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Marc M<strong>in</strong>kowski<br />
This artist studied bassoon performance, <strong>the</strong>n<br />
conduct<strong>in</strong>g with Charles Bruck at <strong>the</strong> Pierre<br />
Monteux Memorial School <strong>in</strong> <strong>the</strong> United States.<br />
In 1982, he founded Les Musiciens du Louvre<br />
(s<strong>in</strong>ce 1996 based <strong>in</strong> Grenoble), specializ<strong>in</strong>g <strong>in</strong> <strong>the</strong><br />
performance of French Baroque music (J.-B. Lully,<br />
J.-P. Rameau, M.-A. Charpentier, M. Marais), as<br />
well as C. Monteverdi, G. F. Handel, C. W. Gluck,<br />
W. A. Mozart and J. Offenbach. Les Musiciens du<br />
Louvre perform regularly on <strong>the</strong> most important<br />
stages of France (Opéra de Paris, Opéra de Lyon,<br />
Théatre du Châtelet, Théâtre des Champs-Elysées,<br />
festivals <strong>in</strong> Aix-en-Provence and Beaune), as well<br />
as <strong>in</strong> Europe’s lead<strong>in</strong>g musical centers (London,<br />
Amsterdam, Madrid, Vienna, Salzburg, etc.). S<strong>in</strong>ce<br />
2003, M<strong>in</strong>kowski has been associated with <strong>the</strong> opera<br />
<strong>in</strong> Zürich, where he has led G. F. Handel’s Il trionfo<br />
del Tempo e del Dis<strong>in</strong>ganno, Agripp<strong>in</strong>a and Giulio<br />
Cesare; G. Donizetti’s La favorita, J.-P. Rameau’s<br />
Les Boréades and L. van Beethoven’s Fidelio. He<br />
is considered to be one of <strong>the</strong> most dist<strong>in</strong>guished<br />
conductors of his generation and a superb<br />
<strong>in</strong>terpreter of Mozart’s operatic works. Among his<br />
most important renditions of compositions by <strong>the</strong><br />
Austrian master are Idomeneo at <strong>the</strong> Opéra de Paris;<br />
Die Entführung aus dem Serail (with <strong>the</strong> Mozarteum<br />
orchestra) at <strong>the</strong> Salzburg Festival; Le nozze di<br />
Figaro (with <strong>the</strong> Mahler Chamber Orchestra) at<br />
<strong>the</strong> festival <strong>in</strong> Aix-en-Provence, <strong>in</strong> Baden-Baden<br />
and Tokyo; and Die Zauberflöte <strong>in</strong> Montpellier and<br />
Bochum, as well as at <strong>the</strong> Opéra de Paris. His broad<br />
repertoire encompasses works from <strong>the</strong> Baroque to<br />
contemporary times. He pays particular attention to<br />
composers who are little-known (J.-J. Mondonville)<br />
or underappreciated (J. Offenbach). In recent years,<br />
he has <strong>in</strong>creas<strong>in</strong>gly been turn<strong>in</strong>g to large symphonic<br />
works. Aside from F. J. Haydn, L. van Beethoven,<br />
F. Schubert and J. Brahms, he particularly<br />
esteems <strong>the</strong> French masters – H. Berlioz, G. Bizet,<br />
E. Chausson, G. Fauré and N. Boulanger. For<br />
several years now, he has been a regular guest at <strong>the</strong><br />
world’s greatest concert halls and most prestigious<br />
114<br />
music festivals. He collaborates with <strong>the</strong> Mahler<br />
Chamber Orchestra, <strong>the</strong> Berl<strong>in</strong> Philharmonic,<br />
<strong>the</strong> Orchestre National de France, <strong>the</strong> City of<br />
Birm<strong>in</strong>gham Symphony Orchestra, <strong>the</strong> Orchestre<br />
Philharmonique de Radio France, <strong>the</strong> Los Angeles<br />
Philharmonic Orchestra, <strong>the</strong> Orchestre de Paris,<br />
Staatskapelle Dresden et al. S<strong>in</strong>ce June 2008, he<br />
has been music director of S<strong>in</strong>fonia Varsovia. He<br />
has recorded discs for <strong>the</strong> Erato, EMI and Archiv<br />
Produktion labels. He is presently under contractual<br />
agreement with <strong>the</strong> French label Naïve. In 2004, he<br />
received <strong>the</strong> title of Chevalier du Mérite granted by<br />
<strong>the</strong> President of France.