AG's annual report 2009 - Kitchener-Waterloo Art Gallery
AG's annual report 2009 - Kitchener-Waterloo Art Gallery
AG's annual report 2009 - Kitchener-Waterloo Art Gallery
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
January 15, <strong>2009</strong> – March 22, <strong>2009</strong><br />
ANTHEM: Perspectives on Home and Native Land<br />
Cynthia Girard, Alisdair MacRae, FASTWÜRMS, Shirley Moorhouse, Dana Inkster, KC Adams,<br />
and Eric Robertson. Curated by Ryan Rice, Organized by Carleton University <strong>Art</strong> <strong>Gallery</strong>, Ottawa<br />
ANTHEM: Perspectives on Home and Native Land featured the work of artists from across Canada who<br />
identified varying forms of nationhood that serve or detract from the concept of a national accord. <strong>Art</strong>ists<br />
from various backgrounds – Aboriginal, Métis, White (Anglophone and Francophone), and African-<br />
Canadian – consult their personal and communal selves to address forms of sovereignty that they express<br />
responsively as their anthem.<br />
March 28, <strong>2009</strong> – May 3, <strong>2009</strong><br />
Expressions 34 and Re-mix<br />
Please see the Education and Public Programs Report for exhibition details.<br />
April 2, <strong>2009</strong> – May 3, <strong>2009</strong><br />
Janet Cardiff: Whispering Room<br />
Co-presented by the Open Ears Festival, Courtesy of the <strong>Art</strong> <strong>Gallery</strong> of Ontario<br />
As part of the <strong>2009</strong> Open Ears Festival of Music and Sound, KW|AG was pleased to host an installation<br />
by Janet Cardiff. Whispering Room was a multimedia installation featuring sixteen speakers, each playing<br />
dialogue by a female describing a particular event from various viewpoints. As listeners moved through<br />
the gallery space, the story they heard changed. Each segment gently pulled the listener in a different<br />
direction, shuffling them between the past and the future and implicating the psychology of different<br />
modes of communication. The hushed voices were interrupted by a brief film projection of a girl tap<br />
dancing in the forest. This seemingly random interruption was both mysterious and familiar, a fitting<br />
analogy for the haunting voice that moved throughout a forest of speakers in the <strong>Gallery</strong> space.<br />
<strong>2009</strong> Exhibitions<br />
08