Eduard AnikonovGear 2 Oil on Canvas 51” x 79”Gear 1 Oil on Canvas 55” x 59”In Eduard Anikonov’s paintings, man, machineand landscape meet in a world where industryand humanity become almost indistinguishable.Anikonov grew up in Magnitogorsk, a city that is acenter of Russia’s iron industry, and while factoriesand workers figure prominently in his images, theworks are far from being straightforwardly realisticdocuments. His paintings give that machine-drivenworld a highly personal spin, projecting a personalmythology onto the brutal landscapes of smokestacksand laborers that he depicts. “Industrial space isa territory that is full of meanings and history,” theartist says, adding that one of his main goals is toexpress a “new myth, new reality, new perception ofthe habitual industrial environment.”Anikonov creates that new perception by infusinghis paintings with a sense of mystery, turning bothindustrial machinery and human beings into slightlyblurred objects, placing them in highly abstractenvironments. A hulking machine will be placed nextto a flat field of color with writing scrawled onto it, orEduard in his Studioan image of a worker at rest will seem to sink intoits thickly painted background. In all of his images,there is a strong feeling of interplay between abstraction and representation. The viewer never loses touch with the world thatAnikonov’s paintings depict, but that world is transformed as well, contained with the artist’s unique vision.That vision extends to the distinctive palette that Anikonov employs. Often using just muted browns and grays, he knows exactlywhen to throw other shades into the mix to get the effects he wants. Glowing swirls of yellow will vividly make the idea of firecome alive against a dark background. Bright blue will unexpectedly appear to depict shadows, while reds communicate thefeeling of both sunlight and industrial heat to the viewer. That expressive use of color contributes to an artistic universe thatcontinually offers up visual surprises, giving us what the artist calls a “chance of real involvement, a new emotional experience.”www.anikonov.comwww.Agora-Gallery.com/ArtistPage/Eduard_Anikonov.aspx62 <strong>ARTisSpectrum</strong>
Laila Khan FurniturewallaLaila in her StudioUntitled 1 Acrylic & Gold Leaf on Canvas 45” x 33”The work of Indian artist Laila Khan Furniturewalla is centeredaround the feminine predicament, the iconic notion of femininityversus the emotive richness, depth, and complexity that come to definea woman’s true inner life. In her art, the artist strives to transform thecomplexities of the female figure into harmonies of simplified formswith an undercurrent of expressionistic intensity, thereby revealing“the innate reality, the life force, the spirit, the inherent symbolism,and the underlying remarkable structure to give emphasis to form withthe greatest clarity.”In her most recent work, Laila has moved from oils to painting mostlyin acrylics, with a predominant use of gold pigment and gold leaf. Ineach piece, muted, seductive colors and taut compositions speak ofthe mysteries that surround the feminine, both in terms of physicalbeauty and the elusive female inner world. Powerful symbolism in theform of Hindu gods and goddesses wends its way into her work aswell, sometimes subtly, while other pieces focus solely on the powerof such deities as Ganesh or Shakti. But dominating her art forms isa great ambivalence within her figural subjects, who reveal as theyconceal and ultimately tease the viewer, promising a glimpse both ofthe highest divinity and the depths of utter human devastation.Untitled 2 Acrylic & Gold Leaf on Canvas 48” x 36”Interestingly, Laila’s work is never titled, as she feels that by giving a painting a name, she is imposing a limitation on the viewingprocess, denying the viewer the freedom to interpret and derive their own unique experience with the piece. Yet each imageshe offers the viewer is highly personal, as her emotional connection with the universe is translated into visual compositionsand forms. As Laila explains, “Each time I make a painting, I celebrate the life I love and the beauty I know, which also distillspersonal feelings of isolation and connectedness, despair, rebellion, and hope, but in the context of the eternal final conflictbetween being an artist and a woman.”Laila Khan Furniturewalla currently lives and works in Mumbai, India.www.lailakhan.inwww.Agora-Gallery.com/ArtistPage/Laila_Khan_Furniturewalla.aspx63 <strong>ARTisSpectrum</strong>
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ARTisSpectrumVolume 26The Chelsea P
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© Rob Heath Time to Reflect ... Sp
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ARTisSpectrumPublisherAgora Gallery
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ProfilesIf you like to keep up-to-d
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Cade TurnerAustralian artist Cade T
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- Page 17 and 18: Laurence SteenbergenIce Fruit Acryl
- Page 19 and 20: Joshef MatèIn the work of Joshef M
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- Page 23 and 24: Carlo ProiettoItalian artist Carlo
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- Page 27 and 28: Cristina Popoviciuring painting,”
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- Page 31 and 32: The singular landscapes of Italian
- Page 33 and 34: Marty PoorterMarty Poorter’s acry
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- Page 37 and 38: Early modern men and women, at the
- Page 39 and 40: Norma PicciottoNorma PicciottoL’e
- Page 41 and 42: Cristina ArnedoWendy CohenCombining
- Page 43 and 44: techniques and inspirations.The ben
- Page 45 and 46: Alberto MontoreanoThe Ozone Layer O
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- Page 49 and 50: Escape from the Cosmic zoo by Aelit
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- Page 53 and 54: Nataixa RosLa Tyranie de la Danse O
- Page 55 and 56: Valentino BellucciItalian artist Va
- Page 57 and 58: Jim CobbPhiladelphia artist Jim Cob
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- Page 69 and 70: A long wooden table on the terrace
- Page 71 and 72: LaroucheTamara GrizjukLes Belles So
- Page 73 and 74: Igor NelubovichRussian painter Igor
- Page 75 and 76: Thierry FazianEnigmatic Dreams Mixe
- Page 77 and 78: Alison Jane RiceI arrived in the ci
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- Page 81 and 82: Richard StuttleLong flight to New Y
- Page 83 and 84: Dominique BoutaudI feel honored to
- Page 85 and 86: VéroniKaHEphémère Stained Glass
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- Page 91 and 92: Fred FriedrichFred FriedrichCuadros
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- Page 99 and 100: Penelope PaigeHyung Jin ParkViewers
- Page 101 and 102: Vito MateraVito Matera creates artw
- Page 103 and 104: Brigitte MartinezBrigitte in her St
- Page 105 and 106: Building on the artist’s passion
- Page 107 and 108: Ben FeldshuhFor Brooklyn artist Ben
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Z. TodorovaZ.Todorova in her Studio
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CLOCKWISEFROM TOP RIGHT:1) Maracaib
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Christchurch, New Zealandby Joanne
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Shanghai, Chinaby Ping HeLocated in
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Rome, Italyby Monica MorgantiRome,
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Málaga, Spainby Carmen SotuelaMál
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Tehran, Iranby Masoud AbediTehran i
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