magazine berlinale talent campus - Berlinale Talent Campus - Top-ix
magazine berlinale talent campus - Berlinale Talent Campus - Top-ix
magazine berlinale talent campus - Berlinale Talent Campus - Top-ix
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Page<br />
68<br />
Alongside the master classes that are of general interest, the <strong>Berlinale</strong> <strong>Talent</strong> <strong>Campus</strong><br />
offers about 80 panel discussions, workshops and individual sessions.<br />
Find out which events best suit your needs:<br />
Interesting for actors<br />
Directing Actors | p.48<br />
Embodying the Character | p.52<br />
On the Path with Jasmila Žbanić | p.50<br />
Rehearsed Reading | p.56<br />
The Rules of Engagement | p.47<br />
Speed Matching on Feb 16 | p.46<br />
Interesting for cinematographers<br />
Camera Workshop at Camelot | p.51<br />
Cinematography: The Establishing Shot | p.55<br />
Diving into Post-Production | p.47<br />
Speed Matching on Feb 13 | p.46<br />
Where Things Come Together: <strong>Campus</strong> Post-<br />
Production Studio Presentation | p.65<br />
Interesting for composers<br />
and sound designers<br />
Absolute Hearing | p.58<br />
The Great World of Sound | p.62<br />
The Legal Sound of Music | p.53<br />
Say It with a Score: Score Competition<br />
Presentation and Award Ceremony | p.65<br />
Speed Matching on Feb 14 | p.46<br />
Interesting for directors<br />
Covering Cinema:<br />
Critics Meet Filmmakers | p.64<br />
Index of events<br />
Katriel Schory at the <strong>Campus</strong> 2010: Check also the Meet the Expert sessions<br />
for talks that might interest you<br />
mAke your own ITInerAry<br />
Cutting on the Edge:<br />
<strong>Campus</strong> Editing Studio Presentation | p.65<br />
Filming War | p.47<br />
Disclosing the World Cinema Fund | p.63<br />
The Indie Filmmakers Guide<br />
to Cross Media | p.52,57,59<br />
Kill Your Darlings | p.47<br />
Let‘s Make It Legal | p.51<br />
New Horizons in 3D:<br />
Storytelling and Producing Redefined | p.54<br />
Short Encounters | p.53<br />
The Shortest Track to Cinema | p.53<br />
Speed Matching on Feb 13 | p.46<br />
Speed Matching on Feb 14 | p.46<br />
Speed Matching on Feb 15 | p.46<br />
Speed Matching on Feb 16 | p.46<br />
Welcome to Reality:<br />
Doc Station Presentation | p.61<br />
Why Poverty? | p.62<br />
Your Body Speaks | p.49<br />
Interesting for editors<br />
Cutting on the Edge:<br />
<strong>Campus</strong> Editing Studio Presentation | p.65<br />
Diving into Post-Production | p.47<br />
Kill Your Darlings | p.47<br />
Where Things Come Together: <strong>Campus</strong><br />
Post-Production Studio Presentation | p.65<br />
Interesting for producers<br />
Dial F for Fiction:<br />
Script Station Presentation | p.60<br />
Disclosing the World Cinema Fund | p.63<br />
Excursion to the European Film Market | p.53<br />
The Indie Filmmakers Guide<br />
to Cross Media | p.52,57,59<br />
The Legal Sound of Music | p.53<br />
Let‘s Make It Legal | p.51<br />
New Horizons in 3D:<br />
Storytelling and Producing Redefined | p.54<br />
On Track with Market Trends:<br />
<strong>Berlinale</strong> Co-Production Market and<br />
<strong>Talent</strong> Project Market | p.64<br />
Plugging People: European Producers<br />
Positioning Themselves | p.57<br />
Short Encounters | p.53<br />
The Shortest Track to Cinema | p.53<br />
Speed Matching on Feb 15 | p.46<br />
Two Producers Sharing Their Secrets | p.49<br />
Welcome to Reality:<br />
Doc Station Presentation | p.61<br />
Why Poverty? | p.62<br />
Your Body Speaks | p.49<br />
Interesting for production designers<br />
Building Digital Worlds for the Screen | p.57<br />
Dress to Impress – Master Class at Costume<br />
House Theaterkunst | p.63<br />
Excursion to the Costume House<br />
Theaterkunst | p.51<br />
Play as Process: Worldbuilding<br />
and New Ways to Imagine | p.56<br />
Interesting for screenwriters<br />
Dial F for Fiction:<br />
Script Station Presentation | p.60<br />
New Horizons in 3D:<br />
Storytelling and Producing Redefined | p.54<br />
Rehearsed Reading | p.56<br />
Speed Matching on Feb 13 | p.46<br />
Why Poverty? | p.62<br />
Your Body Speaks | p.49