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Photo: P. Kornfeld
Lisandro Abadie Born in Buenos Aires in 1974, Lisandro Abadie
studied voice at the Schola Cantorum in Basel
with Evelyn Tubb, and at the Musikhochschule in
Lucerne with Peter Brechbühler. In 2006, he won
the Edwin Fischer Gedenkpreis. He has had the
opportunity to work with such distinguished artists
as William Christie (H. Purcell’s The Fairy Queen in
Aix-en-Provence), Facundo Agudin (W. A. Mozart’s
Don Giovanni, Die Zauberflöte, Le nozze di Figaro,
J. S. Bach’s Passion According to St. John and
Magnificat, G. Fauré’s Requiem), Hervé Niquet
(M. Marais’ Sémélé, CD recording of concert in
Montpellier), Laurence Cummings (2009, Theodora
at London Handel Festival), Benjamin Lazar (2010,
O. Strasnoy’s Cachafaz, French tour), Laurent
Gendre (recordings of works by C. Monteverdi),
Philippe Krüttli, Anthony Rooley, Maurice Steger,
Paul Suits, Václav Luks, Joshua Rifkin, Jesper
Christiensen, Daniela Dolci and John Duxbury,
as well as Jan Tomasz Adamus, who is familiar
to Kraków audiences. Abadie has taken part in
productions of such recently-written operatic works
as A. Pflüger’s Der schwarze Mozart and S. Verdú’s
Gramma; and last year, in the European première
and first recording of C. Favre’s Requiem under the
baton of Facundo Agudin. He gives recitals and
records discs with the accompaniment of pianist
Paul Suits. He has collaborated with, among other
ensembles: Les Arts Florissants, Collegium 1704,
Mala Punica, Les Folies Françoises (with which he
gave several concerts in 2009 – Brussels, Théâtre
des Champs Elysées in Paris, Palau de les Arts in
Valencia); and in 2010, he performed for the first
time with Les Talens Lyriques, led by Christophe
Rousset (G. B. Pergolesi’s oratorio San Guglielmo).
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