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magazine berlinale talent campus - Berlinale Talent Campus - Top-ix

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Index of experts<br />

Pansittivorakul, thunska<br />

Thai independent film director, his short films, documentaries and feature films<br />

were screened in over 100 international film festivals. Most recently, he directed The<br />

TerrorisTs which will be screened in this year’s <strong>Berlinale</strong> Forum. (p.59)<br />

Paul, roman<br />

Co-founder of razor Filmproduktion. he co-produced the oscar-nominated WalTz<br />

WiTh Bashir and Paradise NoW (the <strong>Berlinale</strong>’s Blue angel award, a Golden Globe<br />

and an european Film award). he also co-produced Cirkus ColuMBia and Miranda<br />

July’s The FuTure; the latter premieres in this year’s <strong>Berlinale</strong> Competition. (p.46)<br />

Peten, soon-mi<br />

audiovisual consultant before joining the Media Programme in 2000, she specialised<br />

in development support for independent european producers. she continues this<br />

work as selection coordinator within the european Commission‘s education, audiovisual<br />

and Culture executive agency. (p.57)<br />

Pinn, Julian<br />

Chair of both the Bsi and iso Technical Committees on Cinematography, he is re spon<br />

sible for the development of dolby’s motion picture services portfolio. With<br />

fifteen years experience as a dolby consultant for both original and foreign language<br />

movie releases, he is heavily involved with standards-making. (p.54)<br />

Pitts, rafi<br />

iranian filmmaker, producer and screenwriter, his short and feature films received<br />

numerous awards at international festivals and are often categorised as films of the<br />

new wave of iranian Cinema. his most recent films iT’s WiNTer and The huNTer were<br />

screened in the <strong>Berlinale</strong> Competition in 2006 and 2010. (p.64)<br />

rabarts, marten<br />

artistic director of the Binger Filmlab amsterdam, he is a producer and screenwriter<br />

for cinema and TV. he worked for la's Propaganda Films, PolyGram Filmed enter -<br />

tain ment group and Manifesto, and has collaborated with sarah radclyffe, Tim<br />

Bevan and alison owen on films such as derek Jarman's edWard ii. (p.24, 48)<br />

reilhac, michel<br />

Michel reilhac is the executive director of arTe France Cinéma and the director of<br />

film acquisition for arTe France. For Canal+, he made To Be a MaN in 1999, and in<br />

2000 directed keNYa islaNds for arTe. he produced CrY WoMaN, which was in un<br />

Certain regard of the Cannes Film Festival, and The Good old NauGhTY daYs<br />

(which he directed) was presented in the Filmmakers Fortnight. (p.35, 52)<br />

ringel, gian-Piero<br />

German producer, he founded his own film production company ringel in 2004. in<br />

2006 he produced the short film das Mass der diNGe and his first feature film<br />

NaChMiTTaG premiered in the 2007 <strong>Berlinale</strong> Forum. as managing director of the<br />

company Neue road Movies, he has produced Wim Wender’s PiNa, which features in<br />

this year’s <strong>Berlinale</strong>. (p.54)<br />

rissenbeek, mariette<br />

Managing director of German Films, she is responsible for public relations and press,<br />

international festivals and “das rendezvous“, an annual German-French film meeting.<br />

her career began at Tobis Filmkunst in Berlin before she started working as a<br />

producer at ziegler Film. independently, she produced hiGhWaY soCieTY by Mika<br />

kaurismäki, among others. (p.46)<br />

rodenkirchen, franz<br />

script advisor and tutor in international workshops and individual project development,<br />

he is based in Berlin. he is head of selection for Torino Film lab, a script<br />

advisor at the Binger Filmlab, where he also teaches script editing to industry professionals.<br />

(p.24)<br />

rodrigue, Jean-louis<br />

Member of the faculty at the uCla school of Theater, Film and Television, his unique<br />

style of acting coaching, movement training and movement design can be seen in<br />

W. with Josh Brolin, huMaN NaTure with Patricia arquette, The aFFair oF The<br />

NeCklaCe with hilary swank, seaBisCuiT with elizabeth Banks and Bee seasoN with<br />

Juliette Binoche. (p.31, 37, 49, 52)<br />

Roginas, Renate<br />

Renate Roginas led, as producer, the international co-production department of<br />

Telfrance. She works as head of studies, lecturer and tutor. She established Villa Kult<br />

in Berlin, a venue and meeting place for international professionals from film, television,<br />

media, radio and the arts. (p.32)<br />

Rommel, PeteR<br />

German producer, whose GRILL POINT by Andreas Dresen won the Silver Bear in<br />

2002. Other films are NIGHT SHAPES, LOST KILLERS and SUMMER IN BERLIN. His 2009<br />

production CLOUD 9 won a German Film Award and WHISKEY WITH VODKA was the<br />

winner of the International Film Festival Karlovy Vary. (p.33, 49)<br />

RoRvik, PeteR<br />

Director of the Durban International Film Festival, a flagship project of the Centre<br />

for Creative Arts, which Rorvik has headed since 1999. He is also the director of<br />

three other major annual festivals produced by the CCA; Time of the Writer, Jomba!<br />

Con temporary Dance Experience and Poetry Africa. (p.37)<br />

Ros, PhiliPPe<br />

Director of photography and digital imaging. He supervised the cinematography in<br />

HOME, Yann Arthus-Bertrand’s feature film from 2009. Ros was cinematographer for<br />

OCEANS, directed by Jacques Perrin and Jacques Cluzaud, and has worked as tech nical<br />

supervisor of cinematography. (p.26, 47, 51, 65)<br />

Rosenthal, liz<br />

Digital film and media expert, she is the founder and director of Power to the P<strong>ix</strong>el, a<br />

cross-media company and forum based in London. She also founded Earthly Delight<br />

Films, launched the online animation project “Marsipan” and set up and ran the UK<br />

office for Next Wave Films from 1998 to 2002. (p.52, 57, 59)<br />

Rossellini, isabella<br />

Italian actress, filmmaker and author. Her career is defined by a diverse body of<br />

work, including films such as BLUE VELVET, THE SADDEST MUSIC IN THE WORLD and<br />

THE SOLITUDE OF PRIME NUMBERS, which was nominated for a Golden Lion at the<br />

Venice Film Festival in 2010. She is this year‘s President of the <strong>Berlinale</strong> Jury (p.49)<br />

Roy, RajendRa<br />

Chief curator of film at the Museum of Modern Art, New York. From 2004-08, he was<br />

on the Competition Selection Committee of the <strong>Berlinale</strong>, and continues to serve as<br />

an advisor to the festival. (p.51)<br />

sable, jeRome<br />

Writer, director and composer with credits in stage and film. His film THE LEGEND OF<br />

BEAVER DAM, which he co-directed with Eli Batalion, will be screened at this year’s<br />

<strong>Berlinale</strong> Generation. Sable co-wrote and directed the short comedy series CRAzY/<br />

SExY/AWKWARD for FremantleMedia, and the musical short MEANWHILE… (p.54)<br />

saltzwedel, daniel<br />

Funding advisor for feature-length documentary films at the Medienboard Berlin-<br />

Brandenburg, he has worked extensively in film production as a production assistant<br />

and subsequently, as a producer at zero Film. (p.46)<br />

samadi ahadi, ali<br />

German filmmaker of Iranian origin. In 2006 his documentary LOST CHILDREN won<br />

the German Film Award. Most recently, he directed the intercultural comedy SALAMI<br />

ALEI KUM. With his documentary THE GREEN WAVE, which features in this year’s German<br />

Cinema-LOLA@<strong>Berlinale</strong>, he responds to the opposition movement in Iran. (p.64)<br />

schmidt, eRwin m.<br />

German producer, he has been involved in a number of art house films, including<br />

YOU THE LIVING, DERNEL and ORLY. He was line producer for Shirin Neshat’s WOMEN<br />

WITHOUT MEN which won the 2009 Silver Lion at the Venice Film Festival. Since 2008,<br />

he has been working as a 3D producer for Neue Road Movies, co-producing PINA,<br />

which premieres in this year’s <strong>Berlinale</strong>. (p.37,54)<br />

schoRy, katRiel<br />

Executive director of the Israel Film Fund since 1999, he founded the production<br />

com pany Belfilms and produced over 200 films including award-winning feature<br />

films, TV dramas and international co-productions. (p.28)<br />

<strong>Berlinale</strong> <strong>Talent</strong> <strong>Campus</strong> #9<br />

Page<br />

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