magazine berlinale talent campus - Berlinale Talent Campus - Top-ix
magazine berlinale talent campus - Berlinale Talent Campus - Top-ix
magazine berlinale talent campus - Berlinale Talent Campus - Top-ix
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<strong>Talent</strong> <strong>Campus</strong> International<br />
rolling stones 13<br />
Four international editions of the <strong>campus</strong>, modelled along<br />
the lines of the berlin-based archetype, have taken off abroad:<br />
in guadalajara, buenos aires, durban and sarajevo.<br />
3rd <strong>talent</strong> <strong>campus</strong> guadalajara (march 24-28, 2011)<br />
ana de la rosa Zamboni and lorena rossette riestra, <strong>talent</strong> <strong>campus</strong> guadalajara<br />
“The <strong>Talent</strong> <strong>Campus</strong> Guadalajara has created and consolidated a place where emerging<br />
filmmakers and worldwide experts can come together: a forum that encourages and reinforces<br />
future film productions allowing us to reflect our features; a place of creative exchange and<br />
cinematographic collaboration. A country confesses itself through its filmography: if it does<br />
not see its culture recreated in the audiovisual media, it loses the possibility of developing and<br />
transforming its identity. It is important to establish venues that promote the creative exchange<br />
between different cinematographic narratives, focused on highlighting the values and cultural<br />
identity of each country, as well as the intercultural relationship among them.“<br />
6th <strong>talent</strong> <strong>campus</strong> buenos aires (april 6-9, 2011)<br />
maría marta antin, <strong>talent</strong> <strong>campus</strong> buenos aires<br />
“Bringing together young professionals and experts around the same topic is our main<br />
goal, with the aim of creating a space for exchange both intellectually and professionally. The<br />
topic for the <strong>Campus</strong> 2011, ‘Cinematic forms‘, has been chosen to inspire discussions on how<br />
the forms of cinema have changed or resisted throughout its history. The <strong>Talent</strong> <strong>Campus</strong><br />
Buenos Aires has become a main event for South American young filmmakers and professionals,<br />
providing <strong>Talent</strong>s the opportunity to profit from networking while developing a platform for<br />
their own projects. For the second year we motivate them to join the hands-on programmes:<br />
the result is an intense and rich debate around the fact of sharing a continent, South America.“<br />
4th <strong>talent</strong> <strong>campus</strong> durban (July 22-26, 2011)<br />
peter rorvik, durban international Film Festival<br />
“The first three editions facilitated meaningful exchange between African filmmaking<br />
<strong>Talent</strong>s, generating inspiration and opportunities for participants. A powerful affirmation of<br />
the contribution of this project in empowering a new generation of filmmakers in Africa is the<br />
fact that the 31st Durban International Film Festival in 2010 programmed an unprecedented<br />
13 films from <strong>Campus</strong> alumni. Problems of access are a big issue in Africa – access to resources,<br />
infrastructure, funding and networks. <strong>Talent</strong> <strong>Campus</strong> Durban provides a highly valued networking<br />
and skills training opportunity, bringing together about 40 young filmmakers from<br />
nearly 20 different countries in Africa, in programmes that address these challenges.“<br />
5th <strong>talent</strong> <strong>campus</strong> sarajevo (July 22-28, 2011)<br />
mirsad purivatra, <strong>talent</strong> <strong>campus</strong> sarajevo<br />
“Our first five-year plan was directed towards creating a proper community out of the<br />
new generation of <strong>talent</strong> in Southeast Europe, introducing the standards it should operate on,<br />
raising the bar for the achievements they aim for and finally building a brand out of <strong>Talent</strong><br />
<strong>Campus</strong> Sarajevo that can rightfully represent them. The main achievement of <strong>Talent</strong> <strong>Campus</strong><br />
Sarajevo must be the annual impact it has on rejuvenating the film industry in our region. An<br />
annual, targeted injection of a critical mass of emerging <strong>talent</strong> into the system helps the in dustry<br />
make its goals and approaches more youth-oriented. The industry now understands this<br />
and trusts the <strong>Talent</strong> <strong>Campus</strong> Sarajevo to highlight the most promising <strong>talent</strong>.“<br />
<strong>Talent</strong> <strong>Campus</strong> Guadalajara<br />
supported by the Goethe-Institut Mexico<br />
and the University of Guadalajara<br />
<strong>Talent</strong> <strong>Campus</strong> Buenos Aires<br />
supported by the Goethe-Institut Buenos Aires,<br />
Buenos Aires International Independent Film Festival<br />
and the Buenos Aires Lab<br />
<strong>Berlinale</strong> <strong>Talent</strong> <strong>Campus</strong> #9<br />
Page<br />
<strong>Talent</strong> <strong>Campus</strong> Durban<br />
supported by the German Embassy South Africa,<br />
the Goethe-Institut Johannesburg and the KwaZulu-Natal<br />
Department of Economic Development<br />
<strong>Talent</strong> <strong>Campus</strong> Sarajevo<br />
supported by the Robert Bosch Stiftung and partners<br />
(from above)