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where I usually go to read or meditate.S. Allan: No - I thought of where I’d place it prettymuch after I saw it and decided to buy it.S. Wright: No. And it was challenging to settle on aspace, it looked terrific everywhere we tried it!Collector / Denmark: No.Were you familiar with the artist before you madeyour selection?R. Pratt: No, and I was surprised that her work couldhave such an impact on me. Aelita’s work is inspiring,beautiful and magical.A. Nunez: I was not familiar with any of the artistsbeforehand.Collector / Colombia: NoCollector / Italy: Absolutely not.Collector / New York City: I was not familiar withthe artist when I found the piece. However, I do likeher other work.R. Balzano: I knew Bruno Malatesta already becauseI had bought other paintings of his the yearbefore. We live in the same small town in the countryside near Turin.Sans Titre 16 by Did Dontzoffin the collection of A. NunezS. Allan: Not at all. I read a brief mention of her in the paper that morning and it was a nice day so I took a walk over to the galleryfrom Gramercy.S. Wright: Slightly, via our Malaysian friends, but we had not seen her work prior to visiting Agora.Collector / Denmark: Yes, by then I had seen all her paintings at the exhibition at Agora Gallery, plus all the other paintings fromher earlier exhibition that I could find on the internet.Does the artwork still resonate with you and why?R. Pratt: Yes, it does because I continually see new colors, perspectives and liveliness during any time I spend time with herwork. I love it, as do my friends and family.A. Nunez: Yes, they do, and when I have people over they become a topic of conversation.Collector / Colombia: Yes indeed, because of the colors, theme, and content relating to social and natural ideas.Collector / Italy: The art of Aelita is, for sure, still to be discovered, in the sense that we do not know exactly why we are so attractedSaison Mango by Patricia BrintleCollector / ColombiaLife in the Aquarium by Aelita AndreIn the collection of R. Pratt48 ARTisSpectrum