R E H A B I L I TAT I O N A RT I C L Epsychological support that was previouslyunavailable. This service developmentproject <strong>and</strong> evaluation wascompleted <strong>in</strong> one day per week for ayear <strong>in</strong>clud<strong>in</strong>g travel <strong>and</strong> adm<strong>in</strong>istration.If services such as this arecont<strong>in</strong>ued, further people hav<strong>in</strong>gstrokes could benefit. This will havebenefits for the health <strong>and</strong> well-be<strong>in</strong>gof those experienc<strong>in</strong>g strokes <strong>and</strong>their families, <strong>and</strong> positive benefits torehabilitation outcomes.ConclusionThis service development project <strong>and</strong>evaluation has identified <strong>and</strong> filled anunmet need for psychological provisionafter stroke <strong>in</strong> this locality. All theparticipants were appreciative of theservice <strong>and</strong> felt that they benefited. Theresults show that participants’ overallmood improved after receiv<strong>in</strong>g thisservice. The DASS was an appropriatemeasure to assess mood <strong>and</strong> enabledchanges <strong>in</strong> stress, anxiety <strong>and</strong> depressionto be assessed <strong>and</strong> evaluated.Psychodynamic counsell<strong>in</strong>g wasshown to be a potentially effectivepsychotherapeutic approach <strong>and</strong> avaluable extension to the communitymultidiscipl<strong>in</strong>ary rehabilitationapproach. This evaluation addsfurther to the literature <strong>and</strong> evidencebase of the effectiveness ofpsychotherapeutic approaches withstroke. It has also been identified thatthe commission<strong>in</strong>g of a well-structuredpsychological support serviceis needed. Anticipated benefits arelikely to <strong>in</strong>clude: reduced dem<strong>and</strong> onGPs due to reduced risk, support<strong>in</strong>gGPs to meet higher rat<strong>in</strong>gs on theirquality <strong>and</strong> outcomes framework <strong>and</strong>therefore mak<strong>in</strong>g cost sav<strong>in</strong>gs, <strong>and</strong>the provision of a high quality servicethat meets the quality markers of TheNational Stroke Strategy (Departmentof Health, 2007).Help<strong>in</strong>g to support a person to feelbetter about life can only be valuable,<strong>and</strong> therefore this has been a veryworthwhile project. One participant’spositive feedback through a changequestionnaire made the follow<strong>in</strong>gcomments about the counsell<strong>in</strong>gsessions.“A relief through a difficult time”“I couldn’t have stayed <strong>in</strong> hospital if Ididn’t have you.”“Not worried if sitt<strong>in</strong>g alone. Not terrifiedanymore.”REFERENCES1. Lovibond SH, Lovibond PF. (2004) DASS: The Depression, Anxiety, StressScales. 2nd ed. School of Psychology, University of New South Wales,Sydney, Australia.2. National Audit Office (2005) NHS: Department of Health: Reduc<strong>in</strong>gBra<strong>in</strong> Damage: Faster access to better stroke care.3. Kvigne K, Kirkevold M, Gjengedal E. ‘Fight<strong>in</strong>g back – Struggl<strong>in</strong>g tocont<strong>in</strong>ue life <strong>and</strong> preserve the self follow<strong>in</strong>g a stroke.’ In: Health Care forWomen International, 2004;25:370-87.4. Royal College of Physicians (2008) National Cl<strong>in</strong>ical Guidel<strong>in</strong>es forStroke. Prepared by the Royal College of Physicians <strong>in</strong>tercollegiatestroke work<strong>in</strong>g party. 3rd ed.5. Banks P. Pearson C. ‘Parallel lives: younger stroke survivors <strong>and</strong> theirpartners cop<strong>in</strong>g with crisis.’ In: Sexual <strong>and</strong> Relationship Therapy2004;19(4):413-29.6. Cunn<strong>in</strong>gham R. ‘Counsell<strong>in</strong>g someone with severe aphasia: an explorativecase study’ In: Disability <strong>and</strong> <strong>Rehabilitation</strong> 1998;20(9):346-54.7. Oliveira RA, Mill<strong>in</strong>er EK, Page R. ‘Psychotherapy with PhysicallyDisabled Patients.’ In: American Journal of Psychotherapy.2004;58(4):430-41.8. Hsu MC, Schub<strong>in</strong>er H. ‘Recovery from Chronic Musculoskeletal Pa<strong>in</strong>with Psychodynamic Consultation <strong>and</strong> Brief Intervention: A Report ofThree Illustrative Cases.’ In: Pa<strong>in</strong> Medic<strong>in</strong>e. 2010;11:977-80.9. Wilson BA, Gracey F, Evans JJ, Bateman A. (2009) Neuropsychological<strong>Rehabilitation</strong>: Theory, Models, Therapy <strong>and</strong> Outcome. CambridgeUniversity Press, UK.10. Leader, D. (2009) The New Black: Mourn<strong>in</strong>g, Melancholia <strong>and</strong>Depression. London, Engl<strong>and</strong>, Pengu<strong>in</strong> Books.11. Bl<strong>and</strong>o, John (2011) Counsel<strong>in</strong>g Older Adults, East Sussex, Routledge,Taylor & Francis Group.12. Stern, R. (1997) Visual Analog Mood Scale –VAMS. PsychologicalAssessment Resources, Inc. USA.13. National Stroke Strategy for Engl<strong>and</strong> (2007) NHS: Department ofHealth14. Parr, S. (2004) The Stroke <strong>and</strong> Aphasia H<strong>and</strong>book. London. Connect.Monday 26th November 2012University of Warwick Conference Centre, Coventry, CV4 7ALRAatE 2012 is the only UK conference focused on the latest <strong>in</strong>novations <strong>and</strong>developments <strong>in</strong> assistive technology. This conference will be of <strong>in</strong>terest to everyonewho uses, works with, develops or conducts research on assistive technologies (AT).The Conference is run <strong>in</strong> association with the Health Design & Technology Institute atCoventry University. The HDTI seeks to develop new products <strong>and</strong> new systems ofcare provision for the assisted liv<strong>in</strong>g sector.The conference program has, over the past years, regularly <strong>in</strong>cluded newtechnological developments, service <strong>in</strong>novations, results of formal research projects,service based research <strong>and</strong> development <strong>and</strong> a wide range of other stimulat<strong>in</strong>g topics.Known as a friendly <strong>and</strong> productive conference, RAatE 2012 offers you a chance tomeet <strong>and</strong> share knowledge <strong>and</strong> experience with other people work<strong>in</strong>g <strong>in</strong> AT.RAatE 2012 is delighted to announce this years keynote speaker as Mark Hawley,Professor of Health Services Research at the University of Sheffield, UK, where heleads the <strong>Rehabilitation</strong> <strong>and</strong> Assistive Technology Research Group. Over the last 20years, he has worked as a cl<strong>in</strong>ician <strong>and</strong> researcher - provid<strong>in</strong>g, research<strong>in</strong>g,develop<strong>in</strong>g <strong>and</strong> evaluat<strong>in</strong>g assistive technology, telehealth <strong>and</strong> telecare products <strong>and</strong>services for disabled people, older people <strong>and</strong> people with long-term conditions.Paper presentations <strong>and</strong> workshops at RAatE 2012 will <strong>in</strong>cludeTo book your place at RAatE 2012 register onl<strong>in</strong>e at www.raate.org.ukCost is £150 <strong>in</strong>clusive of VAT.For more <strong>in</strong>formation on sponsorship opportunities or to book an exhibition st<strong>and</strong>please contact hdti.<strong>in</strong>fo@coventry.ac.uk 20 > ACNR > VOLUME 12 NUMBER 4 > SEPTEMBER/OCTOBER 2012
N E U RO LO GY I N A RTAn Artist’s View of theBra<strong>in</strong>Jane Southgatega<strong>in</strong>ed her BA at Chelsea School off<strong>in</strong>e art <strong>and</strong> has worked as aprofessional artist from her studio<strong>in</strong> Suffolk for the last 17 years. Sheregularly exhibits, undertakescommissions <strong>and</strong> runs workshopsfor a variety of different groups.Her work is generally threedimensional<strong>and</strong> often conta<strong>in</strong>s atextile element.Correspondence to:Jane Southgate,1 Bridges Cottages,Darmsden,Ipswich,Suffolk,IP6 8RA UK.Email: janevsouthgate@yahoo.co.ukThere is always a biological element <strong>in</strong> mywork, usually human but not exclusively,however lately I have been fasc<strong>in</strong>ated by thebra<strong>in</strong>. This <strong>in</strong>terest arose after the death of a familymember from a bra<strong>in</strong> tumour. As an artist, themajority of my work <strong>in</strong>volves life cycles <strong>and</strong> has attimes addressed pregnancy, the lifecycle <strong>and</strong> nest<strong>in</strong>gof birds, reclamation <strong>and</strong> recycl<strong>in</strong>g, decay <strong>and</strong> newlife with<strong>in</strong> the natural world. I wasn’t look<strong>in</strong>g foranswers, reasons or even explanations l<strong>in</strong>ked withthis event. It merely highlighted to me what anamaz<strong>in</strong>g <strong>and</strong> fasc<strong>in</strong>at<strong>in</strong>g organ the bra<strong>in</strong> is. Initially Iconcentrated on the theoretical concepts, I amenthralled by how we can be ourselves, have ourown <strong>in</strong>dividual personality <strong>and</strong> yet everyth<strong>in</strong>g weare, do <strong>and</strong> th<strong>in</strong>k has been expla<strong>in</strong>ed by some asmerely a process <strong>in</strong> the bra<strong>in</strong>, how can this be all weare? How can electro-chemical reactions with<strong>in</strong> ourbra<strong>in</strong>s make me an artist <strong>and</strong> you a neurologist? Andwhere does the spirit of each of us come from, <strong>and</strong>reside, with<strong>in</strong> that amaz<strong>in</strong>g network of fir<strong>in</strong>gsynapses? Well, these questions I still can’t answer<strong>and</strong> they still fill me with awe. I have, however, beenlearn<strong>in</strong>g more about the physical construction ofthe bra<strong>in</strong> <strong>and</strong>, as a sculptor who frequently workswith textiles, this grasp<strong>in</strong>g at an underst<strong>and</strong><strong>in</strong>g of thefabrication of the bra<strong>in</strong> holds another area foramazement.In order to explore my thoughts <strong>and</strong> f<strong>in</strong>d<strong>in</strong>gs Ibegan mak<strong>in</strong>g papercuts of the outer appearance ofthe bra<strong>in</strong>, that beautiful folded <strong>and</strong> pleated, almostquilted surface. I followed this with a papercut of anartistic <strong>in</strong>terpretation of neurons. Neurons, it seemsto me, really are the thread of our thoughts. Theirdelicate spidery dendrites <strong>and</strong> axons have a trulytextile, woven quality to them. For this very reason Icrocheted a neuron, but this wasn’t delicate enough<strong>and</strong> I felt it lacked the fantastically fragile appearanceof the real th<strong>in</strong>g. This led me <strong>in</strong>to an experimentof embroider<strong>in</strong>g neurones onto dissolvablefabric so that I could make a neuron lace. I washappier with the results but currently I am try<strong>in</strong>g tof<strong>in</strong>d a way of mak<strong>in</strong>g them more three-dimensionalas the flat lace doesn’t do justice to the the neuralnetworks <strong>and</strong> <strong>in</strong>terconnections. I have embroidereda side view of the bra<strong>in</strong> <strong>and</strong> upper bra<strong>in</strong>stem, <strong>and</strong>made a quilted version although I <strong>in</strong>tend to work onthis quilt<strong>in</strong>g effect much more as my first attemptdoesn’t embody the sumptuous depths of thecrenellations that I want to capture. I have justf<strong>in</strong>ished knitt<strong>in</strong>g myself a bra<strong>in</strong>. I took my knitt<strong>in</strong>g <strong>in</strong>my bag with me wherever I was go<strong>in</strong>g for the last fewweeks so I could work on it whenever I had a fewm<strong>in</strong>utes. It was fantastic fun to see people’s reactionsas they often stopped me to ask what it was I wasknitt<strong>in</strong>g. I am try<strong>in</strong>g to design a way to make a veryloose 3-D weav<strong>in</strong>g based on images of thought pathways<strong>and</strong> digitally recoloured photographs ofneuron <strong>in</strong>terconnections especially the gorgeousKnitted bra<strong>in</strong>‘Bra<strong>in</strong>bow Mouse’ images by Jean Livet, Joshua RSanes <strong>and</strong> Jeff Lichtman but it is prov<strong>in</strong>g to be ratherdem<strong>and</strong><strong>in</strong>g. Hav<strong>in</strong>g recently visited the WellcomeTrust to see ‘Bra<strong>in</strong>s: The M<strong>in</strong>d as Matter’ exhibition Iwas captivated by the fantastic draw<strong>in</strong>gs of SantiagoRamon y Cajal. I am hop<strong>in</strong>g to create a body of workthat will be exhibited together <strong>in</strong> order to <strong>in</strong>spireother peoples’ <strong>in</strong>terest <strong>and</strong> exploration <strong>in</strong>to thisfasc<strong>in</strong>at<strong>in</strong>g organ. Particularly, I hope to encapsulatea sense of its visual beauty <strong>in</strong> physical construction,externally <strong>and</strong> <strong>in</strong>ternally, not just its vast, assorted<strong>and</strong> amaz<strong>in</strong>g functions. lNeuron laceACNR > VOLUME 12 NUMBER 4 > SEPTEMBER/OCTOBER 2012 > 21