magazine berlinale talent campus - Berlinale Talent Campus - Top-ix
magazine berlinale talent campus - Berlinale Talent Campus - Top-ix
magazine berlinale talent campus - Berlinale Talent Campus - Top-ix
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<strong>Campus</strong> programme<br />
MONday, feb 14 53<br />
with our own coordination and how we can change it. Rodrigue’s<br />
teachings emphasise the awareness of the body and the physicality of<br />
performance.<br />
Every gesture has enormous implications in telling the story<br />
and revealing the character. The workshop will explore the elements<br />
that make an actor charismatic, emotionally authentic and clearly expres<br />
sive by developing kinesthetic awareness of your body, ex plo r ing<br />
the basic principles of the Alexander Technique, connecting to breath<br />
coordination and voice to text, being in space and entering the world<br />
of the story, understanding how to bring ritual, myth and primal ances<br />
tors into your performance, and using animal movement as a way<br />
to find the spine of the character and connecting to your em otions.<br />
Participants are required to have a monologue ready for this intensive<br />
handson workshop and interactive experience.<br />
excursion to the european film Market<br />
With Sydney Levine.<br />
In cooperation with European Film Market.<br />
Meeting point | entrance to Hau 1<br />
always 15 minutes prior to the start.<br />
“Meet the docs”<br />
Mon 14, 16:00 | tue 15, 10:00<br />
Wed 16, 10:00 + 12:30<br />
The European Film Market (EFM), a film trade fair, is a major<br />
industry meeting for the international film circuit. For nine days during<br />
the <strong>Berlinale</strong>, film professionals have the opportunity to find out about<br />
the latest productions and developments in the global film scene. The<br />
annual EFM acts as a vital barometer for the upcoming film year, attracting<br />
distributors, film buyers, producers, financiers and coproduction<br />
agents, as it assists their positioning in the market and offers op portunities<br />
to develop and cultivate business contacts. This year, over 400<br />
exhibitors from 54 countries and over 650 films will be presented to<br />
industry visitors. The historical location of the EFM, which is housed in<br />
the renaissancestyle exhibition hall of the MartinGropiusBau, lends<br />
the vibrantly active event lasting nine days, a certain gla mour and<br />
charm.<br />
Excursions guided by Sydney Levine, who will also conduct a<br />
“Meet the Expert“ session (see page 35), will enable <strong>Talent</strong>s to acquaint<br />
themselves with the structure and workings of the EFM. <strong>Talent</strong>s spe cialising<br />
in documentary filmmaking can also join the special tour to<br />
“Meet the Docs”, a joint initiative with the European Documentary<br />
network (EDn) and specifically dedicated to the documentary industry.<br />
“Meet the Docs” aims to promote networking and exchange<br />
among buyers, sellers, directors, producers as well as distributors of<br />
docu mentaries.<br />
the Shortest track to Cinema<br />
Catherine Colas, alexander Stein and rudolf Worschech.<br />
Moderated by Maike Mia Höhne.<br />
In cooperation with <strong>Berlinale</strong> Shorts.<br />
17:00 | Hau 2<br />
Short films that find their way into regular cinema programmes<br />
remain few and far between. And although some dismiss short films<br />
as a medium for filmmakers just starting out, this underappreciated<br />
genre is thriving, innovative and extremely active. What chances do<br />
short films have these days to be screened in regular cinemas? new<br />
strategies are being developed by proponents of the short film; one<br />
such example is an initiative launched in Germany, which will be<br />
presented by Catherine Colas (ZDF/ARTE). <strong>Berlinale</strong> Shorts curator<br />
Maike Mia Höhne will discuss, the various ways, means and actions<br />
undertaken to ensure that shorts get to the big screen, with Catherline<br />
Colas, Alexander Stein, Interfilm Festival producer, and Rudolf Worschech,<br />
chief editor of the German film <strong>magazine</strong> EPD Film. Addit <br />
i onally, some of the shorts which have managed to reach cine mas and<br />
audiences will be screened during this session.<br />
Short encounters<br />
In cooperation with <strong>Berlinale</strong> Shorts.<br />
18:30 | Hau 2<br />
A singular opportunity for <strong>Talent</strong>s and experts of the short film<br />
genre to network and explore possibilities of producing, distributing<br />
and showcasing short films follows the panel. This mini “marketplace“<br />
will comprise short film industry professionals from within Germany<br />
and abroad – broadcasters, distributors, sales agents, producers, festi <br />
val programmers and short film marketing institutions. The infor mal<br />
event is meant to assist <strong>Talent</strong>s in making contacts for screening and<br />
distributing their short films, enquiring about oppor tunities, potential<br />
partners and funders, and familiarising themselves with the market of<br />
alternative venues.<br />
the Legal Sound of Music<br />
Mareile büscher and Milena fessmann.<br />
In cooperation with Raue LLP.<br />
17:00 | Hau 3, top floor<br />
The legal ramifications inherent to the filmmaking process<br />
influence not just the creative but also the practical aspects of making<br />
films and film music. Simply contemplating the myriad copyrights<br />
and clear ances one needs is a scary prospect. But protecting your film<br />
from lawsuits makes these legal issues integral to filmmaking itself.<br />
Milena Fessmann and Mareile Büscher will elaborate on the im portance<br />
of obtaining music rights and the ins and outs of the process.<br />
Milena Fessmann is a music supervisor and the founder of Cinesong;<br />
the company offers a range of services related to music and films. One<br />
<strong>Berlinale</strong> <strong>Talent</strong> <strong>Campus</strong> #9