11.07.2015 Views

MSP; "A Primer on Compression" - Peabody Computer Music

MSP; "A Primer on Compression" - Peabody Computer Music

MSP; "A Primer on Compression" - Peabody Computer Music

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Tutorial 1: Peak LimitingThe patcher C1. Peak Limiting illustrates the use of the omx.peaklim~ object. You can see it inacti<strong>on</strong> by applying any signal with varying levels. Most pop music is heavily compressed, andw<strong>on</strong>'t do much here. Try raw drum recordings if you have any, or classical music orrecordings of spoken word.The meters show the level of the input, the acti<strong>on</strong> of the amplifier, and the output level. If youincrease the input gain, you will see the level increase to a point, but then the gain slamsdown so that the output w<strong>on</strong>'t be allowed to reach the distorti<strong>on</strong> point. You can then lowerthe output gain to get the original signal level with the peaks removed, as shown in figure 1.Figure 1. Peak limiting before (top) and after (Input +10 Threshold -1, output –10.)If you raise the threshold, distorti<strong>on</strong> can occur and will be very audible. If you lower thethreshold, the gain indicator will be mostly in the low positi<strong>on</strong>, and the overall effect will be alot quieter. Raising the output gain will restore the original signal level, but you will find quietspots in the input c<strong>on</strong>tain things you didn't notice before. The overall impressi<strong>on</strong> of loudnessshould be much str<strong>on</strong>ger than before. This is heavy limiting.7

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!