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Download the book in PDF. - Misteria Paschalia

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Photo: Simon Fowler, Deutsche Grammophon<br />

Nathalie Stutzmann At a young age, Nathalie Stutzmann received a<br />

thorough musical education; she studied conduct<strong>in</strong>g,<br />

piano and bassoon performance, and was <strong>in</strong>volved<br />

<strong>in</strong> chamber music. Gifted with a rarely-encountered<br />

voice (a natural contralto), she devoted herself to<br />

<strong>the</strong> vocal arts. She received her first voice lessons<br />

from her mo<strong>the</strong>r, Christiane Stutzmann; later, <strong>the</strong><br />

artist enrolled at Ecole d’Art Lyrique de l’Opéra<br />

de Paris. Her talent and exceptional personality<br />

have been esteemed by Seiji Ozawa, Sir Simon<br />

Rattle, Mariss Jansons, Sir John Eliot Gard<strong>in</strong>er,<br />

Christoph Eschenbach, Jukka Pekka Saraste and<br />

Marc M<strong>in</strong>kowski; under <strong>the</strong>ir direction, Stutzmann<br />

has had occasion to perform as a soloist with <strong>the</strong><br />

Berl<strong>in</strong> Philharmonic, Vienna Philharmonic, New<br />

York Philharmonic, London Symphony, Orquesta<br />

Nacional de España, Orchestre de Paris et al. She<br />

has not, however, abandoned conduct<strong>in</strong>g, and<br />

s<strong>in</strong>ce 2009 has led her own ensemble, Orfeo 55.<br />

She has over 75 record<strong>in</strong>gs to her credit. Recently,<br />

she recorded F. Schubert’s Die schöne Müller<strong>in</strong><br />

cycle with Inger Södergren (Calliope), cantatas<br />

by J. S. Bach and J. Brahms’ Alt-Rhapsodie under<br />

Gard<strong>in</strong>er’s direction (SDG), M. Ravel’s L’Enfant et<br />

les sortilèges with <strong>the</strong> Berl<strong>in</strong> Philharmonic (EMI)<br />

and J. S. Bach’s Mass <strong>in</strong> B m<strong>in</strong>or under M<strong>in</strong>kowski’s<br />

direction (Naïve). The artist recently signed an<br />

exclusive contract with Deutsche Grammophon –<br />

<strong>in</strong> April 2011, her album Prima Donna with arias by<br />

A. Vivaldi will be released. This season, Stutzmann<br />

will perform works by G. Mahler frequently at<br />

concerts organized to honor <strong>the</strong> 100 th anniversary<br />

of <strong>the</strong> composer’s death; her solo parts will <strong>in</strong>clude<br />

those <strong>in</strong> Symphonies nos. 3 and 4 under <strong>the</strong> baton<br />

of Sir Simon Rattle (Philharmonic Hall <strong>in</strong> Berl<strong>in</strong>,<br />

Royal Festival Hall <strong>in</strong> London, Concertgebouw <strong>in</strong><br />

Amsterdam); she is also plann<strong>in</strong>g a series of recitals<br />

with German and French songs (Paris, Tokyo,<br />

Madrid) with pianist Inger Södergren. Nathalie<br />

Stutzmann has received <strong>the</strong> title of Chevalier des<br />

Arts et Lettres. She gives regular master classes.<br />

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