The sharp color fields and bold geometric composition of Tanya Marie’sacrylic and paper creations defines her work. She begins with shapesand patterns influenced by the regularity of graphic arts, and colors so pureand perfect that they appear factory-made. But though her aesthetic isunmistakably modern in its commercial-inspired hard edges, the artist includesthe kind of details and surprises that betray the spark of human intelligenceand unpredictability. An image between the lines reveals a crouching figureamidst the mathematical patterning; an outline of clouds doubles as a sketchof birds, a visual pun.A self-taught painter from Australia, Tanya Marie insists that she is “absolutelystill growing and learning what I am capable of as an artist.” However, herdraftsmanship is clearly self-assured and developed, and an astute viewerwill note that the neon colors become secondary to the story in her lines. Likeso many great artists, she creates work that rewards repeated viewings andattentive analysis.www.artconfessions.comwww.Agora-Gallery.com/ArtistPage/Tanya_Marie.aspxTanya MarieUntitled 4 Acrylic on Canvas 24” x 24”Monia TartariniCaravaggio Digital Photography 28” x 39.5”Italian photographer Monia Tartarini specializes in environmental andstudio portraiture. With content ranging from serene, natural landscapesto highly evocative human portrayals, all of her photographs maintain apainterly aesthetic. Her masterful technique allows her to imbue the photoswith dramatic light and shades. While ethereal light pervades some of herlandscapes, a dramatic chiaroscuro permeates her human figures. Havingtraveled widely in search of a “universal sense of art,” Tartarini’s bodyof work is rich with cultural, regional and art historical references. Thetheatricality of the Italian Baroque is a great inspiration for her work, as is thequietude of American realism from the mid-20th century. Many of her worksmeticulously straddle the line between expressive photojournalism and fineart photography. A self-taught photographer, after college Tartarini took a triparound the world, with the purpose of enhancing her skills and developing aunique photographic style. The result speaks for itself.Monia Tartarini lives and works in Milan, Italy.www.monia.itwww.Agora-Gallery.com/ArtistPage/Monia_Tartarini.aspxRooted in traditional art-making techniques such as drawing and painting,Spanish artist Alfredo Gonzalez blends the rich, lush textures ofconventional mediums with the exhilarating possibilities of digital photography.Opulently romantic in the way he approaches and treats his subjects, Gonzalezuses the human figure in a strikingly fresh manner. Intriguingly reminiscentof Pre-Raphaelite and Abstract Expressionist painting alike, the artist’sworks harmoniously merge diversely beautiful images into soundly poignantartworks. In doing so, Gonzalez evokes the ethereal, mysterious way in whichthe moments, and thus experiences, of life pass by in sparkling transcendence.Perception, and the continuous altering of the way we view the world, is atthe core of these works. Velvety textures nuance every piece, morphing theviewer’s vision into a gorgeous dream that is only possible through digitalmethods. “I am released from the dependence on traditional photographicrepresentation, motivated by the possibility of breaking the formal aspects ofour visual perception,” says Gonzalez.Alfredo Gonzalez was born in the Canary Islands, and his works are collectedwidely throughout Europe.www.alfredogonzalez.netwww.Agora-Gallery.com/ArtistPage/Alfredo_Gonzalez.aspxAlfredo GonzalezGround #2 Digital Collage 31.5” x 31.5”52 <strong>ARTisSpectrum</strong>
Nataixa RosLa Tyranie de la Danse Oil on Canvas 15” x 18”Vole en Équilibre Oil on Canvas 51” x 38”Spanish artist Nataixa Ros heralds her rich, figurativeoil on canvas paintings as a “return to the truequality of paint, with a technique worked and developedas the concept of the real painting.” Her dedication tothe immediacy of her subject, and to the mystique thatunderscores common moments in everyday life, impartsgreat depth to her work. Replete with light, color, anda dedication to line and form, her paintings focus onmoments steeped in everyday reality yet offset withallegorical elements that give deeper meanings to thosesubjects she wishes to convey.Inspired by the style of Lucian Freud, Ros has focused Nataixa in her Studioher most recent series of paintings on scenes from themodern ballet. Here she captures not only the romanticism and allure commonly associated with ballet, but also the rigor, sweat,sacrifice and unwavering dedication a ballerina must possess. In captured moments, both on and off stage, the artist gives theviewer intimate glimpses into this realm, where moments of the utmost ordinariness suddenly become extraordinary.Ros’ paintings display a masterful understanding of the intersections between light and shadow, line and form. Her compositionsgive her subjects weightiness, which is further emphasized by dramatic contrasts of color as well as a strategic use of light andshadow. Although figurative in nature, her paintings are highly expressionistic, conveying all the emotion within each subject,both expressed and unspoken. Although her subjects are essentially posed, there is a subtle undercurrent of movement andvibrancy that runs through her paintings, as if the dancer is merely pausing for a moment, poised to take her next step. In theend, Ros’s magnificent paintings teach us to see the magic contained in the mundane, the wonder behind every commonmoment of our lives, if only we take the time to see and experience it.Nataixa Ros currently lives and works in Barcelona, Spain.www.nataixaros.comwww.Agora-Gallery.com/ArtistPage/Nataixa_Ros.aspx53 <strong>ARTisSpectrum</strong>
- Page 1 and 2: ARTisSpectrumVolume 26The Chelsea P
- Page 3 and 4: © Rob Heath Time to Reflect ... Sp
- Page 5 and 6: ARTisSpectrumPublisherAgora Gallery
- Page 7 and 8: ProfilesIf you like to keep up-to-d
- Page 9 and 10: Cade TurnerAustralian artist Cade T
- Page 11 and 12: L. ByrneRed Fireball Oil on Canvas
- Page 13 and 14: When did you realize that you wante
- Page 15 and 16: One Dime Acrylic on Canvas 32” x
- Page 17 and 18: Laurence SteenbergenIce Fruit Acryl
- Page 19 and 20: Joshef MatèIn the work of Joshef M
- Page 21 and 22: Bruce Leslie ThomasBruce in his Stu
- Page 23 and 24: Carlo ProiettoItalian artist Carlo
- Page 25 and 26: Madeleine ArnettParadox 1 Acrylic o
- Page 27 and 28: Cristina Popoviciuring painting,”
- Page 29 and 30: 29 ARTisSpectrum
- Page 31 and 32: The singular landscapes of Italian
- Page 33 and 34: Marty PoorterMarty Poorter’s acry
- Page 35 and 36: John StevensonRenowned Canadian lan
- Page 37 and 38: Early modern men and women, at the
- Page 39 and 40: Norma PicciottoNorma PicciottoL’e
- Page 41 and 42: Cristina ArnedoWendy CohenCombining
- Page 43 and 44: techniques and inspirations.The ben
- Page 45 and 46: Alberto MontoreanoThe Ozone Layer O
- Page 47 and 48: Did you first see the artwork onlin
- Page 49 and 50: Escape from the Cosmic zoo by Aelit
- Page 51: Agora Gallery’s 27th Annual Jurie
- Page 55 and 56: Valentino BellucciItalian artist Va
- Page 57 and 58: Jim CobbPhiladelphia artist Jim Cob
- Page 59 and 60: Why an artist needs to go out on ap
- Page 61 and 62: Even when remaining local, and not
- Page 63 and 64: Laila Khan FurniturewallaLaila in h
- Page 65 and 66: Ancient Olive Trees Inspire Artwork
- Page 67 and 68: Ancestral Ghosts, Family Tree 2 Car
- Page 69 and 70: A long wooden table on the terrace
- Page 71 and 72: LaroucheTamara GrizjukLes Belles So
- Page 73 and 74: Igor NelubovichRussian painter Igor
- Page 75 and 76: Thierry FazianEnigmatic Dreams Mixe
- Page 77 and 78: Alison Jane RiceI arrived in the ci
- Page 79 and 80: Catherine Gaillard PerezVisiting Ne
- Page 81 and 82: Richard StuttleLong flight to New Y
- Page 83 and 84: Dominique BoutaudI feel honored to
- Page 85 and 86: VéroniKaHEphémère Stained Glass
- Page 87 and 88: Surrealistic tableaux fill the canv
- Page 89 and 90: How do you decide whether to recomm
- Page 91 and 92: Fred FriedrichFred FriedrichCuadros
- Page 93 and 94: You might know Mr. Waits from seein
- Page 95 and 96: Tom Wait’s inventiveness doesn’
- Page 97 and 98: Patricia Armour has been weaving ta
- Page 99 and 100: Penelope PaigeHyung Jin ParkViewers
- Page 101 and 102: Vito MateraVito Matera creates artw
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Brigitte MartinezBrigitte in her St
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Building on the artist’s passion
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Ben FeldshuhFor Brooklyn artist Ben
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Creating works that bridge cultural
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Cheri MittermaierCheri Mittermaier
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Z. TodorovaZ.Todorova in her Studio
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CLOCKWISEFROM TOP RIGHT:1) Maracaib
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Christchurch, New Zealandby Joanne
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Shanghai, Chinaby Ping HeLocated in
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Rome, Italyby Monica MorgantiRome,
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Málaga, Spainby Carmen SotuelaMál
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Tehran, Iranby Masoud AbediTehran i
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