Marty MaehrCHARESTLight seems to pour through the surfaces of Marty Maehr’sgorgeous paintings. The sun itself features in many of hisworks, and even when it doesn’t his subjects seem to give offa light from within. At first glance, it would be easy to mistakehis brightly colored canvases for stained-glass windows.Blocks of glowing colors are hemmed in by bold black lines,creating mosaics that seem to transform oil paint into jewellikepieces of glass. Maehr shows an impressive ability tomix his colors so that they give off a realistic depiction oflight and its effects. Even when his compositions are at theirmost abstract, they have a palpably physical presence. Thereis also a strong sense of a spirituality that goes beyond thenormal associations of stained-glass with religious subjects.Night skies, flowing water and abstract patterns are all givenan otherworldly radiance that lifts them into a spiritual realm.Yet in some ways these glorious images are not at all whatthe viewer would expect from a stained-glass window. Mostnotably, Maehr’s images have a powerful sense of movement.He vividly communicates the feel of rushing water currents orof wind moving across a landscape, as well as charting theflow of energy in inner, psychological domains. A student ofthe Bible and the Tao Te Ching as well as of philosophers fromEmerson to Plato, Maehr shows himself to be a perceptiveinterpreter of both interior and exterior worlds.www.maehrcreations.netwww.Agora-Gallery.com/ArtistPage/Marty_Maehr.aspxWaterfall of Light Oil on Canvas 37” x 24”Tapis RougeAcrylic on Canvas 30” x 15”To call CHAREST’s luxurious paintings of apples, cherriesand other fruits ‘still lifes’ is to underestimate what is goingon beneath their glowing surfaces. There is a Surrealist feelto these paintings, a slight but fascinating distortion of thereal world’s contours. The pieces of fruit he depicts assumea near-human degree of presence in the spaces they occupy.A viewer would not be surprised to see one of the pears orapples in these paintings start to move, making an active claimfor our attention.Yet despite the voluptuous physical appearance of his subjects,CHAREST, who lives and works in Montreal, does not paintthem from life. Instead, he keeps their “figurative authenticity,”but not their realism. The shapes of the natural world areturned into a fantasy, one that lets the artist open the door toan investigation of “men and women, neighbors, strangers andeven intruders.” There is a sense of drama here, of objectsstepping outside their boundaries. The background againstwhich those objects appear has a deep, many-layered qualityas well, a quality he achieves through the frottis technique, inwhich paints are blended on the canvas itself, rather than ona palette. The resulting colors are simultaneously rich, somberand luminous. Super-saturating our senses at all levels,CHAREST’s paintings depict a world in which realism is whatone makes of it.www.artgcharest.comwww.Agora-Gallery.com/ArtistPage/Charest.aspx34 <strong>ARTisSpectrum</strong>
John StevensonRenowned Canadian landscape painter JohnStevenson captures the luminous quality ofsunlight in all its moods. Strongly influenced bythe Impressionists, Stevenson has developed aunique style involving a palette knife and oils. Hemanipulates pure oils directly from the tube on hiscanvas, working deftly with the knife to blend andshape the paint. “I love using oils because I feelthat I can make the colors dance and become morevibrant and subtle at the same time,” he explains. Hisinterpretive work is a window to the natural world,expressing the way the sunlight and wind constantlychange his surroundings.Stevenson paints heavy layers with his palette knife,creating an impasto effect. As a result, his work takeson a sculptural quality, and changing the lighting orthe point of view causes the painting to shift subtly. Inthis way, the very style of his knife work evokes theendless changes that occur in the natural world, andwhich pose such a challenge to landscape artists.Butterfly Meadow Oil on Canvas 30” x 36”John Stevenson began painting seriously at a young age. Encouraged by his family, he sold his first painting at age 10. He currentlylives in Quebec, and he is a familiar figure along the Ottawa River or deep in the Gatineau Hills, camera or palette knife in hand.www.artbystevenson.comwww.Agora-Gallery.com/ArtistPage/John_Stevenson.aspxNada HermanLilies on Red Oil on Canvas 40” x 80”In capturing the energy and spontaneity of hersurroundings, Nada Herman creates workthat seems to have grown from the naturaljoy of creation. The artist grew up in the beachcommunity of northern Sydney, and her bodyof work reflects this influence, featuring brightlycolored seaside vistas and the wonderful life thatis possible in these idyllic surroundings.Her style is painterly and lush. Brushstrokes areswaths of verdant hues, rich with texture. Hermanwill often frame a piece using patches of flowers ortrees in the foreground, a perspective that allowsfor greater range of color and depth. Rolling hillsgive way to placid azure waters dotted by fishing vessels, sail boats, and flocks of birds. Herman loves expansive paintings, andher canvases often reach well over six feet wide, becoming like windows into which the viewer can peer. You can truly senseher love for this inspiring place, and her art functions as a means to transport us there ourselves. In her estimation, meaningis possible anywhere one seeks it. “I believe nothing is static,” she explains. “A humble flower or piece of fruit has a life force.”Nada Herman has devoted her life to the arts, receiving instruction from a young age; both her father and grandfather werecelebrated artists. She works from her studio at the top of Avalon in Sydney.www.nada-art.comwww.Agora-Gallery.com/ArtistPage/Nada_Herman.aspx35 <strong>ARTisSpectrum</strong>
- Page 1 and 2: ARTisSpectrumVolume 26The Chelsea P
- Page 3 and 4: © Rob Heath Time to Reflect ... Sp
- Page 5 and 6: ARTisSpectrumPublisherAgora Gallery
- Page 7 and 8: ProfilesIf you like to keep up-to-d
- Page 9 and 10: Cade TurnerAustralian artist Cade T
- Page 11 and 12: L. ByrneRed Fireball Oil on Canvas
- Page 13 and 14: When did you realize that you wante
- Page 15 and 16: One Dime Acrylic on Canvas 32” x
- Page 17 and 18: Laurence SteenbergenIce Fruit Acryl
- Page 19 and 20: Joshef MatèIn the work of Joshef M
- Page 21 and 22: Bruce Leslie ThomasBruce in his Stu
- Page 23 and 24: Carlo ProiettoItalian artist Carlo
- Page 25 and 26: Madeleine ArnettParadox 1 Acrylic o
- Page 27 and 28: Cristina Popoviciuring painting,”
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- Page 31 and 32: The singular landscapes of Italian
- Page 33: Marty PoorterMarty Poorter’s acry
- Page 37 and 38: Early modern men and women, at the
- Page 39 and 40: Norma PicciottoNorma PicciottoL’e
- Page 41 and 42: Cristina ArnedoWendy CohenCombining
- Page 43 and 44: techniques and inspirations.The ben
- Page 45 and 46: Alberto MontoreanoThe Ozone Layer O
- Page 47 and 48: Did you first see the artwork onlin
- Page 49 and 50: Escape from the Cosmic zoo by Aelit
- Page 51 and 52: Agora Gallery’s 27th Annual Jurie
- Page 53 and 54: Nataixa RosLa Tyranie de la Danse O
- Page 55 and 56: Valentino BellucciItalian artist Va
- Page 57 and 58: Jim CobbPhiladelphia artist Jim Cob
- Page 59 and 60: Why an artist needs to go out on ap
- Page 61 and 62: Even when remaining local, and not
- Page 63 and 64: Laila Khan FurniturewallaLaila in h
- Page 65 and 66: Ancient Olive Trees Inspire Artwork
- Page 67 and 68: Ancestral Ghosts, Family Tree 2 Car
- Page 69 and 70: A long wooden table on the terrace
- Page 71 and 72: LaroucheTamara GrizjukLes Belles So
- Page 73 and 74: Igor NelubovichRussian painter Igor
- Page 75 and 76: Thierry FazianEnigmatic Dreams Mixe
- Page 77 and 78: Alison Jane RiceI arrived in the ci
- Page 79 and 80: Catherine Gaillard PerezVisiting Ne
- Page 81 and 82: Richard StuttleLong flight to New Y
- Page 83 and 84: Dominique BoutaudI feel honored to
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VéroniKaHEphémère Stained Glass
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Surrealistic tableaux fill the canv
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How do you decide whether to recomm
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Fred FriedrichFred FriedrichCuadros
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You might know Mr. Waits from seein
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Tom Wait’s inventiveness doesn’
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Patricia Armour has been weaving ta
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Penelope PaigeHyung Jin ParkViewers
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Vito MateraVito Matera creates artw
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Brigitte MartinezBrigitte in her St
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Building on the artist’s passion
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Ben FeldshuhFor Brooklyn artist Ben
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Creating works that bridge cultural
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Cheri MittermaierCheri Mittermaier
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Z. TodorovaZ.Todorova in her Studio
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CLOCKWISEFROM TOP RIGHT:1) Maracaib
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Christchurch, New Zealandby Joanne
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Shanghai, Chinaby Ping HeLocated in
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Rome, Italyby Monica MorgantiRome,
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Málaga, Spainby Carmen SotuelaMál
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Tehran, Iranby Masoud AbediTehran i
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