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Capella Cracoviensis<br />
Founded <strong>in</strong> 1970 on <strong>the</strong> <strong>in</strong>itiative of Stanisław<br />
Gałoński, Capella Cracoviensis is presently one<br />
of Poland’s most dynamic ensembles specializ<strong>in</strong>g<br />
<strong>in</strong> stylistic performance of music from past eras.<br />
Thanks to <strong>the</strong> ongo<strong>in</strong>g support of <strong>the</strong> City of Kraków,<br />
Capella Cracoviensis is able to carry out ambitious<br />
projects <strong>in</strong> an uncompromis<strong>in</strong>g manner and at <strong>the</strong><br />
highest artistic level, <strong>in</strong>volv<strong>in</strong>g superb artists of a<br />
particular sensitivity. The ensemble has collaborated<br />
<strong>in</strong> productions of Baroque operas and oratorios<br />
on historical <strong>in</strong>struments (recently: G. F. Handel’s<br />
Amadigi, Deborah, Rodel<strong>in</strong>da, A. Vivaldi’s<br />
Griselda, J. S. Bach’s Passion Accord<strong>in</strong>g to St. John<br />
and Christmas Oratorio) with musicians from such<br />
renowned ensembles as Il Giard<strong>in</strong>o Armonico,<br />
Europa Galante, Orchestra of <strong>the</strong> 18 th Century and<br />
L’Arpeggiata. Guest artists of Capella Cracoviensis<br />
have also <strong>in</strong>cluded Andrew Parrott, Paul Goodw<strong>in</strong>,<br />
Sirkka-Liisa Kaak<strong>in</strong>en, Les Sacqueboutiers<br />
99<br />
de Toulouse, Ensemble Oltremontano and Nachtmusique.<br />
Capella Cracoviensis is also a vocal<br />
ensemble perform<strong>in</strong>g repertoire that extends from<br />
Gesualdo’s mannerist madrigals to Szymanowski’s<br />
Kurpie Songs. The choir is utilized by dist<strong>in</strong>guished<br />
guests of <strong>the</strong> Opera Rara series, such as Fabio Biondi<br />
and Marc M<strong>in</strong>kowski. A recent special project of <strong>the</strong><br />
Capella Cracoviensis vocal group was an <strong>in</strong>novative<br />
crossover entitled Bar.oque Feast – a stag<strong>in</strong>g of<br />
madrigals by C. Monteverdi at one of Kraków’s milk<br />
bars featur<strong>in</strong>g Maria Peszek, as well as Jan Peszek<br />
recit<strong>in</strong>g Petrarch sonnets. S<strong>in</strong>ce November 2008, <strong>the</strong><br />
ensemble’s executive and artistic director has been<br />
Jan Tomasz Adamus. Previously associated with<br />
Wrocław, this organist, harpsichordist, conductor<br />
and organizer of musical life studied <strong>in</strong> Kraków and<br />
Amsterdam. He formed his artistic sensitivity <strong>in</strong><br />
collaboration with many dist<strong>in</strong>guished s<strong>in</strong>gers, as<br />
well as <strong>in</strong> contact with art, discern<strong>in</strong>g <strong>in</strong> pa<strong>in</strong>t<strong>in</strong>g,<br />
sculpture, architecture and philosophy a constant<br />
counterpo<strong>in</strong>t for all his musical endeavors.<br />
Photo: From <strong>the</strong> ensemble’s archives