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Garamond, 1532ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz1234567890Bodoni, 1788ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz1234567890Century Expanded, 1900ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz1234567890Futura, 1930ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz1234567890Times Roman, 1931ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz123456789056Helvetica, 1957ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz1234567890
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THE VIGNELLI CANON
Page 6: Josheph Müller-BrockmannAlan Fletc
Page 10: Semantics10I have always said that
Page 18: AppropriatenessThe notion of approp
Page 22: Design Is OneThe office of the Cast
Page 28: TimelessnessWe are definitively aga
Page 32: EquityMany times we have been asked
Page 36: Paper Sizes36The choice of paper si
Page 40: Grids, Margins,Columnsand Modules40
Page 44: A CompanyLetterhead44After setting
Page 48: Grids for BooksFor the design of a
Page 54: TypefacesThe Basic Ones54The advent
Page 66: Flush Left,Centered,JustifiedMost o
Page 70: Salotti Fissi o con LettoStoccolma
Page 74: ScaleThe notion of scale is an esse
Page 78: ColorMost of the time we use color
Page 84: SequenceIf sifting the images is th
Page 90: Identity andDiversityThe notion of
Page 94: A collectionof experiencesVery earl
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