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Page Campus programme 46 ticketing and talent registration 8:30 | Hau 2 Find out what matters most! Stop by the Talent counter to pick up your accreditation, and learn about the multitude of events and activities offered at the Campus and in the Berlinale film programme. Our staff members will be happy to answer all your questions related to logistical issues, ticketing and travel reimbursement. Besides, here’s where you can meet up with fellow Talents. rise and Shine breakfast Presented by Berlinale Talent Campus. 9:30 | Hau 2 Variety is the spice of life. And not just on the breakfast menu. A host of filmmakers from around the world are just as eager for conversation as you. A têteàtête with fellow Talents or members of the Campus team over hot coffee and croissants is the right start for you. This breakfast is presented by the Berlinale Talent Campus. taking Off 11:30 | Hau 2 This very first and essential briefing will provide allimpor tant information about the coming Campus week. Meaning that you will be introduced not just to Campus team members, but also provided information about internet usage and accessing the Campus database. Moreover, the overall Campus programme and its wide palette of events will be presented alongside an overview of the Berlinale film screenings. Last but not least, you will get an idea of what the various handson trainings of the Campus offer. They are the Score Competition, Campus Studio, Doc and Script Station, Talent Press, Talent Project Market, the Talent Actors and the Berlin Today Award. fast forward Germany Christine berg, Mariette rissenbeek and daniel Saltzwedel. Moderated by roman Paul. In cooperation with Medienboard Berlin-Brandenburg, FFA and German Films. 13:00 | Hau 2 Interested in making films with German partners? Film funding organisations from Germany present their respective initiatives and objectives in promoting German cinema and the prerequisites for funding. This event invites both German and nonGerman Talents to acquaint themselves with what these organisations have to offer. Representatives of Medienboard BerlinBrandenburg, German Federal Film Board (FFA) and German Films will interact with Talents providing them relevant details. Saturday, feb 12 Global Speed Matching Meet and greet session. Moderated by Matthijs Wouter Knol. 15:00 | Hau 2 Think on your feet! Think fun! Speed matching provides a stimulating way to connect and network with peers and perhaps find the perfect match for your film team from this global filmmakers‘ village. The Berlinale Talent Campus, which serves as a networking platform, invites all Talents for a rapid, efficient and interactive round to meet future partners and possibly kickstart projects. A good icebreaker for effective networking in the days to come, this is where you will meet fellow Talents – actors, directors, screenwriters, directors of photography, producers, editors, music composers – you name it. We promise you a personally and professionally enriching worldwide tour. Focused speed matching sessions for directors to meet producers or editors or writers, etc. will take place daily at 12:30. this year’s speed matching sessions are as follows: feb 13 – directors meet writers and cinematographers feb 14 – directors meet sound designers and editors feb 15 – directors meet producers feb 16 – directors meet actors feb 17 – last call for everyone Opening Ceremony and World Premiere of the berlin today award films 2011 dieter Kosslick, Kirsten Niehuus. Moderated by Matthijs Wouter Knol and Christine tröstrum. Supported by Medienboard Berlin-Brandenburg. 17:00 | Hau 1 We welcome all Talents, mentors and experts to the inaugural ceremony of the Berlinale Talent Campus 2011! The masters of ceremo ny, Matthijs Wouter Knol and Christine Tröstrum, will greet Talents and invited guests and present the focus of this year’s Cam pus. Dieter Kosslick, Berlinale festival director, will step into the limelight to address the audience and officially declare open the #9 Berlinale Talent Campus. The screening of the five Berlin Today Award films, which celebrate their world premiere, will bring the event to a close. For details on the Berlin Today Award see p.32-33.
Campus programme SuNday, feb 13 47 rise and Shine breakfast Presented by Deutsche Welle DW-TV. 9:30 | Hau 2 The Deutsche Welle DW-TV, whose crew members are busy cap turing the highspirited action at the Campus, present this mor ning’s breakfast. Start your day with a good, healthy breakfast as you get to know the Deutsche Welle representatives and catch up with fellow Talents. the rules of engagement Kerry fox, Henning Mankell and José Padilha. Moderated by Matthijs Wouter Knol. In cooperation with Berlinale Panorama. 11:00 | Hau 1 Whether mainstream blockbuster or lowbudget documen tary, films are capable of engaging the realm of politics, society and culture. But tackling contemporary issues or working within a very specific niche is by no means easy. How could a new generation of filmmakers position themselves in such a climate? Brazilian director José Padilha won the 2009 Golden Bear for ELITE SquAD, and his latest ELITE SquAD 2 – THE EnEMy WITHIn features in this year’s Berlinale Panorama. Padilha explores in his films the problems of crime in Rio, particularly in relation to police corruption and middleclass in difference. Joining him on stage is new Zealand actress and director Kerry Fox who won the 2001 Silver Bear for Best Actress for her role in InTIMACy, and Swedish author, screenwriter, dramatist and activist Henning Mankell, who is best known for the “Kurt Wallander Mysteries”. Mankell was on the “Ship to Gaza“ in 2010, which tried to break the Israeli embargo of the Gaza strip. The three panellists will talk about how it all began for them – the initial impetus that led them down their individual paths, how it impacted their lives, shaped subsequent projects, and how this engagement further developed taking on a life of its own. diving into Post-Production Case Study with Philippe ros. In cooperation with Camelot Broadcast Services. 11:00 | Hau 3, top floor Reputed director of photography and digital imaging supervisor from France, Philippe Ros will conduct a case study on OCEAnS, a film directed by Jacques Perrin and Jacques Cluzaud, which was in production for over six years. As digital imaging director, technical supervisor of the image and one of 17 DOPs on OCEAnS, Ros will divulge “secrets“ to dealing with the challenges that arise when matching film and digital formats, in particular when numerous shots are taken under totally different conditions, at differing depths and with varied lighting, as was the case for OCEAnS. He will explain how Berlinale Talent Campus #9 Page the combination of old lighting tricks, new contrast curves and colourist skills allowed him to achieve his goals quite successfully. Plac ing emphasis on the relationship between the chief digital imaging technician and the colourist, Ros will show how the directors of OCEAnS succeeded in creating a strong team and involving the DoPs in extensive research at various levels. filming War Janus Metz, Samuel Maoz and danis tanović. Moderated by ben Gibson. In cooperation with Robert Bosch Stiftung. 14:00 | Hau 1 Portraying high pressure and liferisking situations is inherent to film making processes that depict war and crisis situations, whether fiction or documentary. The very notion of crisis implies that filmmakers have to deal with specific issues: decide what to show and how to deal with the (fictitious) reality of war and extremity. Reflecting on such issues are three reputed filmmakers – Danis Tanović bagged an Oscar in 2001 for nO MAn’S LAnD, Janus Metz won the 2010 Grand Prize at the International Critics' Week of the Cannes Film Festival for his documentary ARMADILLO, and Samuel Maoz won the 2009 Golden Lion at the Venice International Film Festival and two European Film Awards for LEBAnOn. All three critically acclaimed films depict war and portray people under tremendous pressure. Janus Metz and his cinema to grapher had to expose themselves to the same risks as the soldiers. They filmed with two cameras the entire time and even had some soldiers wear helmet cameras. The absence of dialogue in Maoz’ film script for LEBAnOn meant that rehearsing seemed pointless: “I took each of the actors and, separately, locked them in a very small, dark and hot container. After about two hours, when I knew their bodies would have shut down, as if hypnotised, I knocked on the iron walls with a bar, something that sounded very like an attach on a tank […] When they came out and I looked in their eyes, I could see that I didn’t have to explain anything else.” In nO MAn’S LAnD, Tanović relies heavily on humour to defuse the tension and highlight the ironies of the situation. The three filmmakers will discuss their distinctive approaches to depicting tense, lifethreatening situations, as well as the creative and political decisions they took while making their films. Kill your darlings Master class with Susan Korda. 14:00 | Hau 2 The editing process which sounds simple enough – you select shots and you arrange and modify them to clarify and refine their form and content – is actually a rather complex and dynamic process. It is a question of technique and art. Film editing isn’t just about how the stories you choose to tell in your films can be enhanced, it sometimes
Page 1 and 2: HeBBel am ufer 12 - 17 feB 11 Berli
Page 3 and 4: Icelandic Film Centre, Media Develo
Page 5 and 6: Chapter 01 introduction p.07 Editor
Page 7 and 8: Editorial Find your Frame! “a uni
Page 9 and 10: Editorial berlin maKes a diFFerence
Page 11 and 12: Partners Page Kirsten niehuus, elma
Page 13 and 14: Talent Campus International rolling
Page 15: Supporting foundations Page Funding
Page 18 and 19: Page Focus 18 19 Positioning onesel
Page 20 and 21: 10-11/09/2011 SAVE THE DATE WWW.BER
Page 22 and 23: Photo Francesco Guidicini Page 22 2
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Page 30 and 31: BOROS 57. internationale kurzfilmta
Page 32 and 33: Page Berlin Today Award 2012 32 33
Page 34 and 35: IDFAcademy Summer School June 2011
Page 36 and 37: N I P K O W P R O G R A M M Scholar
Page 38 and 39: www.pardo.ch
Page 40 and 41: Page Campus programme 40 9:00 11:00
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Page 60 and 61: Page Campus programme 60 Screening
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Page 64 and 65: Page Campus programme 64 in Panoram
Page 67 and 68: Chapter 05 Index p.68 Index of even
Page 69 and 70: Index of experts experTs AbrAm, Ido
Page 71 and 72: Index of experts GouGh, Louise Aust
Page 73 and 74: Index of experts Pansittivorakul, t
Page 75 and 76: Index of experts with Pamela Koffle
Page 77 and 78: Danke schön! mAny THAnks 77 ACPFIL
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