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Download the book in PDF. - Misteria Paschalia

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Hespèrion XXI<br />

United by a common aim – study, popularization<br />

and performance of early music – and fasc<strong>in</strong>ated<br />

by <strong>the</strong> enormous resources of European, and<br />

especially Spanish music, Jordi Savall (bowed str<strong>in</strong>g<br />

<strong>in</strong>struments), Montserrat Figueras (voice), Lorenzo<br />

Alpert (w<strong>in</strong>d and percussion <strong>in</strong>struments) and<br />

Hopk<strong>in</strong>son Smith (plucked str<strong>in</strong>g <strong>in</strong>struments)<br />

founded an ensemble known as Hespèrion XX <strong>in</strong><br />

1974. Active for over 30 years, <strong>the</strong> group has rema<strong>in</strong>ed<br />

faithful to that orig<strong>in</strong>al idea; it performs ma<strong>in</strong>ly<br />

works written before 1800 which have not previously<br />

been performed. Toge<strong>the</strong>r with <strong>the</strong> arrival of <strong>the</strong><br />

new millennium, all that has changed is <strong>the</strong> name<br />

(Hespèrion XXI). The artists’ eclectic attitude f<strong>in</strong>ds<br />

expression <strong>in</strong> its diverse repertoire – from medieval<br />

Spanish music to works from <strong>the</strong> Renaissance (such<br />

composers as Dowland, Tye and Coprario) and <strong>the</strong><br />

English Baroque, and even traditional Armenian,<br />

53<br />

Sephardic, Aramaic and Jewish music (albums<br />

realized with <strong>the</strong> participation of <strong>in</strong>vited musicians:<br />

Jerusalem <strong>in</strong> 2008 and Istanbul <strong>in</strong> 2009). The<br />

ensemble’s concert activity is not limited to Europe;<br />

Hespèrion XXI takes part <strong>in</strong> early music festivals<br />

all over <strong>the</strong> world, present<strong>in</strong>g such cross-sectional<br />

and <strong>the</strong>matic programs as Música en los tiempos<br />

de Cervantes, Música napolitana del Renacimiento,<br />

El Barroco Español and Lachrimae Caravaggio<br />

(presented as part of <strong>the</strong> <strong>Misteria</strong> <strong>Paschalia</strong> festival <strong>in</strong><br />

2008), or programs devoted to <strong>the</strong> œuvre of selected<br />

composers (G. Gabrieli, G. Frescobaldi, S. Scheidt,<br />

W. Lawes, J. Cabanilles, F. Couper<strong>in</strong>, J. S. Bach).<br />

Their record<strong>in</strong>gs of J. S. Bach’s Die Kunst der Fuge<br />

and J. Dowland’s Lachrimae, or Seaven Teares are<br />

noteworthy. For <strong>the</strong>ir phonographic achievements,<br />

<strong>the</strong> ensemble has frequently won awards, among<br />

o<strong>the</strong>rs <strong>the</strong> Grand Prix de l’Académie du Disque<br />

Francis Carco, <strong>the</strong> Grand Prix du Disque Charles<br />

Cros and <strong>the</strong> Diapason d’Or.

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