Short Courses May - October 2013 - West Dean College

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JEWELLERY AND ENAMELLINGENAMELLING 33JEWELLERY 33–35Carol BlackburnJewellery for complete beginners usingsilver and other materialsJune 21–23WE3916 | £205 |Make a simple silver ring which covers thetechniques of piercing, shaping, filing, hammering,soldering and finishing, then explore surfacedecoration with a second piece of jewellery.DAPHNE KRINOSDesign on the edge: jewellery aspersonal adornmentJune 23–285D3923 | £496 | /Explore a wide range of concepts applicableto personal adornment and to the narrativeobject as you create significant pieces. Workwith traditional and alternative materials – silver,copper, wire, recycled materials, found objects– and investigate the use of colour and collageas a design tool. Discover methods for selecting,integrating and assembling elements withinthis limitless range of materials as you work onpractical projects.ROBERT EBENDORFTraditional and contemporary stonesettingJune 28–July 1LW3932 | £302 | /Broaden your understanding and skills instone setting through an exploration of thetechniques used for bezel, crown, bead/grainand flush settings. You practise techniques withinexpensive stones and also learn to make somebasic tools and to use the pendant motor andburrs.PENNY DAVISPhoto-etching for jewellersJuly 7–103D3947 | £302 | NEW |Explore how to transfer images from yoursketch book to metal using photo etching. Learnhow to enhance your images in Photoshop toproduce basic images for you to apply to metal.The course will cover the basics of Photoshop,handling of acids and how to etch accuratelyonto silver and base metals.MARY ANN SIMMONSCreative silversmithing for vesselsand sculptural jewelleryJuly 27–August 2SS3978 | £631 (incl all dinners)SUMMER SCHOOL |Please see page 37 for further information.ABIGAIL BROWNMaking jewellery – an individualapproachAugust 10–16SS3997 | £631 (incl all dinners)SUMMER SCHOOL |Develop a personal vocabulary of ideas for yourjewellery making and get to grips with yourown design process whilst developing makingskills and learning new techniques relevantto your projects. The week begins with ashort, structured project and then fabricating,decorating and joining are all demonstrated ona group or one-to-one basis. The incorporationof other materials in your jewellery – exotichardwoods, shells, found objects – is encouraged.SARAH MACRAEPaper embellishment – for jewelleryAugust 23–26LW4016 | £314 |Experiment with a wide range of media tocreate colour and textures on paper. You thencreate a finished item or a piece of jewellerywith richly decorated papers of your owndesign. Techniques covered include gilding,embossing, laminating, burnishing and inlay.HELYNE JENNINGSPolymer clay jewellery – extrusionsgaloreAugust 26–293D4022 | £328 | NEW |Learn exciting ways of making polymer clayjewellery using the extruder tool. Explore themany design possibilities and ways of loadingthe extruder as you expand your personalrepertoire of shapes and colours as you cut,twist, stack, wrap and slice.CAROL BLACKBURNContemporary and traditional beadthreading and knottingAugust 30–September 1WE4031 | £215 |Learn the art of bead jewellery to a professionalstandard. After familiarisation with tools andthreading techniques, make a range of necklaceswhich may include antique and semi-preciousbeads.PENNY DAVISJewellery making for beginnersSeptember 20–22WE4084 | £205 |Make a silver band ring as a starting point andwork towards completing an individual projecton this beginners’ course.SARAH MACRAEExperimental etching and texturingfor jewellerySeptember 22–275D4092 | £480 | NEW |Bring a more experimental approach to surfacetexturing when making jewellery. You start withan introduction to traditional etching techniquesand then explore more experimental ways ofcreating a range of surfaces with both etchingand texturing processes. The focus is on makingsamples with time to complete some finishedpieces too.TIM CARSONSTUDY DAYSRegular study days in silversmithing with JohnNorgate and jewellery with Sarah Macrae takeplace throughout the year. These one-daycourses are suitable for makers of all levels.Please check our website or contact theBookings Office for dates and further details(0844 4994408).34Fees listed for each course are non-residential – please see page 67 for accommodation costs | Short Courses May–October 2013
Book onlineand receive a5% discounton coursesFirst timebookers receive10% discountwhen bookingby phoneJapanese WeekOctober 20–25For more information please see page 32TutorsJEWELLERY AND ENAMELLINGMake hair and bridal accessoriesOctober 4–6WE4117 | £222 | NEW |Learn how to make original headdresses,tiaras and combs for your hair using vintageand recycled materials – antique brooches, silkflowers, vintage lace, old bead and chains. Arange of techniques to create individual piecesare demonstrated giving you the skillsto continue making work at home.SARAH DREWRing-linking with stones and beadsfor jewelleryOctober 10–13LW4130 | £302 |Create an individual piece of jewellery as youmaster the techniques of chain mail or ringlinking,using semi-precious stones or beads inyour design to add colour, pattern and detail.ALISON EVANSJewellery – create rhythm andmovement with simple elementsOctober 20–244D4162 | £390 | NEW | /Learn how to transform shapes and forms intoa jewellery design using repeated components.The focus is on composition, rhythm andmovement in design as you explore ideasthrough experimentation. Be inspired by WestDean Gardens – full of interesting seeds andpods at this time of year.KAYO SAITOA large selection of glass bead making and fusedglass jewellery courses can be found in theGlass section on page 30.CAROL BLACKBURN is a designer who workswith polymer clay, beads and tassels. She is an activemember of the British and American Polymer ClayGuilds and studied textiles at Manchester and theRoyal College of Art.TIM CARSON trained at the University for theCreative Arts and has taught jewellery at LondonMetropolitan University until recently. His humorous,kinetic jewellery is exhibited in Europe and the USA.PENNY DAVIS trained at Sheffield HallamUniversity and works for the trade as well asproducing her own work. She is an experiencedmaker who constructs, enamels and threads beads.SARAH DREW runs a business in Cornwall makingjewellery and fashion accessories from recycledantique brooches and beads and reclaimed flotsamand jetsam from the beach. She has had twobooks published recently – Wild Jewellery and HairAccessories.ROBERT EBENDORF is known internationallyfor his use of unusual materials and his willingnessto share his techniques and ideas with students.His work is widely held in museum and gallerycollections.ALISON EVANS is well known for her exquisitejewellery based around the techniques of chain mail.She trained at Portsmouth and exhibits her work inLondon and internationally.NORA FOK studied at Brighton Universityspecialising in plastics. She is known internationallyfor her innovative sculptural jewellery made formnylon mono-filament with work in many nationalcollections.HELYNE JENNINGS studied art at Loughboroughand the Royal College of Art. She works with paperand other materials, layering and painting to producejewellery and art which is exhibited widely.PAT JOHNSON is an artist-enameller and a writeron enamelling. She undertakes large-scale work,bowls and pictures. Commissions include murals forthe Peabody Trust.DAPHNE KRINOS trained at Middlesex in theeighties, since then she has been designing andmaking her distinctive jewellery featured in manypublications and exhibitions in the UK and abroad.Her work is in several public collections.JOAN MACKARELL is an enameller and maker ofsmallwork and jewellery. Until recently she taughtat London Metropolitan University and is a foundermember of the British Society of Enamellers.SARAH MACRAE, a studio jeweller and teacher,trained at the University of Brighton. She is theauthor of Designing and Making Jewellery and exhibitsregularly with the Designer Jewellers Group.SHEILA R MCDONALD is a graduate of GlasgowSchool of Art and the Royal College of Art. Sheworks as a freelance jeweller and enameller,undertakes commissions and exhibits widely.KAYO SAITO trained in Japan and at the RoyalCollege of Art and has won several jewellery prizes.Her work is shown in mayor European galleries andis in the Goldsmiths Company collection.JANE SHORT trained at Central and the RoyalCollege of Art and specialises in individual piecesthat combine engraving with enamel. She worksto commission and has work in many collections,including The Goldsmiths’ Company, the CraftsCouncil and the V&A Museum.MARY ANN SIMMONS was made a Freeman ofthe Goldsmiths Company in 2008 and has workin the British Museum and Goldsmiths’ Companycollections. She is a leading expert on photo-etchingin this country.CLARA VICHI makes jewellery in mixed metalsusing calligraphy and typography as her inspiration,and etching as a process. She trained at the RoyalCollege of Art.KEYSuitable for AllIntermediateBeginnersAdvancedMAKE YOUR OWN WEDDING RINGSWith this ring, I thee wed… what could bemore romantic than giving and receiving a ringthat you have made for each other. The goldrings that you’ll make on this one day course willremain with you as a symbol of your love andcommitment to one another. You can eitherre-use jewellery or metal that you may alreadyhave from a sentimental and meaningful sourceor use metal you have purchased. You are guidedby the tutor step-by-step in the processes ofcasting, wire drawing, forming, soldering, filing,finishing and polishing to produce wedding ringsthat are individual and eternally yours. Pleaseemail bookingsoffice@westdean.org.ukHallmarking and engraving on request.Kayo Saito0844 4994408 | bookingsoffice@westdean.org.uk | on-line booking at www.westdean.org.uk 35
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Page 45 and 46: SCULPTUREJo SweetingCarving in colo
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Page 66: CANCELLATION PROTECTIONCancellation

Short Courses May - October 2013 - West Dean College

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