1
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Banerjee, Sandeep S10Banerji, Sushm
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Condon, Carolyn B23Connolly, Matthe
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Gadassik, Alla S23Gagnon, Jean Q4Ga
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Ivakhiv, Adrian J12, K7Iversen, Gun
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Losh, Elizabeth B17, N19Lothian, Al
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Nochimson, Martha H11Nony, Anais P2
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Ross, Steven M11Rossie, Amanda R5Ro
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Swanson, Alexander Q14Swanson, Dwig
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Zemel, Dustin P24Zeng, Li U23Zhang,