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Download the book in PDF. - Misteria Paschalia

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Photo: From <strong>the</strong> artist’s archives<br />

Ruby Hughes After w<strong>in</strong>n<strong>in</strong>g 1 st Place and <strong>the</strong> audience prize at<br />

<strong>the</strong> London Handel Festival S<strong>in</strong>g<strong>in</strong>g Competition<br />

<strong>in</strong> 2009, Ruby Hughes debuted on <strong>the</strong> stage of<br />

Theater an der Wien <strong>in</strong> <strong>the</strong> role of Roggiero <strong>in</strong><br />

G. Ross<strong>in</strong>i’s Tancredi under <strong>the</strong> baton of René<br />

Jacobs. There as well, she also appeared as Fortuna<br />

<strong>in</strong> C. Monteverdi’s L’Incoronazione di Poppea.<br />

She has taken part <strong>in</strong> projects prepared by such<br />

ensembles and festivals as <strong>the</strong> Opera Group, Opéra<br />

de Toulon, Classical Opera Company, Early Opera<br />

Company, Die Lautten Compagney, Musikfestspiele<br />

Potsdam Sanssouci, Musikwerkstatt Wien and<br />

Potsdamer W<strong>in</strong>teroper. The artist has concertized<br />

with <strong>the</strong> Academy of Ancient Music, Akademie für<br />

Alte Musik, Barockorchester Stuttgart, BBC Concert<br />

Orchestra, Cappella Amsterdam, Le Concert Lorra<strong>in</strong>,<br />

Huddersfield Choral Society, London Mozart<br />

Players, Les Musiciens du Louvre-Grenoble, Musica<br />

Saeculorum, Orchestra of <strong>the</strong> Age of Enlightenment<br />

and Philharmonia, under <strong>the</strong> direction of such<br />

conductors as Freider Bernius, Olof Boman,<br />

Stephen Cleobury, Laurence Cumm<strong>in</strong>gs, Christian<br />

Curnyn, Pablo Heras-Casado, Wolfgang Katschner,<br />

Marc M<strong>in</strong>kowski, Daniel Reuss, Ian Page, Andreas<br />

Sper<strong>in</strong>g, Christoph Sper<strong>in</strong>g, Stephan Schultz,<br />

Johannes Wildner and Takuo Yuasa. Concerts<br />

with her participation are frequently broadcast<br />

by European radio and television stations (SR2,<br />

BBC, RTÉ, ORF, Radio France, Deutschlandradio<br />

Kultur). The s<strong>in</strong>ger’s plans for <strong>the</strong> immediate<br />

future <strong>in</strong>clude performances <strong>in</strong> projects with Sir<br />

Jonathan Miller (J. S. Bach’s Passion Accord<strong>in</strong>g to<br />

St. Mat<strong>the</strong>w, Royal National Theatre <strong>in</strong> London)<br />

and Harry Christophers (G. F. Handel’s Saul at <strong>the</strong><br />

Buxton Festival), preparation of several operatic<br />

roles (M<strong>in</strong>erva <strong>in</strong> C. Monteverdi’s Il ritorno d’Ulisse<br />

<strong>in</strong> patria, English National Opera; <strong>the</strong> title role <strong>in</strong><br />

G. F. Handel’s Atalanta, London Handel Festival),<br />

as well as a recital accompanied by pianist Julius<br />

Drake at <strong>the</strong> Pollok House Arts Society <strong>in</strong> Glasgow.<br />

104

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