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Talent Management in the current climate Brewing up ... - Ashridge

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A day <strong>in</strong> <strong>the</strong> life of<br />

Nick Ceasar<br />

8<br />

It’s 8am and I am on my bicycle,<br />

fly<strong>in</strong>g over Hampstead Heath,<br />

dr<strong>in</strong>k<strong>in</strong>g <strong>the</strong> fresh air and pedall<strong>in</strong>g<br />

as fast as my smart-casual attire will<br />

allow. It’s been two months s<strong>in</strong>ce<br />

I started at <strong>Ashridge</strong> and I have<br />

been miss<strong>in</strong>g like crazy my cycle to<br />

work. I only realise how important<br />

my daily ride was now it’s gone and<br />

still haven’t quite managed to f<strong>in</strong>d<br />

an equivalent substitute. I vow to<br />

myself to w<strong>in</strong> more London-based<br />

clients, and pedal on.<br />

I am part of <strong>the</strong> Susta<strong>in</strong>ability<br />

Practice at <strong>Ashridge</strong> Consult<strong>in</strong>g.<br />

<strong>Ashridge</strong> has a strong reputation<br />

<strong>in</strong> this area already, particularly<br />

<strong>in</strong> research and education, and<br />

part of my job is to s<strong>up</strong>port <strong>the</strong><br />

consult<strong>in</strong>g effort. One way of do<strong>in</strong>g<br />

this is to start to <strong>in</strong>troduce some<br />

of my networks from <strong>the</strong> field to<br />

colleagues at <strong>Ashridge</strong> who show<br />

an <strong>in</strong>terest. Today’s focus is to<br />

explore what we can learn from <strong>the</strong><br />

discipl<strong>in</strong>e of design: <strong>in</strong> particular,<br />

<strong>the</strong> way designers th<strong>in</strong>k <strong>in</strong> order to<br />

<strong>in</strong>form management practice <strong>in</strong> <strong>the</strong><br />

susta<strong>in</strong>able context. This activity<br />

is <strong>in</strong> response to a request from<br />

Hugh, a colleague at <strong>Ashridge</strong>,<br />

who is committed to f<strong>in</strong>d<strong>in</strong>g a<br />

European equivalent of <strong>the</strong> great<br />

Bill McDonough, architect, designer<br />

and bio-neer.<br />

Rob Holdway bowls though <strong>the</strong><br />

door of <strong>the</strong> RSA’s t<strong>in</strong>y Gerard Bar<br />

clutch<strong>in</strong>g a pack of s<strong>up</strong>er-strength<br />

Lemsip. He denies its man-flu and<br />

suggests that comb<strong>in</strong><strong>in</strong>g coffee<br />

and Lemsip will see him right. I<br />

suggest this comb<strong>in</strong>ation was not<br />

‘designed’ to be used this way but<br />

he ignores my snide advice and<br />

sure enough he is shortly fir<strong>in</strong>g on<br />

all cyl<strong>in</strong>ders.<br />

Best known as <strong>the</strong> presenter of<br />

Channel 4’s reality show, Dumped,<br />

Rob is a product designer by trade,<br />

previously a research fellow at <strong>the</strong><br />

Royal College of Art and a founder<br />

of <strong>the</strong> highly successful ecoconsultancy<br />

Giraffe Innovations.<br />

He has <strong>the</strong> high energy and<br />

conversational rhythm of a classic<br />

entrepreneur and is proud of what<br />

he has achieved. He darts from<br />

subject to subject, rang<strong>in</strong>g from <strong>the</strong><br />

construction of <strong>the</strong> WEEE (Waste<br />

Electrical and Electronic Equipment)<br />

sculpture that he directed for <strong>the</strong><br />

Eden Project, to <strong>the</strong> unsusta<strong>in</strong>able<br />

choices companies are be<strong>in</strong>g<br />

forced to make due to <strong>the</strong> prices<br />

for recycled materials dropp<strong>in</strong>g<br />

through <strong>the</strong> floor <strong>in</strong> <strong>the</strong> <strong>current</strong><br />

economy. Hav<strong>in</strong>g worked with Rob<br />

<strong>in</strong> <strong>the</strong> past, though, I know he is<br />

more than just an entrepreneurial<br />

shaper and is also a true completer-<br />

f<strong>in</strong>isher, so I feel happy engag<strong>in</strong>g<br />

with his comfortable banter.<br />

Hugh has jo<strong>in</strong>ed us now and<br />

is keen to pull <strong>the</strong> conversation<br />

back from technical detail and to<br />

focus on <strong>the</strong> bigger questions.<br />

What can we take from design<br />

as a discipl<strong>in</strong>e and designer<br />

th<strong>in</strong>k<strong>in</strong>g to help us to <strong>in</strong>form <strong>the</strong><br />

way bus<strong>in</strong>esses th<strong>in</strong>k about <strong>the</strong>ir<br />

context and relationships with<br />

wider environment and society?<br />

The power of design is becom<strong>in</strong>g a<br />

hot topic <strong>in</strong> <strong>the</strong> wider susta<strong>in</strong>ability<br />

arena too, with recognition that<br />

as much as 80% of <strong>the</strong> negative<br />

impact from products or services<br />

results from decisions made at <strong>the</strong><br />

design stage. More broadly, <strong>the</strong>re is<br />

much to be gleaned from apply<strong>in</strong>g<br />

a design m<strong>in</strong>dset and philosophy<br />

to wider bus<strong>in</strong>ess issues, from<br />

be<strong>in</strong>g more <strong>in</strong>tuitive to <strong>the</strong> cont<strong>in</strong>ual<br />

question<strong>in</strong>g of <strong>the</strong> status quo.<br />

Rob is quick to po<strong>in</strong>t out,<br />

though, that actually many<br />

designers are nei<strong>the</strong>r follow<strong>in</strong>g nor<br />

<strong>in</strong>terested <strong>in</strong> follow<strong>in</strong>g <strong>the</strong> path of<br />

Bill McDonough and are often more<br />

<strong>in</strong>terested <strong>in</strong> pure aes<strong>the</strong>tic. Take<br />

Philippe Starck’s ‘Juicy Salif’ lemon<br />

squeezer for example: it’s a musthave<br />

on <strong>the</strong> kitchen w<strong>in</strong>dowsill but<br />

if you want to squeeze a lemon....<br />

We acknowledge that we are go<strong>in</strong>g

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