METALWORKINGBlacksmithing and metalworking 36SILVERSMITHING 36–37MELISSA COLEBlacksmithing andmetalworkingBlacksmithing – an introduction totechnique<strong>May</strong> 31–June 2WE3868 | £244 |Gain a feel for the nature and rhythm of theblacksmith’s craft as you work on small projectsor samples and become familiar with the hotforging process.PETER PARKINSONMetalwork for the gardenJune 16–215D3911 | £559 | NEW |Explore the delights and possibilities of thecraft of blacksmithing to make an object thatis functional, sculptural, decorative or all threeto enhance your garden. You learn basictechniques and processes to develop your ownproject that could be a gate, a plant support ora piece of sculpture. Bring photographs of yourgarden and any measurements you may need.PETER PARKINSONGarden sculpture in metalsAugust 3–9SS3994 | £683 (incl all dinners)SUMMER SCHOOL |Experience the complete process of making athree-dimensional object in metal incorporatingenamel. You’ll learn metalworking techniquessuch as cutting, drilling, raising and welding asyou develop ideas through sketches, modelmaking and metal choice – copper, steel oraluminium. The second day is spent with JOANMACKARELL making enamel samples using nontraditionaltechniques to explore colour, textureand pattern. After you have chosen your finaldesign you will be able to spend time in eitherarea to complete at least one finished piece.MIKE SAVAGETaster days: See page 8Basic blacksmithingAugust 30–September 1WE4035 | £244 |Become familiar with the basic skills of theblacksmith using mild steel as you develop andrealise successful objects and designs using thesetechniques.ANDREW SMITHMaking garden vessels or sculpturesin metalSeptember 27–29WE4103 | £244 |Develop your own design to make a simplevessel or sculpture in copper, steel oraluminium. A range of techniques are coveredincluding spot and mig welding, riveting, formingand colouring.MIKE SAVAGESculpture from scrap usingblacksmithing techniques<strong>October</strong> 7–114D4129 | £428 |Take on your own ‘scrapheap challenge’ asyou create a satisfying sculpture from foundmetal objects assembled with blacksmithingtechniques. At the start learn basic forging andjoining processes and visit a local scrapyard.Time is then spent considering and respondingto the design possibilities of your chosen recycledpieces before you embark on a projectfor your house or garden.PETER PARKINSONCreative blacksmithing – gardensculpture projectsJuly 27–August 2SS3985 | £725 (incl all dinners) | NEWSUMMER SCHOOL |Develop ideas to make sculptural forms forthe garden, combining both traditional andcontemporary blacksmithing and joiningtechniques. You start with some simpleexercises that will allow you to experimentbefore starting your own project. Processesexplored include bending, splitting, hot cuttingand welding that can be used to produce a lightand fluid design.MELISSA COLEHammer and stake making forjewellers and silversmithsSeptember 19–22LW4081 | £339 |Learn how to form and fabricate mild steel tomake hammers and stakes to your own design.Hand techniques are taught as is the use of thepower hammer to great effect on larger crosssections of steel.ANDREW SMITHPage 8Taster DaysSummer <strong>2013</strong>For more informationplease see pages 8–10Sculpting with forged steel<strong>October</strong> 24–27LW4167 | £339 |Please see page 47 for further information.ANDREW SMITHBlacksmithing BursariesThanks to support from a local trust,blacksmithing bursaries may be available forindividuals from the Chichester District, whocould not otherwise afford to join us.SilversmithingSilversmithing – developing techniques<strong>May</strong> 6–104D3823 | £390 | /If you have good technical and craft skills insilversmithing, jewellery or associated fieldssuch as engineering, this course providesan exceptional opportunity to extend yourrange of skills whilst working on a personalproject. Practical teaching is given in advancedconstructional techniques and decorativetreatments to assist the development of yourskills.BRIAN MARSHALLBrian ClarkeCoppersmithing – traditional Frenchdinanderie<strong>May</strong> 24–27LW3857 | £302 | NEW |Gain a thorough understanding of thisparticularly French method of coppersmithing.You learn the techniques for forming the sheetmetal into bowls and are shown how to achievethe wonderful surface patterns and colours thatare typical of this process.BRIAN CLARKE36Fees listed for each course are non-residential – please see page 67 for accommodation costs | <strong>Short</strong> <strong>Courses</strong> <strong>May</strong>–<strong>October</strong> <strong>2013</strong>
TutorsMETALWORKINGGeneral silversmithing – constructingand raisingJune 9–145D3891 | £480 |Explore your ideas for making silver objectsand advance your skills on this in-depth course.Learn methods for creating and finishing formsin sheet metal using techniques such as pressforming, casting and hand forging. The coursecombines contemporary and traditionalapproaches and you are encouraged to workon individual projects.JOHN NORGATEGeneral silversmithing, with anemphasis on boxmakingJuly 19–21WE3960 | £205 |Explore the traditional silversmithing techniquesof raising, forging, sinking, box making, solderingand finishing. Advanced makers can concentrateon making hinges and joints.JOHN NORGATECreative silversmithing for vesselsand sculptural jewelleryJuly 27–August 2SS3978 | £631 (incl all dinners)SUMMER SCHOOL |On this exciting, ideas-led course, have a go atexpressing yourself as you work on individualprojects ranging from a small bowl or vaseto large, experimental jewellery. If you area beginner, learn basic techniques includingforming, soldering and annealing. For the moreexperienced, develop your skills in creating andfinishing forms in sheet metal using techniquessuch as raising, planishing, soldering and pressforming.ABIGAIL BROWNSilversmithing Summer SchoolAugust 23–307D4019 | £605 |Immerse yourself in silversmithing for a weekas you extend your skills and develop new andchallenging ideas in your work. Each silversmithworks on their own personal projects suchas bowls, boxes and spoons, receiving tuitionas required on a one-to-one basis. The tutorcovers a vast range of metalworking techniquesfor forming, fabricating, assembling, joining andfinishing – including making joints and hinges.JOHN NORGATEHand engraving on metalAugust 30–September 1WE4030 | £205 |Take the opportunity to explore the specialistfield of hand engraving. You will be introducedto a range of tools and practise variousdecorative techniques, including monograms,scrollwork, heraldic devices, piercing andcarving, as you work on individual projects.WAYNE PARROTTSilversmithing for beginners – spoonsand bowlsSeptember 6–8WE4050 | £264 |A magical journey awaits those new tosilversmithing. Learn from the tutor’sdemonstrations as you get to grips withthe basic craftsmanship of forging, blocking,planishing, soldering and annealing. Expect tocomplete a silver spoon and a small bowl.HOWARD FENNSilversmithing – developing techniquesSeptember 8–135D4058 | £480 | /Please see 4D3823 on page 36 for furtherinformation.BRIAN MARSHALLSilversmithing for beginners andintermediates<strong>October</strong> 13–185D4140 | £480 | /Develop your silversmithing skills andconfidence in designing and making an object,whether you are a beginner or have someexperience. After a review of your ideas andobjectives, embark on an individual projectdesigned to embrace specific skills, includingsome machine processes, to create your piece.BRIAN MARSHALLSTUDY DAYSRegular study days in silversmithing with JohnNorgate and jewellery with Sarah Macrae takeplace throughout the year. These one-daycourses are suitable for makers of all levels.Please check our website or contact theBookings Office for dates and further details(0844 4994408).ABIGAIL BROWN studied Silversmithing andJewellery at Loughborough, graduating in 2001.She is now based in Cornwall where she teachespart-time and sells her work internationally.BRIAN CLARKE has run his own workshop inIreland since 1972, working on commissions forprivate, corporate and ecclesiastical clients. He haswon many awards and holds workshops worldwide.MELISSA COLE is an artist blacksmith with 17 years’teaching experience and has work in public andprivate collections. She creates forged metal piecesthat flow with distinct rhythm drawn from sharplyobserved natural form and works to commission,exhibiting regularly.HOWARD FENN, an award-winning silversmith,trained at London Metropolitan University. Showsinclude ‘Collect’ at the V&A, Goldsmiths’ Fair, and‘A Field of Silver’ at London’s Flow Gallery.BRIAN MARSHALL trained at the Royal <strong>College</strong> ofArt and was Principal Lecturer in Silversmithing andJewellery at London Metropolitan University. Now afreelance designer-maker working to commission.JOHN NORGATE trained at Aspreys and Sir JohnCass where he also taught for many years. In 2010he was a gold and silver award winner at Goldsmithsfor craftsmanship and design.PETER PARKINSON is an artist-blacksmith withextensive teaching experience. He studied at theRoyal <strong>College</strong> of Art and has published severalbooks including Forged Architectural Metalwork.WAYNE PARROTT, a Fellow of the Institute ofProfessional Goldsmiths, is an experienced teacherand runs an engraving workshop specialising inheraldic work.MIKE SAVAGE trained at Camberwell <strong>College</strong> ofArts and the Royal <strong>College</strong> of Art. His large-scalemetal sculptures are commissioned by architects andexhibited internationally.ANDREW SMITH, an experienced artist, craftsmanand tutor, trained at the Royal <strong>College</strong> of Art. Hehas a large portfolio of architectural commissions,from sculpture to functional metalwork.KEYSuitable for AllIntermediateBeginnersAdvanced0844 4994408 | bookingsoffice@westdean.org.uk | on-line booking at www.westdean.org.uk37