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Photo: Simon Fowler, Deutsche Grammophon<br />
Nathalie Stutzmann At a young age, Nathalie Stutzmann received a<br />
thorough musical education; she studied conduct<strong>in</strong>g,<br />
piano and bassoon performance, and was <strong>in</strong>volved<br />
<strong>in</strong> chamber music. Gifted with a rarely-encountered<br />
voice (a natural contralto), she devoted herself to<br />
<strong>the</strong> vocal arts. She received her first voice lessons<br />
from her mo<strong>the</strong>r, Christiane Stutzmann; later, <strong>the</strong><br />
artist enrolled at Ecole d’Art Lyrique de l’Opéra<br />
de Paris. Her talent and exceptional personality<br />
have been esteemed by Seiji Ozawa, Sir Simon<br />
Rattle, Mariss Jansons, Sir John Eliot Gard<strong>in</strong>er,<br />
Christoph Eschenbach, Jukka Pekka Saraste and<br />
Marc M<strong>in</strong>kowski; under <strong>the</strong>ir direction, Stutzmann<br />
has had occasion to perform as a soloist with <strong>the</strong><br />
Berl<strong>in</strong> Philharmonic, Vienna Philharmonic, New<br />
York Philharmonic, London Symphony, Orquesta<br />
Nacional de España, Orchestre de Paris et al. She<br />
has not, however, abandoned conduct<strong>in</strong>g, and<br />
s<strong>in</strong>ce 2009 has led her own ensemble, Orfeo 55.<br />
She has over 75 record<strong>in</strong>gs to her credit. Recently,<br />
she recorded F. Schubert’s Die schöne Müller<strong>in</strong><br />
cycle with Inger Södergren (Calliope), cantatas<br />
by J. S. Bach and J. Brahms’ Alt-Rhapsodie under<br />
Gard<strong>in</strong>er’s direction (SDG), M. Ravel’s L’Enfant et<br />
les sortilèges with <strong>the</strong> Berl<strong>in</strong> Philharmonic (EMI)<br />
and J. S. Bach’s Mass <strong>in</strong> B m<strong>in</strong>or under M<strong>in</strong>kowski’s<br />
direction (Naïve). The artist recently signed an<br />
exclusive contract with Deutsche Grammophon –<br />
<strong>in</strong> April 2011, her album Prima Donna with arias by<br />
A. Vivaldi will be released. This season, Stutzmann<br />
will perform works by G. Mahler frequently at<br />
concerts organized to honor <strong>the</strong> 100 th anniversary<br />
of <strong>the</strong> composer’s death; her solo parts will <strong>in</strong>clude<br />
those <strong>in</strong> Symphonies nos. 3 and 4 under <strong>the</strong> baton<br />
of Sir Simon Rattle (Philharmonic Hall <strong>in</strong> Berl<strong>in</strong>,<br />
Royal Festival Hall <strong>in</strong> London, Concertgebouw <strong>in</strong><br />
Amsterdam); she is also plann<strong>in</strong>g a series of recitals<br />
with German and French songs (Paris, Tokyo,<br />
Madrid) with pianist Inger Södergren. Nathalie<br />
Stutzmann has received <strong>the</strong> title of Chevalier des<br />
Arts et Lettres. She gives regular master classes.<br />
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