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Download the book in PDF. - Misteria Paschalia

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Marc M<strong>in</strong>kowski<br />

This artist studied bassoon performance, <strong>the</strong>n<br />

conduct<strong>in</strong>g with Charles Bruck at <strong>the</strong> Pierre<br />

Monteux Memorial School <strong>in</strong> <strong>the</strong> United States.<br />

In 1982, he founded Les Musiciens du Louvre<br />

(s<strong>in</strong>ce 1996 based <strong>in</strong> Grenoble), specializ<strong>in</strong>g <strong>in</strong> <strong>the</strong><br />

performance of French Baroque music (J.-B. Lully,<br />

J.-P. Rameau, M.-A. Charpentier, M. Marais), as<br />

well as C. Monteverdi, G. F. Handel, C. W. Gluck,<br />

W. A. Mozart and J. Offenbach. Les Musiciens du<br />

Louvre perform regularly on <strong>the</strong> most important<br />

stages of France (Opéra de Paris, Opéra de Lyon,<br />

Théatre du Châtelet, Théâtre des Champs-Elysées,<br />

festivals <strong>in</strong> Aix-en-Provence and Beaune), as well<br />

as <strong>in</strong> Europe’s lead<strong>in</strong>g musical centers (London,<br />

Amsterdam, Madrid, Vienna, Salzburg, etc.). S<strong>in</strong>ce<br />

2003, M<strong>in</strong>kowski has been associated with <strong>the</strong> opera<br />

<strong>in</strong> Zürich, where he has led G. F. Handel’s Il trionfo<br />

del Tempo e del Dis<strong>in</strong>ganno, Agripp<strong>in</strong>a and Giulio<br />

Cesare; G. Donizetti’s La favorita, J.-P. Rameau’s<br />

Les Boréades and L. van Beethoven’s Fidelio. He<br />

is considered to be one of <strong>the</strong> most dist<strong>in</strong>guished<br />

conductors of his generation and a superb<br />

<strong>in</strong>terpreter of Mozart’s operatic works. Among his<br />

most important renditions of compositions by <strong>the</strong><br />

Austrian master are Idomeneo at <strong>the</strong> Opéra de Paris;<br />

Die Entführung aus dem Serail (with <strong>the</strong> Mozarteum<br />

orchestra) at <strong>the</strong> Salzburg Festival; Le nozze di<br />

Figaro (with <strong>the</strong> Mahler Chamber Orchestra) at<br />

<strong>the</strong> festival <strong>in</strong> Aix-en-Provence, <strong>in</strong> Baden-Baden<br />

and Tokyo; and Die Zauberflöte <strong>in</strong> Montpellier and<br />

Bochum, as well as at <strong>the</strong> Opéra de Paris. His broad<br />

repertoire encompasses works from <strong>the</strong> Baroque to<br />

contemporary times. He pays particular attention to<br />

composers who are little-known (J.-J. Mondonville)<br />

or underappreciated (J. Offenbach). In recent years,<br />

he has <strong>in</strong>creas<strong>in</strong>gly been turn<strong>in</strong>g to large symphonic<br />

works. Aside from F. J. Haydn, L. van Beethoven,<br />

F. Schubert and J. Brahms, he particularly<br />

esteems <strong>the</strong> French masters – H. Berlioz, G. Bizet,<br />

E. Chausson, G. Fauré and N. Boulanger. For<br />

several years now, he has been a regular guest at <strong>the</strong><br />

world’s greatest concert halls and most prestigious<br />

114<br />

music festivals. He collaborates with <strong>the</strong> Mahler<br />

Chamber Orchestra, <strong>the</strong> Berl<strong>in</strong> Philharmonic,<br />

<strong>the</strong> Orchestre National de France, <strong>the</strong> City of<br />

Birm<strong>in</strong>gham Symphony Orchestra, <strong>the</strong> Orchestre<br />

Philharmonique de Radio France, <strong>the</strong> Los Angeles<br />

Philharmonic Orchestra, <strong>the</strong> Orchestre de Paris,<br />

Staatskapelle Dresden et al. S<strong>in</strong>ce June 2008, he<br />

has been music director of S<strong>in</strong>fonia Varsovia. He<br />

has recorded discs for <strong>the</strong> Erato, EMI and Archiv<br />

Produktion labels. He is presently under contractual<br />

agreement with <strong>the</strong> French label Naïve. In 2004, he<br />

received <strong>the</strong> title of Chevalier du Mérite granted by<br />

<strong>the</strong> President of France.

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