Download the book in PDF. - Misteria Paschalia
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Les Musiciens du Louvre-Grenoble<br />
This ensemble, founded <strong>in</strong> 1982 by Marc<br />
M<strong>in</strong>kowski, has exerted no small <strong>in</strong>fluence on<br />
<strong>the</strong> revival of <strong>in</strong>terest <strong>in</strong> Baroque music and its<br />
more tradition-based performance <strong>in</strong> France. Les<br />
Musiciens du Louvre have not, however, narrowed<br />
<strong>the</strong>ir artistic activity – aside from Baroque music<br />
(G. F. Handel, H. Purcell, J.-P. Rameau), <strong>the</strong>y<br />
draw upon Classical works (F. J. Haydn and<br />
W. A. Mozart), as well as music from later periods,<br />
with a particular predilection for 19 th -century<br />
116<br />
French music: H. Berlioz (Symphonie fantastique,<br />
Nuits d’été), J. Offenbach (La belle Hélène,<br />
La Grande Duchesse de Gérolste<strong>in</strong>) and even<br />
G. Bizet (L’Arlésienne – Incidental Music) and<br />
G. Fauré. A significant place <strong>in</strong> <strong>the</strong> ensemble’s<br />
repertoire is occupied by operatic works, which<br />
<strong>the</strong> musicians present frequently and successfully<br />
at music festivals (among o<strong>the</strong>rs, C. Monteverdi’s<br />
L’Incoronazione di Poppea and W. A. Mozart’s<br />
Die Zauberflöte <strong>in</strong> Aix-en-Provence) and opera<br />
<strong>the</strong>aters (C. W. Gluck’s Iphigénie en Tauride<br />
and J.-P. Rameau’s Platée at <strong>the</strong> Opéra de Paris,