AG's annual report 2009 - Kitchener-Waterloo Art Gallery
AG's annual report 2009 - Kitchener-Waterloo Art Gallery
AG's annual report 2009 - Kitchener-Waterloo Art Gallery
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KW|AG’s curatorial programming always begins as a<br />
conversation or exchange of ideas. These conversations<br />
begin just about anywhere (the gallery spaces,<br />
outside, virtually) and with just about anyone (our<br />
colleagues, artists, families, visitors). The most<br />
rewarding conversations are the ones that evolve<br />
from serendipitous beginnings into projects that<br />
inspire engagement from a wider audience.<br />
Exchange is a sequence: In May <strong>2009</strong>, KW|AG’s<br />
Curatorial and Collections Consultant of 7 years,<br />
Allan MacKay, left the <strong>Gallery</strong> to pursue his own<br />
artistic processes. I was fortunate to have assisted<br />
Allan for four years before assuming the position of<br />
Curator of Collections and Exhibitions. As a mentor,<br />
Allan taught me to leave room for the unexpected;<br />
in essence, to leave room for someone or something<br />
else to contribute to our conversations. Under his<br />
direction, curatorial activity championed the idea of<br />
stories that unfold over time. In <strong>2009</strong>, artists Susan<br />
Coolen and Andrew Wright contributed the 6th and<br />
7th instalments of our Parochial Views series of<br />
commissions. These works join the <strong>Gallery</strong>’s permanent<br />
collection for future generations to contemplate<br />
and enjoy.<br />
Exchange is a dialogue: <strong>2009</strong> was particularly rich for<br />
exhibitions that shone a light on how a shared locale<br />
informs our sense of identity, collective memory and<br />
sense of agency. New projects under the aegis of our<br />
River Grand Chronicles series explored communication<br />
within our regional landscape. Whether assuming<br />
the role of collector and interpreter of individual<br />
narratives (Phil Irish) or crafting a taxonomy<br />
equivalent to an alphabet (Susan Coolen), a desire<br />
to connect and communicate is always a part of the<br />
artist’s role. Part of our role as curatorial staff is to<br />
cultivate and highlight the kind of dialogue that can<br />
happen between individual artworks. Our <strong>2009</strong> exhibition<br />
program included several group exhibitions<br />
that addressed site as its curatorial thesis. Some Kind<br />
of Wonderful: The 4th KW|AG Biennial, guest curated<br />
by Nancy Campbell, assembled work by 11 regional<br />
artists transforming our main gallery into a site of<br />
wonder. ANTHEM: Perspectives on Home and Native<br />
Land, circulated by Carleton University <strong>Art</strong> <strong>Gallery</strong>,<br />
Ottawa explored diverse forms of nationhood that<br />
make the concept of national accord complex.<br />
Exchange is an action: <strong>2009</strong> was an exceptional year<br />
for bringing the world to our region. Bringing together<br />
11 Berlin-based artists from around the world,<br />
Building Berlin focused on individual artists who<br />
have helped cultivate the German capital’s dynamic<br />
art scene. Our <strong>Art</strong> Talks, presented in partnership<br />
with the Perimeter Institute, continued to bring<br />
international artists to the region, with Janine Antoni<br />
and Shirin Neshat presenting their work followed by<br />
interviews with Robert Enright in Border Crossings.<br />
<strong>2009</strong> also marked a shift in how we involved the<br />
community in meaningful conversations via art.<br />
KW|AG partnered with Wilfrid Laurier University’s<br />
Community Service Learning students for an interactive<br />
project engaging the public in conversation<br />
about the <strong>Gallery</strong>’s exhibitions. Look for more information<br />
on how this partnership unfolded in next<br />
year’s Annual Report. Other conversations with<br />
exhibiting artists were captured in interviews posted<br />
on our web site and in our exhibition catalogues.<br />
Exchange is putting one thing in the place of another:<br />
To be a site of exchange is to recognize that partnerships<br />
amplify and extend the boundaries of our artistic<br />
programming. nowhere if not here, a survey exhibition<br />
of work by Guelph-based artist Will Gorlitz,<br />
opened in fall 2008 and travelled to the <strong>Art</strong> <strong>Gallery</strong><br />
of Nova Scotia and Macdonald Stewart <strong>Art</strong> Centre<br />
(Guelph). The importance of Will’s work resonates in<br />
the comprehensive exhibition catalogue, published<br />
in partnership with Wilfrid Laurier University Press.<br />
KW|AG’s partnerships with arts organizations such as<br />
CAFKA and Open Ears were celebrated in exhibitions<br />
of work by Janice Kerbel and Janet Cardiff (on loan<br />
from the <strong>Art</strong> <strong>Gallery</strong> of Ontario), each programmed<br />
in conversation with the themes of these biennial<br />
events.<br />
Crystal Mowry<br />
Curator of Exhibitions<br />
and Collections<br />
Curatorial Report<br />
04