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magazine berlinale talent campus - Berlinale Talent Campus - Top-ix

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<strong>Campus</strong> programme<br />

MONday, feb 14 53<br />

with our own coordination and how we can change it. Rodrigue’s<br />

teachings emphasise the awareness of the body and the physicality of<br />

performance.<br />

Every gesture has enormous implications in telling the story<br />

and revealing the character. The workshop will explore the elements<br />

that make an actor charismatic, emotionally authentic and clearly expres<br />

sive by developing kinesthetic awareness of your body, ex plo r ing<br />

the basic principles of the Alexander Technique, connecting to breath<br />

coordination and voice to text, being in space and entering the world<br />

of the story, understanding how to bring ritual, myth and primal ances<br />

tors into your performance, and using animal movement as a way<br />

to find the spine of the character and connecting to your em otions.<br />

Participants are required to have a monologue ready for this intensive<br />

hands­on workshop and interactive experience.<br />

excursion to the european film Market<br />

With Sydney Levine.<br />

In cooperation with European Film Market.<br />

Meeting point | entrance to Hau 1<br />

always 15 minutes prior to the start.<br />

“Meet the docs”<br />

Mon 14, 16:00 | tue 15, 10:00<br />

Wed 16, 10:00 + 12:30<br />

The European Film Market (EFM), a film trade fair, is a major<br />

industry meeting for the international film circuit. For nine days during<br />

the <strong>Berlinale</strong>, film professionals have the opportunity to find out about<br />

the latest productions and developments in the global film scene. The<br />

annual EFM acts as a vital barometer for the upcoming film year, attracting<br />

distributors, film buyers, producers, financiers and co­production<br />

agents, as it assists their positioning in the market and offers op portunities<br />

to develop and cultivate business contacts. This year, over 400<br />

exhibitors from 54 countries and over 650 films will be presented to<br />

industry visitors. The historical location of the EFM, which is housed in<br />

the renaissance­style exhibition hall of the Martin­Gropius­Bau, lends<br />

the vibrantly active event lasting nine days, a certain gla mour and<br />

charm.<br />

Excursions guided by Sydney Levine, who will also conduct a<br />

“Meet the Expert“ session (see page 35), will enable <strong>Talent</strong>s to acquaint<br />

themselves with the structure and workings of the EFM. <strong>Talent</strong>s spe cialising<br />

in documentary filmmaking can also join the special tour to<br />

“Meet the Docs”, a joint initiative with the European Documentary<br />

network (EDn) and specifically dedicated to the documentary industry.<br />

“Meet the Docs” aims to promote networking and exchange<br />

among buyers, sellers, directors, producers as well as distributors of<br />

docu mentaries.<br />

the Shortest track to Cinema<br />

Catherine Colas, alexander Stein and rudolf Worschech.<br />

Moderated by Maike Mia Höhne.<br />

In cooperation with <strong>Berlinale</strong> Shorts.<br />

17:00 | Hau 2<br />

Short films that find their way into regular cinema programmes<br />

remain few and far between. And although some dismiss short films<br />

as a medium for filmmakers just starting out, this under­appreciated<br />

genre is thriving, innovative and extremely active. What chances do<br />

short films have these days to be screened in regular cinemas? new<br />

strategies are being developed by proponents of the short film; one<br />

such example is an initiative launched in Germany, which will be<br />

presented by Catherine Colas (ZDF/ARTE). <strong>Berlinale</strong> Shorts curator<br />

Maike Mia Höhne will discuss, the various ways, means and actions<br />

undertaken to ensure that shorts get to the big screen, with Catherline<br />

Colas, Alexander Stein, Interfilm Festival producer, and Rudolf Worschech,<br />

chief editor of the German film <strong>magazine</strong> EPD Film. Addit ­<br />

i onally, some of the shorts which have managed to reach cine mas and<br />

audiences will be screened during this session.<br />

Short encounters<br />

In cooperation with <strong>Berlinale</strong> Shorts.<br />

18:30 | Hau 2<br />

A singular opportunity for <strong>Talent</strong>s and experts of the short film<br />

genre to network and explore possibilities of producing, distributing<br />

and showcasing short films follows the panel. This mini “marketplace“<br />

will comprise short film industry professionals from within Germany<br />

and abroad – broadcasters, distributors, sales agents, producers, festi ­<br />

val programmers and short film marketing institutions. The infor mal<br />

event is meant to assist <strong>Talent</strong>s in making contacts for screening and<br />

distributing their short films, enquiring about oppor tunities, potential<br />

partners and funders, and familiarising themselves with the market of<br />

alternative venues.<br />

the Legal Sound of Music<br />

Mareile büscher and Milena fessmann.<br />

In cooperation with Raue LLP.<br />

17:00 | Hau 3, top floor<br />

The legal ramifications inherent to the filmmaking process<br />

influence not just the creative but also the practical aspects of making<br />

films and film music. Simply contemplating the myriad copyrights<br />

and clear ances one needs is a scary prospect. But protecting your film<br />

from lawsuits makes these legal issues integral to filmmaking itself.<br />

Milena Fessmann and Mareile Büscher will elaborate on the im portance<br />

of obtaining music rights and the ins and outs of the process.<br />

Milena Fessmann is a music supervisor and the founder of Cinesong;<br />

the company offers a range of services related to music and films. One<br />

<strong>Berlinale</strong> <strong>Talent</strong> <strong>Campus</strong> #9

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