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Download the book in PDF. - Misteria Paschalia

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Photo: Simon Fowler licensed to Virg<strong>in</strong> Classics<br />

Philippe Jaroussky<br />

This artist obta<strong>in</strong>ed his musical education at <strong>the</strong><br />

conservatory <strong>in</strong> Versailles, where he studied viol<strong>in</strong><br />

and piano performance, harmony and counterpo<strong>in</strong>t.<br />

In 1996, he began to study s<strong>in</strong>g<strong>in</strong>g with Nicole<br />

Fallien, <strong>the</strong>n fur<strong>the</strong>red his education <strong>in</strong> <strong>the</strong> faculty<br />

of early music at <strong>the</strong> Paris Conservatory with Michel<br />

61<br />

Laplenie, Kenneth Weiss and Sophie Boul<strong>in</strong>. He<br />

debuted <strong>in</strong> 1999 at <strong>the</strong> Royaumont festival with a<br />

role <strong>in</strong> A. Scarlatti’s little-known oratorio Sedecia,<br />

ré di Gerusalemme, with Il Sem<strong>in</strong>ario Musicale and<br />

Gérard Lesne. The superb reception of <strong>the</strong> artist<br />

has borne fruit <strong>in</strong> a contract with Virg<strong>in</strong> Classics.<br />

His record<strong>in</strong>gs made for this label have won<br />

numerous awards (Diapason d’Or, Choc du Monde<br />

de la Musique, Gramophone Award, Echo Klassik<br />

Award). The operatic audience were amazed by his<br />

exceptional vocal abilities; several years later, <strong>the</strong>y<br />

were also appreciated by <strong>the</strong> jury of Victoires de la<br />

Musique Classique, by whom he was proclaimed<br />

<strong>the</strong> operatic revelation of <strong>the</strong> year 2004. A year<br />

later, he enchanted Paris as R<strong>in</strong>aldo; ano<strong>the</strong>r great<br />

success was a recital by Jaroussky and Le Concert<br />

d’Astrée under <strong>the</strong> direction of Emmanuelle Haïm,<br />

dedicated to <strong>the</strong> famous castrato Carest<strong>in</strong>i, recorded<br />

for Virg<strong>in</strong> <strong>in</strong> 2007. This performance was acclaimed<br />

as <strong>the</strong> Victoires de la Musique record<strong>in</strong>g of <strong>the</strong> year<br />

for 2008, and <strong>the</strong> next year won <strong>the</strong> Midem Classical<br />

Award. With <strong>the</strong> same musicians, Jaroussky has<br />

also made a record<strong>in</strong>g of Baroque arias entitled<br />

Lamenti – this disc also received <strong>the</strong> Victoires<br />

de la Musique award <strong>in</strong> 2009. The subsequent<br />

Teatro d’Amore with music by Monteverdi and<br />

La dolce fiamma with forgotten arias for castrati<br />

by J. C. Bach immediately became bestsellers.<br />

Recently, he unexpectedly took on – <strong>in</strong> a duo with<br />

pianist Jérôme Ducros – an <strong>in</strong>terpretation of French<br />

music from <strong>the</strong> end of <strong>the</strong> 19 th and beg<strong>in</strong>n<strong>in</strong>g of <strong>the</strong><br />

20 th centuries, <strong>the</strong> fruit of which is <strong>the</strong> disc Opium.<br />

Mélodies françaises. A special place <strong>in</strong> <strong>the</strong> vocalist’s<br />

repertoire is occupied by <strong>the</strong> works of Handel,<br />

Vivaldi, Pergolesi and Monteverdi. He collaborates<br />

regularly with Jean Tubéry, Marc M<strong>in</strong>kowski, René<br />

Jacobs and Fabio Biondi, as well as with Ensemble<br />

La Fenice, Ensemble Ma<strong>the</strong>us, Les Arts Florissants,<br />

Les Musiciens du Louvre and Europa Galante.<br />

Philippe Jaroussky is a co-founder of <strong>the</strong> Artaserse<br />

Ensemble. He concertizes <strong>in</strong> <strong>the</strong> most important<br />

opera houses all over <strong>the</strong> world. In 2010, <strong>the</strong> jury of<br />

Victoires de la Musique Classique named him artist<br />

of <strong>the</strong> year.

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