BloodletEclecticVictory RecordsI saw COC once, hell, I'veeven seen AT WAR andNUCLEAR ASSAULT. Theywere the shows vou somehowjust ended up at withoutactually planning on it. Theb<strong>as</strong>s and drums from tliemwould pound down on yourchest, knocking the wind out- uf youw~e~ouggaggjdowna smoke. The moshersbumped your beer and youthought to yourself it w<strong>as</strong>n'ta bad little show. Outside ofthat I never paid much attentionto the 'new' metal ph<strong>as</strong>e;fun to watch but not all thafto listen to at home. BLOOD-LET hits me the same way.It's a genre you really have .tobe into to appreciate. If theboys ended up knocking onthe doors of SLC,-"Hey we'regonna play" I'll probably endup there and watch the longhairsbob their heads 'andwave their fists, but that -would be the extent of my<strong>as</strong>sociation with the band.It's heavy, covered in machovocals, no fl<strong>as</strong>h just straightforward guitar attack, and :.h<strong>as</strong> the standard vocabularyof 'seven- tongued devils''molten tears' 'rage,' and 'infinitelost souls' Well done forwhat it is, but still for heavymetal elites.+AND-.IFor once the advance actuallygives a proper idea <strong>as</strong> to +emusic. Is this the one to makethe Bad Religion cover boysof S<strong>as</strong>sy? Can they capturethe interest of pre-teens whoignored the Circle Jerks andAll even <strong>as</strong> they snapped up"product" by the third generation?Ric Oc<strong>as</strong>ek producedwith the band. All songs werewritten by Greg ~rafflr; andBrih Baker, who h<strong>as</strong> filIedtlie vacant guitar slot. Bakerw<strong>as</strong> formerly in Minor, Threat. Stranger Than Fictionraised t$eir profile slightly. Ifthe tour with Pearl Jam had- actually happened that record----might have broken themthrough. The career retrospectiveEpitaph rele<strong>as</strong>ed hiilpedeven more. rve seen eightyear-oldspicking it up.Anyone thinking punk rockh<strong>as</strong> burned itself out needsThe.Gray Rate. Melodic guitars,harmonies, speed, songs,,anthems are all included."The Gray Race," "A Walk,""Parallel," "Pity The Dead,"and that's only the first side."Spirit ShineNsontinues theonslaught ?n~jk&&a: f: don'tknow, mdybe they are too $Idto capture the imaginations ofpu$'s new generation. Ithought the Circle Jerks hadthe best punk rock record of'95 and we all saw where .they ended up. The labelgroup appearkd mare interestedin breaking Joan .Osboume than promotingOddities, Abnwlities andCuriosities. Greg Hetson mustbe happier h Bad Religion. IhaveWo in&ths tcienEa3rthe'c<strong>as</strong>s,g~mo.*.&lyric o . CDMthing more impressive is from the early '8& altemagoing .to- appear in the mean- tive band, Gene Lovespe. Tke ,Gray Ruce is sched- Jezebel. Aston h<strong>as</strong> been oruled for ele<strong>as</strong>e on February . his own since 1990 and this is27. Hopefully a &~b tour will his first recording for Triple Xfo11~. , Records. Aston brought in--Chis Head Mick Rossi on guitar andGeza X to produce it. (Ifthose two names mean an\thing to you, then I knowhow old you are ... You oldfart!) As always, Astonisvocals are haunting.Musically,this recording h<strong>as</strong> more of afolk/acoustic feel to it. Thevibe is very relaxed and thetempo is slowed dawn, con-~ack 0' Fire siderably. Personally I thinkBeware The Soulless Cool Astonis vocals go great with1+2 ~ecords , this type of music. His voiceIt seems that we have hit a. brings a bit of nielancholyfadof bands that do nothing type longing to the songs andbut covers. In a way it h<strong>as</strong> its &nough distkce to give thehumorous perks, but some- album an edgy creepiness. Ifhow always leaving me you liked Gene Loves Jezebeltioning whether anyone ,really and you like slower songs, Ih<strong>as</strong> anything new to say. think you will like, Why Me,_JACKQ!JEF&~anoth~ W'Rtim*~. 43ut -er entire record of covers. you will have to giveit time,Respite my mistrust of cover itis one ~lat'definitel~ grows%bands, I will say they've on you. And by the way, itispulleg it off we!. They give a good album for lovers. Sotheir covers a- miyy blues feel; gfab your favorite partner,not so mu&'like.§PENCER, . light some candles and .but more swampp4ike-i little ; irrcerise, and wat& thenightknowriband from the eight- dbsipate, right before youries, ~,msE. The vocals . very eyes. 'are mufflkd and turned. down -RDJa bit, <strong>as</strong> if the various singers.use their voices <strong>as</strong> just motherbstrument. Their selectionsof pieces to cover rangefrpm TyE WHO, THE,CRAMPS, THE BARKAYS,and even Wire's 12 X U. Its afun piece to diink to, just lkt& to th& version of WINEWIN6 $VINE, but if you're atechnical.freak you's best stay Brian Jonestom M<strong>as</strong>sacreaway; they're sloppy: But if Methadronewe refused sloppiness in TangibleJAsphodal Recordsmusic, wh& would the delta Now that every band in exisbluesbe? , . tence h<strong>as</strong> discovered psyche-:', -JWD delic rock in one form or. aanother the Brian JonestownMichael ht'onM<strong>as</strong>sacre have rele<strong>as</strong>edWhy Me Why This. Why Now '~ethadrone <strong>as</strong> a textbook:$&g#g-$k- .-:- . example of trancelpsychedel-*-.. ---+,.. , ,, . *ournay ic without any electronic syn--eniber-ichakl st on thesizers or samples involved.
Think of the concept! Theplayers shift frompiece topiece. The only stable elementis Anton Newcombe whocontributes multi-instnunentallyto all 14 tracks. As thetitle suggests the musicdroneson and on and on. The averagesong length wouldappear to be around seven oreight minutes. The worldinfluence is ever presentexcept actual guitars are usedwith effects in place to imitatesitars, bagpipes and the like.The vocals complement thetrance one falls into by aboutthe third or fourth track. If allthat ambientrance/dub/psychedelicnonsense h<strong>as</strong> you soenthralled that you just can'twait for My Bloody Valentineor Portishead to rele<strong>as</strong>e thenext "dose" have a sessiqnwith the Brian JonestownM<strong>as</strong>sacre.-Smurf Boy 'Ibomd .,-...ButterfliesBored RoomNG RecordsYet another bunch of collegeeducated youth arm themselveswith the typical guitarsand somehow manage torele<strong>as</strong>e an album. Whatever. Iguess it's better than workingat Wallmart. The noise quotientis exceptionally highwhich brings a sneer to mylips. The Seattle element islow which again brings <strong>as</strong>neer to my lips. Interspersedwith the noise are some lovelylittle melodies. Again thesneer appears. Somehow I'mreminded of Pond, a bandthat f<strong>as</strong>hion h<strong>as</strong> p<strong>as</strong>sed byActually the underlyingtheme of this hand's music isexceptionally relevant.Somehow I get the impressionthat this all-bov band issupported and fin6ced by .girls. I do believe the album'stitle says more about the cur-The Gamma Menrent state of affairs than manyLess Is Morehave to date noticed. The1+2 Records boys can't get jobs becauseI guess it's perfectly alright to they have a penis and theycome out and say that a band are white. How many of you'sucks,' and THE GAMMA reading this rag (includingMEN do. Not because they the publisher) owe yourcan't play, but they are a bla- livelihood to a girl? A fadtantrip off of the late seven- nating state of affairs to saytiesand some early eighties ' the le<strong>as</strong>t. The girls stay atpunk. They might be one up home paying the rent whileon the RAMONES (they the boys go on tour promothowfour not three chords), ;' ing the record of the boysbut The RamoneS were doing work in service sector whileit first. If you hear it and like the girls go on tour. Indiethe sound of it (which is label rock <strong>as</strong> usual kicks someokay) don't buy it. Get your major butt. The publicist is norecord store to ship in some doubt supporting a boy on45 GRAVE, GENERATION-X, the road so buy the recordTHE DAMNED or BUZ- and watch for them to pull ypZCOCKS and save your dig- in the van at the Cinema Barnity. in 96.+AND--Chis HeadLenny KravitzCimrsVirginCircus w<strong>as</strong> rele<strong>as</strong>ed aboutthree months ago. As far <strong>as</strong> Ican tell, the radio stations inthis area arenlt exactly goingballistic over ~. (Eve got noclue what MTV is doing. Idonit have cable and Ihaven't seen MTV in almostfour years.) This album ischock full of talent and reallykiller songs. In c<strong>as</strong>e youdonit how, Kravitz is verytalented. On most of thesongs he plays all the instruments.He can play thedrums <strong>as</strong> fluently <strong>as</strong> he can akick-<strong>as</strong>s guitar solo. And theway he records his albumswill take you back to our' yesteryear. From what Iiveread he doesnit use any digitalmeans for the production' of his songs. By doing this hetotally gets the groove andfeel of an early to mid-70'srecording. One of myfavorite songs on the album isBeyond the 7th Sky. lb steala line from Musicianis MacRandall, Lenny gets this cav-,emous Zepplinesque drumsound that you thought w<strong>as</strong>only privy to Bonham. 1think the whole album isstrong and Kravitz really isan underrated musician and <strong>as</strong>ong writer. If you donitbelieve me just tum on anyradio station and listen to theshit that p<strong>as</strong>ses for musictoday and every day. Checkout 'Rock & Roll is Dead' andThin Ice', <strong>as</strong> well. Afterlisting to this, I think you willrealize rock & roll is alive andkicking.-RDJBeyondRe<strong>as</strong>semblePavement MusicYet another potential soundtrackfor DOOM players. Seethe review for BLOODLET,it's interchangeable, and ifyou're into this kinda thingalso check out MEATHOOKSEED.+ANDDan ZanesCool Down TimePrivate MusicDan Zanes used to beBoston's Del Fuegos. His latestis rele<strong>as</strong>ed on the labelYanni keeps in the black. Noneed to go into how much Ihate ~&i, go <strong>as</strong>k your motherhow wet he makes her.Cool Down Time is a funky,swamp, "roots" rock kind ofdisc made for those into TomWaits, Shane MacGowan andthe whole Tex<strong>as</strong> singer-songwriterihing. He's obviouslysomewhat eccentric, he'slocked in the time-warp generationseparating theboomers from the slackersand he h<strong>as</strong> rele<strong>as</strong>ed a disc ofmusic true "Triple A" radiowould pick up on if suchexisted in the barren w<strong>as</strong>telandof the Salt Lake Citydial. The cliche is that "TriphA is for the educated, moneyedboomer who lacks theintelligence or pompous attitudeto tune in to NPR.The l<strong>as</strong>t vestige of the middlecl<strong>as</strong>s? Rather than go intoextensive analysis of themusic how about we paint apicture? In an actual city barsexist where a couple can enter 4ytofindalivebandanddoacombination of"dirty dancing" and thewaltz. Grab the <strong>as</strong>s,grind/two-step, separate one,two three, four and boogalo.Back together for a long kiss,grind/shimmy-shake one,two, three, four. The openingContinued on Page 32
- Page 3: -CRYSTAL POWELLGlANNl ELLEFSENammQa
- Page 6 and 7: Hackin' Up The HitsYeah, I know: v
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