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AG's annual report 2009 - Kitchener-Waterloo Art Gallery

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January 15, <strong>2009</strong> – March 22, <strong>2009</strong><br />

ANTHEM: Perspectives on Home and Native Land<br />

Cynthia Girard, Alisdair MacRae, FASTWÜRMS, Shirley Moorhouse, Dana Inkster, KC Adams,<br />

and Eric Robertson. Curated by Ryan Rice, Organized by Carleton University <strong>Art</strong> <strong>Gallery</strong>, Ottawa<br />

ANTHEM: Perspectives on Home and Native Land featured the work of artists from across Canada who<br />

identified varying forms of nationhood that serve or detract from the concept of a national accord. <strong>Art</strong>ists<br />

from various backgrounds – Aboriginal, Métis, White (Anglophone and Francophone), and African-<br />

Canadian – consult their personal and communal selves to address forms of sovereignty that they express<br />

responsively as their anthem.<br />

March 28, <strong>2009</strong> – May 3, <strong>2009</strong><br />

Expressions 34 and Re-mix<br />

Please see the Education and Public Programs Report for exhibition details.<br />

April 2, <strong>2009</strong> – May 3, <strong>2009</strong><br />

Janet Cardiff: Whispering Room<br />

Co-presented by the Open Ears Festival, Courtesy of the <strong>Art</strong> <strong>Gallery</strong> of Ontario<br />

As part of the <strong>2009</strong> Open Ears Festival of Music and Sound, KW|AG was pleased to host an installation<br />

by Janet Cardiff. Whispering Room was a multimedia installation featuring sixteen speakers, each playing<br />

dialogue by a female describing a particular event from various viewpoints. As listeners moved through<br />

the gallery space, the story they heard changed. Each segment gently pulled the listener in a different<br />

direction, shuffling them between the past and the future and implicating the psychology of different<br />

modes of communication. The hushed voices were interrupted by a brief film projection of a girl tap<br />

dancing in the forest. This seemingly random interruption was both mysterious and familiar, a fitting<br />

analogy for the haunting voice that moved throughout a forest of speakers in the <strong>Gallery</strong> space.<br />

<strong>2009</strong> Exhibitions<br />

08

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