Image by Catherine Gaillard PerezNew York City: Evoking the Museby A. Di BelloThe Muse - she was once the female platonic ideal, a deity, a sage, a goddess; and for hundreds of years the blessingof a Muse was essential for the creation of art. For many artists, the Muse is alive and well, infusing the psyche witha gust of the divine, to inspire not imitation but new insights. For many years I have privately addressed the issueof new art forms with artists from every corner of the world. This dialogue has culminated in the theory that today’smuse is often either a physical place or a place in the heart. Over the past ten years artists have discussed with me theinspiration that becomes manifest when they are exposed to the spirit and energy of New York City. In previous issuesof <strong>ARTisSpectrum</strong>, a number of artists have shared their experiences of the city with our readers. This has proved to beextremely popular, and so new artists have been invited to do the same in this edition. I thank Alison, Bruce, Catherine,Lydia, Richard, Rebecca, Dominique, Jane and Carolyn for their evocative and powerful contributions, and encourageothers to share their experiences with us for the May 2012 issue of <strong>ARTisSpectrum</strong>.76 <strong>ARTisSpectrum</strong>
Alison Jane RiceI arrived in the city of yellow taxis and giant billboards two days before my opening reception. The spring night when we arrivedwas tempting but jetlag loomed. We began exploring on Wednesday, with a cab ride. Installation was in full swing at the galleryso we departed smiling, with the Chelsea Markets beckoning to us to explore. The Green Table lured us in: organic chicken andvegetable pie, rhubarb tart with rosemary ice cream. Delish!I soaked in the images. Excavated stone and steel corridors adorned with blues greats: B B King, Muddy Waters, Bo Diddley.Creative food hubs and surreal sweet displays.The Pop Shop, Eleni’s New York, Fat Witch Bakery. Hip, funky and alive with that Nooo Yawk accent. Hours later, our legsdragged us back through the twilight into Times Square. Into the mayhem, onto the pavement of extremes, like a Jackson Pollockoriginal dripping with color, frenzied movement and the unexpected.Billboards swallowed us up, a street artist caricatured us in charcoal. NYPD cops gave us directions, posed for photos andsmiled at my funny accent. And then I dined with my beloved husband at Rue 57 on luscious French fare, champagne and conversation...waaay beyond midnight!I slept through the daylight hours of Thursday, but still arrived on time for the Opening. The elegant hum of early arrivals turnedto a buzz as artists, collectors and friends gathered. I could no longer read the sound of conversation, I just experienced it: theebb and flow of different generations and mediums intent on a collective interest.In a room suffused with sound composition, fleeting glances and fashion projections, I was witnessing unedited phenomena inthe making, a living installation unfolding in this contemporary exhibition space – Agora Gallery, steered by a dedicated group ofyoung women with Angela at the helm.Friday in Central Park was a Pre-Raphaelite dream: squirrels scurrying amidst the emerald green and rustic tones of a warmspring day; a beat boy, maneuvering gigantic rainbow bubbles from an orange bucket into a makeshift hoop against a backdropof whisper blue hydrangeas; a juvenile comedian with his ‘$1 Jokes, Laughter Guaranteed’ sign; horse-drawn carriages; EddieRapp, a master fiddler of infectious tunes; the lake, reminiscent of Renoir’s painting, ‘Boats’; Belvedere castle, illuminated ingolden light, tortoises under the pier, orange tulips phosphorescent in the sun; night time closing in before the cool air usheredus into the Met and the dark savage beauty of the Alexander McQueen exhibit.Saturday unraveled a magic carpet as the road to Times Square was cordoned off for the annual Manhattan street market.Greenwich Village was our destination and my reward... historic facades, cobbled paving stones and surprising antique characters.Late afternoon, a ride to the top of the Empire State Building, with its art deco splendor, views going on forever and AnAffair to Remember. Evening was a full blown Broadway triumph: Priscilla Queen of the Desert co-produced for the Americanmarket by the Divine Miss M.And Sunday? Reflection on our New York experience as we began the long drive toward one of my favorite holiday destinations:The Mirror Lake Inn, Lake Placid. I was satisfied, inspired, and delighted.www.Agora-Gallery.com/ArtistPage/Alison__Jane_Rice.aspx77 <strong>ARTisSpectrum</strong>
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ARTisSpectrumVolume 26The Chelsea P
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© Rob Heath Time to Reflect ... Sp
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ARTisSpectrumPublisherAgora Gallery
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ProfilesIf you like to keep up-to-d
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Cade TurnerAustralian artist Cade T
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L. ByrneRed Fireball Oil on Canvas
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When did you realize that you wante
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One Dime Acrylic on Canvas 32” x
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Laurence SteenbergenIce Fruit Acryl
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Joshef MatèIn the work of Joshef M
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Bruce Leslie ThomasBruce in his Stu
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Carlo ProiettoItalian artist Carlo
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- Page 27 and 28: Cristina Popoviciuring painting,”
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- Page 31 and 32: The singular landscapes of Italian
- Page 33 and 34: Marty PoorterMarty Poorter’s acry
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- Page 37 and 38: Early modern men and women, at the
- Page 39 and 40: Norma PicciottoNorma PicciottoL’e
- Page 41 and 42: Cristina ArnedoWendy CohenCombining
- Page 43 and 44: techniques and inspirations.The ben
- Page 45 and 46: Alberto MontoreanoThe Ozone Layer O
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- Page 49 and 50: Escape from the Cosmic zoo by Aelit
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- Page 57 and 58: Jim CobbPhiladelphia artist Jim Cob
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- Page 73 and 74: Igor NelubovichRussian painter Igor
- Page 75: Thierry FazianEnigmatic Dreams Mixe
- Page 79 and 80: Catherine Gaillard PerezVisiting Ne
- Page 81 and 82: Richard StuttleLong flight to New Y
- Page 83 and 84: Dominique BoutaudI feel honored to
- Page 85 and 86: VéroniKaHEphémère Stained Glass
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- Page 91 and 92: Fred FriedrichFred FriedrichCuadros
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- Page 99 and 100: Penelope PaigeHyung Jin ParkViewers
- Page 101 and 102: Vito MateraVito Matera creates artw
- Page 103 and 104: Brigitte MartinezBrigitte in her St
- Page 105 and 106: Building on the artist’s passion
- Page 107 and 108: Ben FeldshuhFor Brooklyn artist Ben
- Page 109 and 110: Creating works that bridge cultural
- Page 111 and 112: Cheri MittermaierCheri Mittermaier
- Page 113 and 114: Z. TodorovaZ.Todorova in her Studio
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- Page 121 and 122: Christchurch, New Zealandby Joanne
- Page 123 and 124: Shanghai, Chinaby Ping HeLocated in
- Page 125 and 126: Rome, Italyby Monica MorgantiRome,
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Málaga, Spainby Carmen SotuelaMál
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Tehran, Iranby Masoud AbediTehran i
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