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Page 28 29 Talent Project Market talent Project market assists fresh ideas and exciting stories to reach the screen. talent-sPotting in a global market Dates tHu 17 | 12:15 Hau 3, toP floor On Track with Market Trends: Berlinale CoProduction Market and Talent Project Market (p.64). “ it was an incredible, invaluable experience, which really boosted my project specifically and my professional skills in general.” Basile Doganis, participant 2010 The more experimental part of the Berlinale CoProduction Market and a prac tical training programme of the Campus, the Talent Project Market “invites directors and pro ducers with fresh ideas, exciting and orig inal stories”, explains its coordinator Kathi Bildhauer. Selected by an international jury, twelve young producers and directors have the chance to present their film projects to ex perienc ed coproducers and financiers atten ding the Berlinale CoProduction Market in prearranged oneonone meetings. Chosen from over 270 projects, the eleven projects mapping the wide world of cinema will find their place in the CoPro duction Market’s catalogue: CHALLATT OF TUNIS | produced by Habib Attia Tunisia PRESERVATION | directed by Nicole Brending USA THE BABAdOOK | produced by Kristina Ceyton Australia, Germany YOUTH | produced by Gal Greenspan Israel BRIAN | directed by Angela How USA, Singapore THE FINd | produced by dimitri Klepatski Russian Federation GREICEKELLY | directed by Rafael Lessa Brazil THE SOUTH IS NOTHING | directed by Fabio Mollo Italy WOMAN OF THE FATHER | produced by Aletéia Selonk Brazil BAd STOCK | directed by Rachel Tillotson UK THE HERE AFTER | produced by Mariusz Wlodarski Poland and directed by Magnus von Horn Sweden The Talent Project Market: the unique opportunity to present projects to potential coproducers and financiers Projects selected for the Talent Project Market compete for four prizes: three preselected projects will be pitched publicly to producers and potential financiers of the CoProduction Market and receive the three VFF Highlight Pitch Awards of Euros 3,000 each. One project, to be selected on the spot, will receive the International Relations ARTE Prize of Euros 2,500. The “Talent Project Highlights“ event is sponsored by VFF (German Collecting Society for Inhouse and Commissioned Production of Film and TV Programmes). Not only do Talent directors and producers have the unique opportunity to present their projects to coproducers and fin an ciers, the fourday programme of the Talent Project Market also allows them to prepare for their meetings and learn about the international business and market. In du stry experts and experien ced pitching trainers offer valuable insights and guide participating directors and producers on presenting and marketing their projects and the technicalities of international copro duc tion, financing and markets. These initial training elements serve to prepare Talents for their oncoming oneonone meetings with potential partners in ter estedin getting on board projects while they are yet in an early stage of development. Over and above, Talents can avail of a multitude of informal networking possibilities including fruitful exchanges and sharing of projects with coparticipants.
Talent Press notHing if not critical Passionate and informed criticism is the buzzword as upcoming film critics and journalists plunge into the world of cinema. Writing about films just before they open in cinema halls, the “job“ part of being a film critic for a daily or weekly publication, is often far more challenging and stressful than writing film essays for a monthly magazine or film blog. Talent Press, a collaborative venture of the Berlinale Talent Campus, the GoetheInstitut and FIPRESCI, has participating press Talents experience the pressures of working in an editorial room situation with its very tight deadlines, preparing them for the real life challenges of the “job“. In its eighth edition, eight film critics and journalists at different stages in their careers and from different corners of the world come together in Berlin: Josefina Maria Garcia Pullés (Argentina), Francis Joseph Cruz (Philippines), Conall Cash (Australia), diego Faraone (Uruguay), Eren Odabasi (Turkey), Nicholas deigman (UK), Bethsheba Achitsa (Kenya) and Pamela Pianezza (France). For many of them, Talent Press facilitates their very first ex po sure to an international film festival, where they gain the opportunity to explore the inner working of the Berlin International Film Festival and sharpen their knowledge and views on independent and experimental, as well as mainstream cinema. Exchanging views and receiving feedback and guidance from prominent film critics as they review films, write about Campus events and conduct highprofile interviews makes it an invaluable experience. Talent Press, as an estab lished forum for eclectic film criticism, also provides a space Dates “ Participating in talent Press was not only a great experience as a young film critic and as a film lover, but also a unique occasion to dive into a thrilling universe.” Loïc Valceschini, Talent Press 2010 for participants to exchange ideas and learn from one another as well as build networks for the development of their writing careers. Mentor Chris Fujiwara stated in an interview: “At Talent Press, you have the chance to talk and work with people who are motivated by the same thing as you: the desire to see and understand cinema.” Joining him as mentors of Talent Press 2011 are dana Linssen, derek Malcolm and Stephanie Zacharek. Their articles will be published daily from Feb 13 17, 2011 on www.talentpress.org, the website of Talent Press – which features articles of press Talents and alumni throughout the year – and on those of the GoetheInstitut and FIPRESCI “Best of Talent Press”, a print publication comprising a selection of articles written during the Campus week, will be released on the last Campus day. Talent Press begins with an “Introduction day“; mentors and press Talents come together and get to know one another before they commence their fervent writing and reviewing of films and events. They also gain a more indepth understanding of the Campus and its vast range of events and activities, as well as an overview of the current state of film criticism worldwide. the first talent Press international took place in march 2010 at the talent campus guadalajara. For further information on the Talent Press website see page 12 or visit www.talentpress.org. tHu 17 | 14:00 Hau 2 Covering Cinema: Critics Meet Filmmakers (p.64). The participants of Talent Press 2010: Established forum for eclectic film criticism Berlinale Talent Campus #9
Page 1 and 2: HeBBel am ufer 12 - 17 feB 11 Berli
Page 3 and 4: Icelandic Film Centre, Media Develo
Page 5 and 6: Chapter 01 introduction p.07 Editor
Page 7 and 8: Editorial Find your Frame! “a uni
Page 9 and 10: Editorial berlin maKes a diFFerence
Page 11 and 12: Partners Page Kirsten niehuus, elma
Page 13 and 14: Talent Campus International rolling
Page 15: Supporting foundations Page Funding
Page 18 and 19: Page Focus 18 19 Positioning onesel
Page 20 and 21: 10-11/09/2011 SAVE THE DATE WWW.BER
Page 22 and 23: Photo Francesco Guidicini Page 22 2
Page 24 and 25: Page 24 25 Script Station scriPting
Page 26 and 27: Page 26 27 Campus Studio tackling t
Page 30 and 31: BOROS 57. internationale kurzfilmta
Page 32 and 33: Page Berlin Today Award 2012 32 33
Page 34 and 35: IDFAcademy Summer School June 2011
Page 36 and 37: N I P K O W P R O G R A M M Scholar
Page 38 and 39: www.pardo.ch
Page 40 and 41: Page Campus programme 40 9:00 11:00
Page 46 and 47: Page Campus programme 46 ticketing
Page 48 and 49: Page Campus programme 48 comes down
Page 50 and 51: Page Campus programme 50 rise and S
Page 52 and 53: Photo Donata Wenders © nEuE ROAD M
Page 54 and 55: Page Campus programme 54 of their l
Page 56 and 57: Page Campus programme 56 Exciting d
Page 58 and 59: Page Campus programme 58 rise and S
Page 60 and 61: Page Campus programme 60 Screening
Page 62 and 63: Page Campus programme 62 the Great
Page 64 and 65: Page Campus programme 64 in Panoram
Page 67 and 68: Chapter 05 Index p.68 Index of even
Page 69 and 70: Index of experts experTs AbrAm, Ido
Page 71 and 72: Index of experts GouGh, Louise Aust
Page 73 and 74: Index of experts Pansittivorakul, t
Page 75 and 76: Index of experts with Pamela Koffle
Page 77 and 78: Danke schön! mAny THAnks 77 ACPFIL
Page 79 and 80:
Icelandic Film Centre, Media Develo
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