Micheline RaymondSarabande JazzéeAcrylic & Mixed Media on Canvas 30” x 30”balance in color, line, texture and one artist’s creative impulses.www.michelineraymond.comwww.Agora-Gallery.com/ArtistPage/Micheline_Raymond.aspxMicheline Raymond creates her riotous, multi-tiered images bymaking the physicality of the artwork the predominant element.In the finished product, this manifests itself in a constant interplaybetween shadow, pigment, and light. Raymond’s canvases layeracrylic paint, sand, gold leaf, and sheets of transparent, treatedpaper on top of each other to create nooks of dense darknessand impossibly slender ridges that reflect light. When Raymondmanipulates texture and light in service of her colors, the hues aremagnificently rich. The subject matter ranges from figurative scenes,sometimes inspired by classical mythology, to abstracted seascapesand views of the land. In her exuberant, inclusive way, the artist willoften incorporate text and natural objects into her landscapes.More subtly, Raymond takes care to focus on the physical act ofart-making. Her guiding principle is rhythm in creation, a processshe describes as a “visceral” need to allow the gesture of her handto guide her to a resonant visual outcome. “For me,” Raymondsays, “painting or sculpting is elaborating a form of dance in spaceand color.” On the canvas, Raymond combines uninhibited andcontrolled movements to create work that finds harmony andSandra Mueller-DickSandra Mueller-Dick’s sharply focused paintingsmarry surreally saturated colors and a stronggraphic sensibility of light and dark, creating a visuallanguage of purity and intensity that speaks moreloudly than a screaming headline comprised of meretext. Born in Pennsylvania and currently working outof Massachusetts, Mueller-Dick switches betweenoils, watercolor and complicated mixed media todepict her many subjects, which include abstractedpatterns, modernized still lifes, architectural closestudies and unearthly landscapes. Some are inspiredby specific events in the artist’s life which havetouched her or acted as milestones in her experience.Others begin as floating ideas.Mueller-Dick approaches even her most realistic,Energy Within Acrylic 19” x 29”recognizably representational images as intellectual concepts first and foremost. As a piece progresses, she explains, it “evolvesand becomes more abstract,” and eventually “encompasses more emotion and allows the viewer to make their own interpretation.”Through her distinctive color treatment and the ingenious use she sometimes makes of perspective, she transforms each workinto a message of emotion and atmosphere. “By using strong color contrasts and shapes, my goal is to create rhythmic patternsthroughout the painting,” Mueller-Dick says. For her, an individual emotional response in every new viewer is the sign that awork is successful.www.mueller-dick.comwww.Agora-Gallery.com/ArtistPage/Sandra_Mueller__Dick.aspx54 <strong>ARTisSpectrum</strong>
Valentino BellucciItalian artist Valentino Bellucci’s paintings cover a wide range of territory — from views of walled cities, to secludedalleyways, to landscapes and portraits. Yet, holding together this rich variety, the strong influence of Cubism can be seenin all of the subjects he depicts.The Cubist influence leads him to create images that simultaneously exist on two planes. His paintings are at once recognizablepictures of the real world and experimental transformations of that world into sharply rendered geometrical shapes. Faces,skies or buildings can become fragmented into cubes or triangles, turning even the most peaceful scenes into dynamiccompositions. A sky will be broken up into a series of cubes that look as if they are tumbling over one another, or a face willseem to be flying apart. But even as the fragmentation in these works gives them an abstract spin, Bellucci’s ability to renderprecise details, whether it’s an arched eyebrow or the leaves in a grove of trees, ensures that these scenes appear true tolife. He says that his goal is to see the reality that surrounds him with new eyes, and his paintings nicely balance that senseof new vision with a palpable sense of physical reality. He keeps the images firmly grounded, while infusing them with theabstract energy of the other world they inhabit.Working in oil on canvas, Bellucci effectively employs a vivid palette that runs from glowing yellows and oranges to shimmeringblues to greens and browns. He uses color to punctuate his images, to give them a strong rhythm and flow. The viewer’seye is constantly active, moving from bright shades to subtle ones, or from light to darkness. His expert handling of light andshadow heightens the unusual feel of these paintings, giving both the underlying scenery and the shapes used to transform ita three-dimensional feel. And Bellucci, whose varied past includes working as a ship captain, has more than artistic goals inmind for these images. He wants to use proceeds from his paintings to help raise money for research into childhood cancer.www.valentinobellucci.orgwww.Agora-Gallery.com/ArtistPage/Valentino_Bellucci.aspxBadalucco (IM) - Tempesta Oil on Canvas 16” x 31.5”Valentino in his StudioCeriana (IM) Oil on Canvas 9.5” x 15”55 <strong>ARTisSpectrum</strong>
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ARTisSpectrumVolume 26The Chelsea P
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- Page 7 and 8: ProfilesIf you like to keep up-to-d
- Page 9 and 10: Cade TurnerAustralian artist Cade T
- Page 11 and 12: L. ByrneRed Fireball Oil on Canvas
- Page 13 and 14: When did you realize that you wante
- Page 15 and 16: One Dime Acrylic on Canvas 32” x
- Page 17 and 18: Laurence SteenbergenIce Fruit Acryl
- Page 19 and 20: Joshef MatèIn the work of Joshef M
- Page 21 and 22: Bruce Leslie ThomasBruce in his Stu
- Page 23 and 24: Carlo ProiettoItalian artist Carlo
- Page 25 and 26: Madeleine ArnettParadox 1 Acrylic o
- Page 27 and 28: Cristina Popoviciuring painting,”
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- Page 31 and 32: The singular landscapes of Italian
- Page 33 and 34: Marty PoorterMarty Poorter’s acry
- Page 35 and 36: John StevensonRenowned Canadian lan
- Page 37 and 38: Early modern men and women, at the
- Page 39 and 40: Norma PicciottoNorma PicciottoL’e
- Page 41 and 42: Cristina ArnedoWendy CohenCombining
- Page 43 and 44: techniques and inspirations.The ben
- Page 45 and 46: Alberto MontoreanoThe Ozone Layer O
- Page 47 and 48: Did you first see the artwork onlin
- Page 49 and 50: Escape from the Cosmic zoo by Aelit
- Page 51 and 52: Agora Gallery’s 27th Annual Jurie
- Page 53: Nataixa RosLa Tyranie de la Danse O
- Page 57 and 58: Jim CobbPhiladelphia artist Jim Cob
- Page 59 and 60: Why an artist needs to go out on ap
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- Page 63 and 64: Laila Khan FurniturewallaLaila in h
- Page 65 and 66: Ancient Olive Trees Inspire Artwork
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- Page 69 and 70: A long wooden table on the terrace
- Page 71 and 72: LaroucheTamara GrizjukLes Belles So
- Page 73 and 74: Igor NelubovichRussian painter Igor
- Page 75 and 76: Thierry FazianEnigmatic Dreams Mixe
- Page 77 and 78: Alison Jane RiceI arrived in the ci
- Page 79 and 80: Catherine Gaillard PerezVisiting Ne
- Page 81 and 82: Richard StuttleLong flight to New Y
- Page 83 and 84: Dominique BoutaudI feel honored to
- Page 85 and 86: VéroniKaHEphémère Stained Glass
- Page 87 and 88: Surrealistic tableaux fill the canv
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- Page 91 and 92: Fred FriedrichFred FriedrichCuadros
- Page 93 and 94: You might know Mr. Waits from seein
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- Page 99 and 100: Penelope PaigeHyung Jin ParkViewers
- Page 101 and 102: Vito MateraVito Matera creates artw
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Building on the artist’s passion
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Ben FeldshuhFor Brooklyn artist Ben
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Creating works that bridge cultural
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Cheri MittermaierCheri Mittermaier
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Z. TodorovaZ.Todorova in her Studio
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Christchurch, New Zealandby Joanne
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Shanghai, Chinaby Ping HeLocated in
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Rome, Italyby Monica MorgantiRome,
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Málaga, Spainby Carmen SotuelaMál
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Tehran, Iranby Masoud AbediTehran i
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