magazine berlinale talent campus - Berlinale Talent Campus - Top-ix
magazine berlinale talent campus - Berlinale Talent Campus - Top-ix
magazine berlinale talent campus - Berlinale Talent Campus - Top-ix
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Page<br />
72<br />
Kruger, beatrice<br />
A casting director based in Rome, Beatrice Kruger was responsible for the Euro pean<br />
and/or Italian casting of films such as SILK, THE INTERNATIONAL, CASINO ROYALE,<br />
OCEAN’S TWELVE and many more. (p.31, 37)<br />
Kurz, Sibylle<br />
Pitching trainer and consultant for film schools and film institutes all over Europe,<br />
she specialises in intensive pitching training, project presentation, proposal development,<br />
dramaturgical doctoring and consultancy work. (p.28)<br />
lachman, edward<br />
Oscarnominated USAmerican director of photography and filmmaker. He has<br />
work ed with directors such as Steven Soderbergh, Paul Schrader and Robert<br />
Altman. His extraordinary filmography includes ERIN BROCKOVICH, FAR FROm<br />
HEAVEN and most recently Ulrich Seidl‘s new film PARAdISE. (p.55)<br />
larSSon, Peter<br />
Swedish animation film director, his SEVEN dAYS IN THE WOOdS will be screened in<br />
this year’s <strong>Berlinale</strong> Shorts. His most recent films are THE PEOPLE ANd THE WHALE, THE<br />
mAN WHO GOT NOWHERE, WHAT WE ALREAdY KNOW and SEVEN TRIPS WO RSE. (p.54)<br />
lehtinen, SaKu<br />
Finnish art director of Remedy Entertainment Ltd, he is responsible for the entire<br />
audiovisual experience of games such as the recent psychological action thriller<br />
game “Alan Wake“. (p.56)<br />
levine, Sydney<br />
Over 35 years experience in the entertainment industry, she was a pioneer acquisitions<br />
executive and founder of FilmFinders, the first database used for tracking<br />
new films worldwide. She established the video rental division of Republic Pictures<br />
and Lorimar Home Video. (p.35, 53)<br />
lilja, hugo<br />
Swedish film director. He has worked with the Emmy Award winning company ”The<br />
Company P” and directed their web series dOLLPLAY, which was developed by FOX.<br />
He founded and run the productions company Accordion Film in Sweden between<br />
20052007. Lilja presents his film THE UNLIVING in the <strong>Berlinale</strong> Shorts 2011. (p.54)<br />
lilienthal, matthiaS<br />
Artistic director of Theater Hebbel am Ufer (HAU), he was head dramaturge at the<br />
Volksbühne in Berlin, and in 2002 directed the “World Theatre” festival in the Ruhr<br />
district in Germany. He has successfully developed a chain of performing arts projects<br />
that look at contemporary society with a sharp and insightful eye. (p.62)<br />
linSSen, dana<br />
Since 1997, she is writing film criticism for the dutch daily newspaper NRC Handelsblad,<br />
became editorinchief in 1998 and later copublisher of the dutch inde pendent<br />
film monthly de Filmkrant. She recently launched the Slow Criticism Project as<br />
a counterbalance against the commodification of film criticism. (p.29, 64)<br />
lloSa, claudia<br />
Peruvian filmmaker whose first feature film mAdEINUSA won numerous awards,<br />
among them the FIPRESCI prize in Rotterdam. Her second film THE mILK OF SORROW<br />
won the Golden Bear at the 2009 <strong>Berlinale</strong>. THE mILK OF SORROW was nominated for<br />
the Academy Award in the Best Foreign Film category in 2010. (p.60)<br />
maccarone, angelina<br />
director and writer based in Berlin. Her first feature film UNVEILEd was nominated<br />
for various awards and won the Hessische Filmpreis. In 2006, her film PUNISH mE<br />
received the Golden Leopard at the Locarno Film Festival. maccarone works as a<br />
lecturer at the German Film and Television Academy Berlin (dffb). (p.22)<br />
malcolm, dereK<br />
British film historian and critic for “The Guardian” for decades, he is President of the<br />
British Federation of Film Societies and the International Film Critics Circle, as well as<br />
Honorary President of FIPRESCI. He writes for the “London Evening Standard”. (p.29)<br />
manKell, henning<br />
His most iconic literary creation is a series of crime novels with the character of Kurt<br />
Wallander. He has written children’s books and several plays. He was a member of<br />
Index of experts<br />
experTs<br />
the International Jury at the <strong>Berlinale</strong> in 2009. He is socially and politically engaged,<br />
and participated in the “Ship to Gaza” project in 2010. (p.47)<br />
Maoz, SaMuel<br />
Israeli film director; his debut feature film LEBANON won the Golden Lion at the<br />
Venice Film Festival in 2009 and the European Discovery and Best Photography at<br />
the European Film Awards in 2010. (p.47)<br />
Marten, GeSa<br />
German editor, dramaturge and lecturer, she was nominated for Best Editing at the<br />
Ger man Television Awards for ABNEHMEN IN ESSEN and at the German Camera Award<br />
for KROKODILE, GESCHWISTER VOGELBACH and LOST IN LIBERIA. She won Film+‘s Schnitt<br />
Prize for WAS LEBST DU? in 2005 and for PERESTROIKA in 2009. (p.26)<br />
MartenS, Meike<br />
German producer and production manager for co-productions, she participated in<br />
the <strong>Campus</strong> in 2009. She co-produced numerous films and documentaries including<br />
THE DAY OF THE SPARROW and NOSTALGIA DE LA LUZ, directed by Patricio Guzmán,<br />
which won the Pr<strong>ix</strong> Arte at the European Film Awards 2010. (p.25)<br />
McDowell, alex<br />
British production designer and film producer, he has worked with Tim Burton,<br />
Steven Spielberg and David Fincher. His filmography includes FEAR AND LOATHING<br />
IN LAS VEGAS, FIGHT CLUB and MINORITY REPORT. He is also founder and director of<br />
“5D Conference”, an interdisciplinary network focusing on the impact of technologies<br />
in design fields. (p.56, 57)<br />
Metz, JanuS<br />
Danish documentary director whose latest film ARMADILLO premiered at the Cannes<br />
Film Festival and was awarded the Grand Pr<strong>ix</strong> de la Semaine de la Critique. Metz<br />
holds a master degree in visual anthropology, his international breakthrough came<br />
in 2008 with the two films, LOVE ON DELIVERY and TICKET TO PARADISE. (p.47)<br />
MiDDinG, GerharD<br />
Film journalist for EPD Film <strong>magazine</strong> and several other newspapers, film maga -<br />
zines and radio programmes in Germany, Austria and Switzerland, he is the German<br />
corres pondent of the French <strong>magazine</strong> “Positif”. (p.64)<br />
Müller, ulrike<br />
German casting director for films such as WHEN WE LEAVE with Sibil Kekilli, which<br />
won numerous awards and Hochhäusler’s EINE MINUTE DUNKEL, which premieres in<br />
the <strong>Berlinale</strong> Forum, and SLEEPING SICKNESS, which features in this year’s <strong>Berlinale</strong><br />
Competition. Müller was awarded the German Casting Prize in 2010. (p.31, 37)<br />
MunDruczó, kornél<br />
Hungarian director, actor and writer. He won, among others, the FIPRESCI prize for<br />
the film DELTA at the 2008 Cannes Film Festival. His film PLEASANT DAYS won a Silver<br />
Leopard at the Locarno Film Festival in 2002. He returns to the Co-Production Market<br />
with his new project “The Flying Man“. (p.14, 60)<br />
nikitin, nikolaJ<br />
The <strong>Berlinale</strong> delegate for Eastern-Europe and co-founder of the film <strong>magazine</strong><br />
“Schnitt“, he is member of FIPRESCI and the European Film Academy. He curates<br />
international film festivals in Germany and across Europe, and heads the only<br />
European festival dedicated to editing, “Film+“ in Cologne. (p.37)<br />
nyMan, Michael<br />
See interview on p. 23 (p.62, 65)<br />
PaDilha, JoSé<br />
Award-winning Brazilian director of the films BUS 174 and ELITE SqUAD, the latter<br />
won the Golden Bear at the 2008 <strong>Berlinale</strong>. Most recently, he directed the<br />
documentaries GARAPA and SECRETS OF THE TRIBE. Padilha presents his sequel ELITE<br />
SqUAD 2 – THE ENEMY WITHIN at this year’s <strong>Berlinale</strong> Panorama. (p.47)<br />
PalMer, Patrick<br />
Co-founder and chief operating officer of IRIDAS, he has worked on the front edge of<br />
software technologies for the film industry for the last decade. Palmer is one of the<br />
driving forces in making Stereo 3D post-production tools more versatile. He also<br />
gives master classes on Stereo 3D at various locations throughout Europe. (p.54)