Maryline LemaitreKiko Sobrinoaccumulate layers of materials,” says Maryline Lemaitre“I in describing her canvases, and it takes only a shortexamination to discover that the layers of which she speaks areboth literal and figurative. Achieving what she calls “pictorialdensity,” a process involving paint, dry pigments, marble dust,collages and other media, those materials are applied to thecanvas in a wide variety of ways, from large brushstrokes,to dripping paint, to using old credit cards. The result is amysterious world in which things seem to arise from unseendepths, feeling a bit like modern-day cave paintings, with thesubjects revealing themselves to us in fragments. Buildings,birds or human figures emerge from dense fields of colorthat often have the muted sheen of frescoes or weatheredindustrial materials. Artist signatures will float across a canvas,or a piece of printed matter will appear in mirror-image, withthe beginnings and ends of the words cut off. The earthiness ofthese works is emphasized by a palette that conjures up earth,rust and antiquity.However, French-born Lemaitre, who now lives and works inMontreal, has a good sense of when to let a block of brightcolor appear. A band of blue or a field of rich reds and pinks willbe used to add some provocative movement to an image —just one of the techniques that gives her work its astonishingfreshness.www.marylinelemaitre.comwww.Agora-Gallery.com/ArtistPage/Maryline_Lemaitre.aspxDistance Acrylic & Mixed Media on Board 48” x 48”Clean World Acrylic & Ink on Wood 39.5” x 39.5”do not consider my work pop or classic, figurative or“I abstract,” says Brazilian painter Kiko Sobrino, whosehybrid practice pulls elements from many traditions to form avisually arresting and formally original aesthetic. He executesmost of his ink and acrylic works on wood panels, adding abas-relief sculptural element to the result. The compositionsflirt with abstraction, though his two dominant visual tools— expressionist brushstrokes and Ben-Day-like dots —maintain traces of figuration. Sobrino’s topics of choice are theenvironmental devastation that he has witnessed both in thefavelas of São Paulo, where his first studio was located, andthe Amazon rainforest, and symbols of conformity like boxesand business suits.He leverages eerily beautiful and inexplicably delicate imagesto transmit these politically and socially charged messages.In paintings of smokestacks billowing noxious clouds, Sobrinojuxtaposes beautifully textured, classically voluminous andnearly fleshy masses of smoke and exhaust with grids of dots thathave the brilliance and far-off weightlessness of constellationssprinkled over top. Even more dramatically, his many portrayalsof cardboard boxes superimpose Lichtensteinian Pop formsonto shapeless abstract expressionist style color fields. KikoSobrino dusts destructive clouds with scintillating specks ofink, which in turn give form to his striking backgrounds; bothhis preferred modes strive for harmony between order andchaos, intellect and intuition.www.kikosobrino.comwww.Agora-Gallery.com/ArtistPage/Kiko_Sobrino.aspx24 <strong>ARTisSpectrum</strong>
Madeleine ArnettParadox 1 Acrylic on Canvas 30” x 30”Paradox 2 Acrylic on Canvas 30” x 30”Madeleine Arnett’s lucid and visionary paintings of waterscenes both express a sense of the artist’s personaljourney and encourage the viewer to undertake one of theirown. Colorful, hyperrealist images feature the beautiful flora andfauna of water environs, but the real depth of the works comesfrom her decision that the absence of living creatures conveys afertile experience for the imagination, making them even moremeditative and sublime.We see the fractured features of river rocks through crystallinetorrents of water, while the vivid lime green hues of algae beamupward towards a sparkling sunlit surface. These powerfullyemotive paintings reintroduce us to the elemental magic ofnature, and to water as the vital lifeblood of our world. DuringArnett’s artistic development, the portrayal of the movement ofwater became more and more animated, until finally she madethe leap into pure abstraction, something which powerfullyanimates her recent work.Madeleine in her StudioCanvases are painted in a soft gradient with a dynamicamorphous form set in the center. In her latest works one cansense the essence of fluidity, the joy of motion, and the careful attention to evocative color harmonies. There is a deliciousapplication of paint as the artist works at a quick pace to mimic the motion of moving water. Paint is smeared, daubed, pushed,and dripped onto the canvas, appearing to gurgle and bubble before our very eyes.Yet despite the pronounced fluidity, there are also remnants of Arnett’s rock studies. Layers of color ripple throughout the forms,much like the distinct layers of sedimentary rock. Arnett alternates styles between three different bodies of work, yet each ofthem preserves her passion for water and its influence on her creative life. “My art is filled with liquid light and energy,” sheexplains. “My fascination with water has fuelled my artistic drive.”Madeleine Arnett’s first exhibition was only two years ago, but the art world has already taken notice and she has had numerouscommissions. A native of the United Kingdom, she currently lives and works in Edmonton, Canada.www.hitthewallart.comwww.Agora-Gallery.com/ArtistPage/Madeleine_Arnett.aspx25 <strong>ARTisSpectrum</strong>
- Page 1 and 2: ARTisSpectrumVolume 26The Chelsea P
- Page 3 and 4: © Rob Heath Time to Reflect ... Sp
- Page 5 and 6: ARTisSpectrumPublisherAgora Gallery
- Page 7 and 8: ProfilesIf you like to keep up-to-d
- Page 9 and 10: Cade TurnerAustralian artist Cade T
- Page 11 and 12: L. ByrneRed Fireball Oil on Canvas
- Page 13 and 14: When did you realize that you wante
- Page 15 and 16: One Dime Acrylic on Canvas 32” x
- Page 17 and 18: Laurence SteenbergenIce Fruit Acryl
- Page 19 and 20: Joshef MatèIn the work of Joshef M
- Page 21 and 22: Bruce Leslie ThomasBruce in his Stu
- Page 23: Carlo ProiettoItalian artist Carlo
- Page 27 and 28: Cristina Popoviciuring painting,”
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- Page 31 and 32: The singular landscapes of Italian
- Page 33 and 34: Marty PoorterMarty Poorter’s acry
- Page 35 and 36: John StevensonRenowned Canadian lan
- Page 37 and 38: Early modern men and women, at the
- Page 39 and 40: Norma PicciottoNorma PicciottoL’e
- Page 41 and 42: Cristina ArnedoWendy CohenCombining
- Page 43 and 44: techniques and inspirations.The ben
- Page 45 and 46: Alberto MontoreanoThe Ozone Layer O
- Page 47 and 48: Did you first see the artwork onlin
- Page 49 and 50: Escape from the Cosmic zoo by Aelit
- Page 51 and 52: Agora Gallery’s 27th Annual Jurie
- Page 53 and 54: Nataixa RosLa Tyranie de la Danse O
- Page 55 and 56: Valentino BellucciItalian artist Va
- Page 57 and 58: Jim CobbPhiladelphia artist Jim Cob
- Page 59 and 60: Why an artist needs to go out on ap
- Page 61 and 62: Even when remaining local, and not
- Page 63 and 64: Laila Khan FurniturewallaLaila in h
- Page 65 and 66: Ancient Olive Trees Inspire Artwork
- Page 67 and 68: Ancestral Ghosts, Family Tree 2 Car
- Page 69 and 70: A long wooden table on the terrace
- Page 71 and 72: LaroucheTamara GrizjukLes Belles So
- Page 73 and 74: Igor NelubovichRussian painter Igor
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Thierry FazianEnigmatic Dreams Mixe
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Alison Jane RiceI arrived in the ci
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Catherine Gaillard PerezVisiting Ne
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Richard StuttleLong flight to New Y
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Dominique BoutaudI feel honored to
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VéroniKaHEphémère Stained Glass
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Surrealistic tableaux fill the canv
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How do you decide whether to recomm
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Fred FriedrichFred FriedrichCuadros
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You might know Mr. Waits from seein
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Tom Wait’s inventiveness doesn’
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Patricia Armour has been weaving ta
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Penelope PaigeHyung Jin ParkViewers
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Vito MateraVito Matera creates artw
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Brigitte MartinezBrigitte in her St
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Building on the artist’s passion
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Ben FeldshuhFor Brooklyn artist Ben
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Creating works that bridge cultural
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Cheri MittermaierCheri Mittermaier
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Z. TodorovaZ.Todorova in her Studio
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CLOCKWISEFROM TOP RIGHT:1) Maracaib
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Christchurch, New Zealandby Joanne
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Shanghai, Chinaby Ping HeLocated in
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Rome, Italyby Monica MorgantiRome,
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Málaga, Spainby Carmen SotuelaMál
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Tehran, Iranby Masoud AbediTehran i
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