continued from page 37own art as they stare back at us in times yet to come. Thebridge between the imagination and our creative worksmust not be something that we must spell out to thosewho would see it. It is something to be felt without words,communicable without language, and full of wonder andpalpable sensations that reward our attention with a deeperunderstanding of who we are, and who we always havebeen. Any study of our evolution reveals that the mostfundamental aspects of human nature have remained essentiallyunchanged for 40,000 years. What does changeis the range of circumstances that define the way we interactand modify our environment; whether through industry,community, or creativity. Art etched onto cave wallsor expressed in the various media of our modern agerepresents our response to danger, uncertainty, our needfor identity, unity, individualism, mystery, and aspiration.Even in the most primitive circumstances, there is a curiousbut indelible tendency for man to depict himself bothliving within and apart from the world around him. Humannature, and, therefore, art, is one of the few permanentartifacts of our existence. Paloma Bernaldo de Quirós First Matador Oil on Canvas 20” x 30”Younghee HongExpertly crafted visions of nature greet audiences relishing the workof Younghee Hong. Throughout the artist’s life, nature has been aconstant companion and muse. Hong masterfully paints a setting witha realistic touch yet pushes the boundaries of what is seen in order tospeak beyond the material – for she is not just painting, but conveying theessence of the earth, and our relationship to it. “Nature to me embodiesnot only a sense of beauty,” she explains “but also calmness, healing,vitality, and all the potential positive energies of the present moment.”Hong’s work captures more than interesting natural forms; it is alsoan examination of timeless processes. Gnarled roots draped in cool,shadowy hues interweave and spread forth under the canopy in searchof water and nutrients. Slender branches and vines seeking rays ofsunlight form a complex arrangement of shapes and angles. We arereminded of those creatures dwelling in these glorious surroundingsby the unpresuming and diminutive forms of ants, tree frogs, beetlesand airborne insects. Between the flora and fauna, these compositionspresent an impressive range of color and depth.Born in South Korea, Younghee Hong received a BFA from theUniversity of South Florida and spent countless hours studying theoften overlooked areas of the Botanical Gardens. She has exhibitedpaintings in Florida and New York.www.younghee-art.comwww.Agora-Gallery.com/ArtistPage/Younghee_Hong.aspxTrees in Botanical Garden 8 Oil on Canvas 36” x 30”38 <strong>ARTisSpectrum</strong>
Norma PicciottoNorma PicciottoL’enigma 2 Photographic Print on Acrylic Kristalrec 28” x 39.5”Italian photographer Norma Picciotto capturesfragments of reality amid portraits of ordinary people,working digitally to deepen their expressive potential.Each photographic collage is set against a recognizablelandscape, whether it is the ocean, the desert, an urbansetting, or a majestic river. Against this background, shesynthesizes various elements around a central focal pointset in a bubble, most often a portrait but other times arecognizable object laden with meaning.This diversity of images comes together in Picciotto’sart, and what results is a dreamlike world of memory andemotion. The images are almost visionary, juxtaposingvarious symbolic elements together to explore a worldin which realities are layered and dreams are fleeting, afluidity of space and time that stands in sharp contrast tothe structure and rigidity by which many of us define ourown worlds.At the heart of Picciotto’s work is a masterful synthesisof thousands of shots taken from around the globe.Her art has stemmed from a long and storied careeras a photojournalist, during which she co-founded, along with her husband, the De Bellis agency, one of the best-knownphotojournalism agencies in Milan. Through this forum, she documented the multifaceted history of Milan from the 1970s to1990s, capturing both the struggles of the people and the complexity of their culture as it evolved through time, and setting thestage for what would later emerge as her own particular art form.In the end, Picciotto’s photo collages are a powerful force, opening up a whole new world for those who encounter them and takethe time to unpack their meanings. The ever-present bubble lends a nostalgic perspective, recalling a childlike innocence, whilesimultaneously drawing us toward the mesmerizing eyes of her figural subjects, true windows to the soul. Here, we as viewersare invited to look deep inside our own selves, to the dreaming inner child we always harbor but often fail to notice.Norma Picciotto currently lives and works in Milan, Italy.www.normapicciotto.itwww.Agora-Gallery.com/ArtistPage/Norma_Picciotto.aspxL’enigma #1 - Identità e FuturoPhotographic Print on Acrylic Kristalrec 28” x 39.5”39 <strong>ARTisSpectrum</strong>
- Page 1 and 2: ARTisSpectrumVolume 26The Chelsea P
- Page 3 and 4: © Rob Heath Time to Reflect ... Sp
- Page 5 and 6: ARTisSpectrumPublisherAgora Gallery
- Page 7 and 8: ProfilesIf you like to keep up-to-d
- Page 9 and 10: Cade TurnerAustralian artist Cade T
- Page 11 and 12: L. ByrneRed Fireball Oil on Canvas
- Page 13 and 14: When did you realize that you wante
- Page 15 and 16: One Dime Acrylic on Canvas 32” x
- Page 17 and 18: Laurence SteenbergenIce Fruit Acryl
- Page 19 and 20: Joshef MatèIn the work of Joshef M
- Page 21 and 22: Bruce Leslie ThomasBruce in his Stu
- Page 23 and 24: Carlo ProiettoItalian artist Carlo
- Page 25 and 26: Madeleine ArnettParadox 1 Acrylic o
- Page 27 and 28: Cristina Popoviciuring painting,”
- Page 29 and 30: 29 ARTisSpectrum
- Page 31 and 32: The singular landscapes of Italian
- Page 33 and 34: Marty PoorterMarty Poorter’s acry
- Page 35 and 36: John StevensonRenowned Canadian lan
- Page 37: Early modern men and women, at the
- Page 41 and 42: Cristina ArnedoWendy CohenCombining
- Page 43 and 44: techniques and inspirations.The ben
- Page 45 and 46: Alberto MontoreanoThe Ozone Layer O
- Page 47 and 48: Did you first see the artwork onlin
- Page 49 and 50: Escape from the Cosmic zoo by Aelit
- Page 51 and 52: Agora Gallery’s 27th Annual Jurie
- Page 53 and 54: Nataixa RosLa Tyranie de la Danse O
- Page 55 and 56: Valentino BellucciItalian artist Va
- Page 57 and 58: Jim CobbPhiladelphia artist Jim Cob
- Page 59 and 60: Why an artist needs to go out on ap
- Page 61 and 62: Even when remaining local, and not
- Page 63 and 64: Laila Khan FurniturewallaLaila in h
- Page 65 and 66: Ancient Olive Trees Inspire Artwork
- Page 67 and 68: Ancestral Ghosts, Family Tree 2 Car
- Page 69 and 70: A long wooden table on the terrace
- Page 71 and 72: LaroucheTamara GrizjukLes Belles So
- Page 73 and 74: Igor NelubovichRussian painter Igor
- Page 75 and 76: Thierry FazianEnigmatic Dreams Mixe
- Page 77 and 78: Alison Jane RiceI arrived in the ci
- Page 79 and 80: Catherine Gaillard PerezVisiting Ne
- Page 81 and 82: Richard StuttleLong flight to New Y
- Page 83 and 84: Dominique BoutaudI feel honored to
- Page 85 and 86: VéroniKaHEphémère Stained Glass
- Page 87 and 88: Surrealistic tableaux fill the canv
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How do you decide whether to recomm
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Fred FriedrichFred FriedrichCuadros
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You might know Mr. Waits from seein
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Tom Wait’s inventiveness doesn’
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Patricia Armour has been weaving ta
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Penelope PaigeHyung Jin ParkViewers
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Vito MateraVito Matera creates artw
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Brigitte MartinezBrigitte in her St
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Building on the artist’s passion
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Ben FeldshuhFor Brooklyn artist Ben
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Creating works that bridge cultural
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Cheri MittermaierCheri Mittermaier
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Z. TodorovaZ.Todorova in her Studio
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CLOCKWISEFROM TOP RIGHT:1) Maracaib
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Christchurch, New Zealandby Joanne
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Shanghai, Chinaby Ping HeLocated in
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Rome, Italyby Monica MorgantiRome,
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Málaga, Spainby Carmen SotuelaMál
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Tehran, Iranby Masoud AbediTehran i
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