peer-to-peer file sharing (cont.) four types of, 68–69, 296–97 infringement protections in, 73–74, 181–82 participation levels of, 67, 313n piracy vs., 66–79 reform proposals of copyright restraints on, 296–304 regulatory balance lost in, 125, 206–7 shoplifting vs., 179–80 total legalization of, 180 zero-tolerance of, 180–82 Peer-to-Peer Piracy Prevention Act, 324n permission culture: free culture vs., xiv, 8, 173 transaction burdens of, 192–93 permissions: coded controls vs., 149–53 photography exempted from, 33–35 for use of film clips, 100–107 see also copyright pharmaceutical patents, 258–61, 328n phonograph, 55 photocopying machines, 171 photography, 31–35 Picker, Randal C., 324n piracy: in Asia, 63, 64, 65, 302 commercial, 62–66, 313n derivative work vs., 22–24, 25–29, 138–39, 141 in development of content industry, 53–61, 312n of intangible property, 64, 71, 179–80 international, 63–64 profit reduction as criterion of, 66–71, 73 p2p file sharing vs., 66–79 uncritical rejection of, 183–84 player pianos, 55, 56, 75 PLoS (Public Library of Science), 262, 281–82 Pogue, David, xiii political discourse, 41, 42–45 Politics (Aristotle), 150 Porgy and Bess, 233 pornography, 233, 325n positive law, 86, 90 342 INDEX power, concentration of, xv, 12 Prelinger, Rick, 112 Princeton University, 51 privacy rights, 205, 277–79 Progress Clause, 130–31, 215, 218, 232, 236, 243–44 prohibition, citizen rebellion against, 199–207 Promises to Keep (Fisher), 301 property rights: air traffic vs., 1–3, 294 as balance of public good vs. private interests, 172–73, 322n copyright vs., 83–84, 172–73 feudal system of, 267 formalities associated with, 287–88 intangibility of, 84, 315n Takings Clause on, 119 see also copyright; creative property; intellectual property rights proprietary code, 279–80 protectionism, of artists vs. business interests, 9 p2p file sharing, see peer-to-peer (p2p) file sharing Public Citizen, 232 public domain: access fees for material in, 281 balance of U.S. content in, 133, 170–72, 318n–19n content industry opposition to, 253–56 defined, 24 e-book restrictions on, 148–50, 152–53 English legal establishment of, 93 films in, 223–25, 254 future patents vs. future copyrights in, 134–35, 214 legal murkiness on, 185–86 library of works derived from, 213–14 license system for rebuilding of, 281–86 protection of, 220–21 p2p sharing of work in, 73 public projects in, 262–63 traditional term for conversion to, 24–25 Public Enemy, 285 Public Library of Science (PloS), 262, 281–82
Quayle, Dan, 110 radio: FM spectrum of, 3–6, 128, 196, 256 on Internet, 194–99 music recordings played on, 58–59, 74, 195, 312n ownership consolidation in, 162–63 railroad industry, 127 rap music, 107 RCA, 4–5, 6, 7, 128, 184, 256, 275 Reagan, Ronald, 233, 237, 263 Real Networks, 302 recording industry: artist remuneration in, 52, 58–59, 74, 195, 196–97, 199, 301, 329n–30n CD sales levels in, 70–71, 314n composers’ rights vs. producers’ rights in, 56–58, 74 copyright infringement lawsuits of, 50–52, 180, 185, 190, 200, 270, 322n, 323n copyright protections in, 55–58, 74, 181, 195, 291 international piracy in, 63 Internet radio hampered by, 196–99, 324n new recording technology opposed by, 69–70, 314n out-of-print music of, 68, 71–72, 314n ownership concentration in, 162 piracy in, 55–58 radio broadcast and, 58–59, 74, 196, 312n statutory license system in, 56–58 Recording Industry Association of America (RIAA): on CD sales decline, 70, 71 on circumvention technology, 158, 160 copyright infringement lawsuits filed by, 50–52, 180, 185, 190, 200, 270, 322n on encryption system critique, 156–57 on Internet radio fees, 197, 198–99 intimidation tactics of, 51–52, 200, 206 ISP user identities sought by, 205–6, 322n lobbying power of, 52, 197, 218 Recording Industry Association of America (RIAA) v. Diamond Multimedia Systems, 323n Recording Industry Association of America v. Verizon Internet Services, 322n regulation: as establishment protectionism, 126–28, 188–99 four modalities of, 121–26, 317n, 318n outsize penalties of, 190, 192 rule of law degraded by excess of, 199–207 Rehnquist, William H., 219, 234, 239–40 remote channel changers, 127 Rensselaer Polytechnic Institute (RPI), 48 computer network search engine of, 49–51 Republican Party, 104, 249 “Rhapsody in Blue” (Gershwin), 221 RIAA, see Recording Industry Association of America “Rip, Mix, Burn” technologies, 203 Rise of the Creative Class, The (Florida), 20, 308n Roberts, Michael, 189 robotic dog, 153–55, 156, 157, 160 Rogers, Fred, 158, 320n Romeo and Juliet (Shakespeare), 85–86, 87, 316n Rose, Mark, 91 RPI, see Rensselaer Polytechnic Institute Rubenfeld, Jed, 319n Russel, Phil, 55 Saferstein, Harvey, 104–5 Safire, William, xiv–xv, 269 San Francisco Muni, 321n San Francisco Opera, 95, 97 Sarnoff, David, 5 Saturday Night Live, 106 Scalia, Antonin, 234, 238, 240, 247 Scarlet Letter, The (Hawthorne), 214 Schlafly, Phyllis, 231 schools, gun possession near, 219 Schwartz, John, 79 scientific journals, 280, 281–82 Scottish publishers, 86, 90–91, 93 Screen Actors Guild, 60 search engines, 48–50 “Seasons, The” (Thomson), 91 INDEX 343
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This PDF version of Free Culture is
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ALSO BY LAWRENCE LESSIG The Future
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FREE CULTURE HOW BIG MEDIA USES TEC
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To Eric Eldred—whose work first d
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“PROPERTY” 81 CHAPTER SIX: Foun
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PREFACE At the end of his review of
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tween liberal Olympia Snowe and con
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FREE CULTURE
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lowed to enter into an exclusive li
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On the day after Christmas, 1933, f
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The series of body blows that FM ra
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street corners telling stories that
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Internet seem remote to most. To th
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the lucky Wright brothers, the Inte
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“PIRACY”
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This efficiency does not respect th
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e seeing, as Richard Florida writes
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The boys worked from a music and so
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(1955), Mulan (1998), Sleeping Beau
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significantly. A doujinshi comic ca
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e richer if doujinshi artists were
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The hard question is therefore not
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Eastman, himself an amateur photogr
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Mickey, so, too, should these photo
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“Media literacy,” as Dave Yanof
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and this literacy in particular, is
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didn’t speak very well. But they
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in those elections. The cycle of th
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from the mainstream press. As Dave
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take the commercial apart and manip
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CHAPTER THREE: Catalogs In the fall
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users of the RPI network made avail
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won, he would have a piece of paper
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gave him, and the MPPC was serious
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this capacity to pirate. As South D
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dustry is a half-billion-dollar bus
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casters’ content, but more egregi
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CHAPTER FIVE: “Piracy” There is
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ate nation, but we will not allow a
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Thus, while I understand the pull o
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File sharers share different kinds
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eing]—but had to a large extent r
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esponse to this problem: used book
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infringing material, the district c
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tem to minimize the opportunity for
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macy in the behavior of the “pira
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“PROPERTY”
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ow range of exceptions—ideas rele
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ight. Prices of the classics were t
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strictions on the freedom of others
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ones Expire; so that should this Bi
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the monopoly power of publishers? P
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“Ruined” is a bit of an exagger
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it, this touch of cartoon helped ca
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So I asked Else why he didn’t jus
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CHAPTER EIGHT: Transformers In 1993
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We decided that it would be fair if
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etrospective of someone’s career
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its archives, musicians are able to
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CHAPTER NINE: Collectors In April 1
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portant to maintain in some histori
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tions from around the world and hit
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eal restriction was economics. The
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CHAPTER TEN: “Property” Jack Va
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tections resident in all other prop
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equires that you lose your “creat
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with a $150,000 fine. The fine is a
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strict—a federal requirement that
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after the fall of Saddam, but this
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usiness against others. Its role is
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as criticism of DDT is not an endor
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particular concentration of market
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granted only for works where they w
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Law: Scope The “scope” of a cop
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The act left other creators totally
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“Copies.” That certainly sounds
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These are uses that themselves invo
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night before you went to bed. None
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ness on distributing this content a
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Casablanca. Warner Brothers objecte
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According to my eBook Reader, I hav
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These are controls, not permissions
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up aibopet.com (and aibohack.com, b
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Felten and his team figured out the
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use of the copyrighted material was
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would agree such a use is bad. Or a
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to control the use of content, and
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Does this concentration matter? Wil
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tion companies producing television
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money. Assume a group of concerned
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ing technology, together they produ
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commercial or not, transformative o
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PUZZLES
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The villagers don’t leave him alo
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But it is not quite stealing from T
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In April 2001, eMusic.com was purch
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There will be many consequences of
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e unclear. It never pays to do anyt
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you’ve got a little note from a l
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my.mp3.com service was to give user
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The point is not that businesses sh
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the technology, but will likely be
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Internet radio is thus to radio wha
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13. retail album title; 14. recordi
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RIAA launches lawsuits against not
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My point is not the idiotic one: Ju
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use of CDs. The technology, in othe
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The RIAA then expanded this campaig
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BALANCES
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Yet policy makers are not willing t
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accessible to the twentieth century
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gress has the power to extend its t
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ights are about to expire, there is
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ing term, then there would be no
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work. In 1930, 10,047 books were pu
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any continuing commercial value. Th
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In this context, there is no need f
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freedom to fill the gaps. As one re
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nored this pressure (something that
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Software Foundation (home of the GN
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their view of how this part of Amer
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case, under the government’s argu
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for the chance to see the proceedin
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chief justice: Well, but you want m
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Justice Ginsburg simply ignored the
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power. And they joined an opinion t
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the decision was praised, it was pr
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CHAPTER FOURTEEN: Eldred II The day
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moved in 1976, when Congress follow
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a world without formalities. Comple
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ond, they argued that the proposal
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domain tied to the Internet could s
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These prices are not high because t
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about the sanctity of property. 5 I
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comes our common sense. And the cha
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WIPO. But in my view, there couldn
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First, they are just flat wrong. As
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as Lessig would have it, then of co
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petition and increased diversity. S
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AFTERWORD
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US, NOW Common sense is with the co
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Well, if we think in terms of the m
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The world of free software had been
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of scientific work submit that work
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of content (“content conducers,
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with Creative Commons freedoms. The
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These are all formalities associate
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tially lower the burden of this for
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- Page 316 and 317: 5. Coe, 58. 6. For illustrative cas
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- Page 328 and 329: 35. Siva Vaidhyanathan captures a s
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- Page 346 and 347: Jefferson, Thomas, 84, 120, 284 Joh
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