MÅNEDENS ALBUM:ÅPEN PROFILGuest Artists:- Kaseim Hamin (vocal)- Es Haq Balochnasab(vocal and tamburag)- Ostaad MohammadBachal Baloch (dohkor)- Ostaad Moula BakhshNoori (tamburag). Bashkard, classical melody7:26 (Trad.)2. Waro Kane, folk song4:34, (arr: AbdulrahmanSurizehi)Singer: KaseimHamin3. Marochaan 6:53 A.Surizehi (melody: A.Surizehi – lyrics: MobarakQuzi – arr: A. Surizehi)4. Mani Armaan, folkmusic 3:53(arr: A. Surizehi)5. Amchon Majnua, folksong 4:56, (arr: A.Surizehi)Singer: Es HaqBalochnasab6. Shehi Morid Hanni,classical song 7:54(Trad.)Singer: Es HaqBalochnasab7. Folk Melody, folk music5:22 (Trad.)8. Tai Gamaa 5:46 A.Surizehi (melody: A.Surizehi – lyrics: GhusBakhsh Bahar – arr: A.Surizehi)Singer: KaseimHamin9. Kasede Hala, folk music5:29 (melody: Sahfi SattarBaloch – lyrics: OmarJamalee – arr: A. Zurizehi.)Singer: Kaseim Hamin10. Kaply Wala, folk song3:52 (arr. trad.) Singer: EsHaq Balochnasab2-1<strong>65</strong>5 Folk Songs and ContemporarySongs from Balochistan -ABDULRAHMAN SURIZEHIMÅNEDENS ALBUM i Åpen profil i#<strong>65</strong> består av dette albumet <strong>til</strong> priskr 180,- (Medlemmer kr 160,-)This album is focusing on Abdulrahman Surizehiboth as a performing artist on benju and a composerand arranger of contemporary melodies. As the titlesindicate, this album is a blend between contemporaysongs and folk songs – about halv of each. TheBaloch music is related to the musical traditions ofsouthern Afghanistan, western Pakistan and easternIran, and has its very distinctive scales and rythms.In dialog with tradition, Surizehi creates vital andcreative musical expressions and styles within theBaloch musical traditions. This album is topped byto prominet singers; Kaseim Hamin and Es HaqBalochnasab, both excellent performers within thistradition.11. Folk Melody, folk music4:18Sjekk Åpen profil på nettbutikken: www.etniskmusikklubb.no6Abdulrahman Surizehi is considered amongconnoisseurs as the worlds leading performer onthe Baluchi instrument Benju. He reveals a vitality,creativity and exhibits extensive knowledge ofBaluchi tradition, as well as an outstanding masteringof comprehensiverepertoires on the Benju.This he has picked upthrough innumerablemeetings and recordingswith several greatmasters both in Iran andPakistan. The Benju is adulcimer like instrument,which appeared inBaluchistan in the firstpart of last century,presumably by way ofJapan. In Baluchistan itwas developed andimproved; the BaluchiBenju is approximatelyone metre in length andis about twice the size ofits closest relatives. Themain string is doublewith accompanied stringson each side.Abdulrahman benefitedconsiderably throughhaving a good teacher inhis father, Joma Surizehi,who is considered centralin improving theinstrument, as well asconsolidating the Benjuin Baluchi tradition.Abdulrahman is residentin Oslo, and has inNorway been a contributorin several fusionbasedmusic projects, butis progressively performingon theinternational arena. He isknown to a worldaudience through participationat festivals andconcerts, and also for hisbrilliant contributions onBaluchi recordings. Hehas built up considerableprestige andfame among connoisseursof Baluchi traditionboth inside Baluchistanand beyond.
Åpen profilÅpen profil2-1<strong>65</strong>6 Azulejo - JUANCARLOS ROMEROThis album has bee<strong>nr</strong>ecorded ten years ago, asJuan s<strong>til</strong>l was a Niño in theFlamenco world. He soonbecame a prominent guitaristregarded by many as the bestand for good reason! Thisalbum is fresh, jazzy and easyto listen to. His guitar hasadorned the cante of first-lineartists. Awarded the PremioNacional de Guitarra in theprestigious contest of Jerezde la Frontera, in thespecialty of concert guitarist.2-1641 CUERDASFLAMENCAS- PACO DE LUCIA- MANOLOSANLUCAR- EL NINO DE PURA- RAFAELCANIZARES2-1<strong>65</strong>7 Guadeloupe - LaTradition du quadrille -NEGOCE ETSIGNATUREGrande-Terre quadrille, anoffshoot of 18th Europeandance blended withAfrican sensibility ismore than a simpleentertainment, and todaya vital part ofGadeloupean life. Thiscreole music with itsmelodic richness andpowerful rythms has foundin Negoce and Signature,one of its finest exponents.2-1<strong>65</strong>8 Tout et soncontraire - MICHELMACIASWhen listening to MichelMacias, we can feel the earthwith its sweet smells and hearthe birds singing. The notesreleased from his instrumenttell joyful, sad or nostalgicstories: it is as if they havealways been lodged in theinterior of that magicalmusical box which is hisaccordion. But without doubtit is his own spirit whichspeaks through the music.2-1<strong>65</strong>9 Piano Jondo -DIEGO AMADORDiego Amador, vocal, piano,guitar & palmas MiguelVargas, double bass LuisAmador, percussion JoaquinGrilo, palmas. There is a newgeneration of Flamencomusicians capable ofgracefully resolving thedilemma between traditionand innovation. DiegoAmador is probably themost brilliant of them all, atotally self-taught pianistwho is bewitching with hisinventions.2-1644 TANGOARGENTINO- CARLOS GARDEL- CESAR STROCCIO& ESQUINA- QUARTETOALMANGRO- HUGO DIAZ72-1640 FADO DELISBOA- AMALIARODRIGUES- MARIALEOPOLDINA GUIA- MARIA TERESA DENORONHA- ARMANDINHO2-1660 Avril - BENATACHIARY, RAMONLOPEZ, PHILIPPE DEEZCURRAPlenty of life, of our dreamsof, our hopes - the songs onthis album convey all thesefeelings. Sometimes time isin suspension, leaving thesoul to slowly unfold.Sometimes the heart throbsas gently as the mist formedfurther to life’s mostintimate.These songs arethe adventure ground of thistrio’s music.