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Photo: From <strong>the</strong> artist’s archives<br />
Ruby Hughes After w<strong>in</strong>n<strong>in</strong>g 1 st Place and <strong>the</strong> audience prize at<br />
<strong>the</strong> London Handel Festival S<strong>in</strong>g<strong>in</strong>g Competition<br />
<strong>in</strong> 2009, Ruby Hughes debuted on <strong>the</strong> stage of<br />
Theater an der Wien <strong>in</strong> <strong>the</strong> role of Roggiero <strong>in</strong><br />
G. Ross<strong>in</strong>i’s Tancredi under <strong>the</strong> baton of René<br />
Jacobs. There as well, she also appeared as Fortuna<br />
<strong>in</strong> C. Monteverdi’s L’Incoronazione di Poppea.<br />
She has taken part <strong>in</strong> projects prepared by such<br />
ensembles and festivals as <strong>the</strong> Opera Group, Opéra<br />
de Toulon, Classical Opera Company, Early Opera<br />
Company, Die Lautten Compagney, Musikfestspiele<br />
Potsdam Sanssouci, Musikwerkstatt Wien and<br />
Potsdamer W<strong>in</strong>teroper. The artist has concertized<br />
with <strong>the</strong> Academy of Ancient Music, Akademie für<br />
Alte Musik, Barockorchester Stuttgart, BBC Concert<br />
Orchestra, Cappella Amsterdam, Le Concert Lorra<strong>in</strong>,<br />
Huddersfield Choral Society, London Mozart<br />
Players, Les Musiciens du Louvre-Grenoble, Musica<br />
Saeculorum, Orchestra of <strong>the</strong> Age of Enlightenment<br />
and Philharmonia, under <strong>the</strong> direction of such<br />
conductors as Freider Bernius, Olof Boman,<br />
Stephen Cleobury, Laurence Cumm<strong>in</strong>gs, Christian<br />
Curnyn, Pablo Heras-Casado, Wolfgang Katschner,<br />
Marc M<strong>in</strong>kowski, Daniel Reuss, Ian Page, Andreas<br />
Sper<strong>in</strong>g, Christoph Sper<strong>in</strong>g, Stephan Schultz,<br />
Johannes Wildner and Takuo Yuasa. Concerts<br />
with her participation are frequently broadcast<br />
by European radio and television stations (SR2,<br />
BBC, RTÉ, ORF, Radio France, Deutschlandradio<br />
Kultur). The s<strong>in</strong>ger’s plans for <strong>the</strong> immediate<br />
future <strong>in</strong>clude performances <strong>in</strong> projects with Sir<br />
Jonathan Miller (J. S. Bach’s Passion Accord<strong>in</strong>g to<br />
St. Mat<strong>the</strong>w, Royal National Theatre <strong>in</strong> London)<br />
and Harry Christophers (G. F. Handel’s Saul at <strong>the</strong><br />
Buxton Festival), preparation of several operatic<br />
roles (M<strong>in</strong>erva <strong>in</strong> C. Monteverdi’s Il ritorno d’Ulisse<br />
<strong>in</strong> patria, English National Opera; <strong>the</strong> title role <strong>in</strong><br />
G. F. Handel’s Atalanta, London Handel Festival),<br />
as well as a recital accompanied by pianist Julius<br />
Drake at <strong>the</strong> Pollok House Arts Society <strong>in</strong> Glasgow.<br />
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