magazine berlinale talent campus - Berlinale Talent Campus - Top-ix

Campus programme
tHurSday, feb 17 65
thematic, the dramatic and the aesthetics aspects with the filmmakers
in question. The panelists will also reflect on the current state of film
criticism: how young filmmakers deal with critiques and vice­versa.
Where things Come together:
Campus Post-Production Studio Presentation
Philippe ros.
Moderated by Christine tröstrum.
In cooperation with Camelot Broadcast Services.
14:00 | Hau 3, top floor
The right blend of ideas and techniques can take your film
places, but getting acquainted with technological aspects of filmmaking
can be quite intimidating. The Campus Post­Production Studio
is a technical hands­on training programme geared to assist Talents in
learning practical filmmaking techniques with the latest digital workflow
equipment and the guidance of prominent cine mato graph ers
and post­production experts. 24 Talents chosen to work with expert
practitioners in the Digital Workflow segment were able to shoot and
experiment with digital cameras like Sony F3 and ARRI Alexa and digital
post­production processes including editing, grad ing, master ing
and data management. Philippe Ros will present the final outcomes of
this bustling post­production hub.
Cutting on the edge: Campus editing Studio Presentation
Susan Korda, Paz Lázaro, florian Weghorn.
Moderated by Kevin Murphy.
In cooperation with dffb.
14:00 | CinemaxX 17
That extra little insight and input is sometimes all it takes to
polish a rough­cut and strengthen the narrative structure of a fiction
or documentary project. Internationally renowned editors join the
Campus Editing Studio to give advice and feedback that will help take
films that extra distance. Selected participants will present excerpts
from their rough­cuts and describe how the one­day session in the
editing room provided fresh insights and approaches to their projects.
In conversation with Susan Korda, the participants will explain the
challenges they identified within their rough­cuts and the various
approaches that were tried and tested in the Editing Studio.
Often the editing process can drag on longer than expected,
and film festival submission deadlines are fast approaching. When is
a rough­cut polished enough to present to festival programmers? Paz
Lázaro, Programme Manager, Berlinale Panorama, and Florian
Weghorn, Co­Director, Berlinale Generation, will join the conversation
and share their experiences when viewing rough­cuts during the
programming process. The discussion will turn to when and how to
present a rough­cut, as well as shedding light on the expectations of
programmers when they select a rough­cut for screening.
things to take Home
Marjorie bendeck, Kathi bildhauer and Christine tröstrum.
Moderated by Matthijs Wouter Knol.
16:00 | Hau 2
One of the last events of the ninth Berlinale Talent Campus and
you begin to ask yourself – is this really the end? This session is designed
to show you that there is life after the Campus, and in fact,
there is a whole lot in store – a host of new opportunities, activities
and events that may be of advantage to you and can be availed of
from your home base. Members of the Campus team will present an
overview of the various extra­Campus services that could be useful in
developing your current and future film projects. Information about
Campus activities throughout the year, including the online Campus
community and Campus international editions will be provided.
Say It with a Score:
Score Competition Presentation and award Ceremony
ehud freedman, roger Goula, Hubert Henle, Michael Nyman
and felix rösch. Moderated by Milena fessmann.
In cooperation with Dolby Laboratories.
17:30 | Hau 1
Scoring for film is all about imagery – it not only helps to create
the ambience of the film and its plot, but also to elicit the emotions
of the characters. The transformative power of a score when com ­
bined with images is quite amazing. It guides emotions and can signal
a change in theme or mood, a quality in a particular character or lend
landscapes a certain character­like quality. As Francis Ford Coppola
stated, “Music is a big factor in helping the illusion of the film come to
life.” And it is most effective when it works subtly, evoking and tuning
the emotional response of the audience without them being aware of
it. This is the craft of the sound composer – complementing dialogues,
lighting, set­design and the montage of the film with music. Three
emerging composers and finalists of the Campus Score Competition
have spent the past week working on their scores under the guidance
of Michael nyman. The three composers join him on stage to discuss
the process of creating original music and weaving it seamlessly to
moving images. At the end of the session, the winner will be presented
the Score Competition Award 2011: a unique tour of the best sound
studios in Los Angeles, sponsored by Dolby Laboratories.
Closing Party
21:00 | Hau 2
As the exhilarating Campus week comes to a close, we invite
all Talents and experts to wind down at the Closing Party in HAu 2.
A final farewell from the Campus team will follow the screening of the
“Best of Berlinale Talent Campus”, snapshots of the week capt u red by
the Deutsche Welle DW-TV Crew.
Berlinale Talent Campus #9