12.07.2015 Views

Nothing Mat(t)ers: A Feminist Critique of Postmodernism

Nothing Mat(t)ers: A Feminist Critique of Postmodernism

Nothing Mat(t)ers: A Feminist Critique of Postmodernism

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

xxviiiorthodox. In particular, she targets the work <strong>of</strong> Showalter, Baym, Marcus, Robinson,and Auerbach in <strong>Feminist</strong> Issues in Literary Scholarship, edited by Shari Benstock.Meese (1990, p. 9) seems to be furious with Showalter 13 who “urges feminist criticsto stick with theory received ‘via the women’s movement and women’s studies’.“Meese takes the position that Father Knows Best, or at least what mother does not,and that deconstruction will force Women’s Studies’ feminism to relinquish itspower and “orthodoxy”. Thus, Meese reenacts the daughter’s rage and rejection <strong>of</strong>the mother, and the turning towards the Father which ironically recreates her as thesame. Luce Irigaray writes the dutiful daughter’s process in “And One Doesn’t StirWithout the Other” (1981, p. 62):I’ll leave you for someone who seems more alive than you. For someone whodoesn’t prepare anything for me to eat. For someone who leaves me empty <strong>of</strong>him, mouth gaping on his truth. I’ll follow him with my eyes, I’ll listen towhat he says, I’ll try to walk behind him.Escape to the House <strong>of</strong> the Father is not one. It is the path to patriarchal wifehood.Jane Gallop puts the double-cross this way:Postmodernist think<strong>ers</strong> are defending against the downfall <strong>of</strong> patriarchy bytrying to be not male. In drag, they are aping the feminine rather than thinkingtheir place as men in an obsolescent patriarchy. The female postmodernistthinker finds h<strong>ers</strong>elf in the dilemma <strong>of</strong> trying to be like Daddy who is trying tobe a woman. The double-cross is intriguing and even fun [sic], but alsotroubling if one suspects that it is the father’s last ruse to seduce the daughterand retain her respect, the very respect that legitimized the father’s rule (1988,p. 100).The real absurdity <strong>of</strong> postmodernist feminism is its sexist context. For example, at arecent conference the male commentator 14 criticized Nancy Fraser for her sparsereferencing <strong>of</strong> feminist work. But has he ever spoken against Foucault’s ormasculine theory’s sexism? Those men who do take up feminist texts <strong>of</strong>ten onlycomplain that the writer isn’t feminist enough. He didn’t complain that Foucault isnot anti-sexist, which in any case does not involve him in the same political risk as itdoes Fraser.The objections to radical feminism’s break with tradition are particularlyacademic, because it is there in the institution, that we must locate ourselves in thediscourse in order to write credibly. For it is true that if we read/write/speak <strong>of</strong>women, very few will attend to what we say, even if the women referred to are notfeminists. So that the objection to leaving male theory behind expresses a real fear <strong>of</strong>being silenced: unless you read/write/speak the boys, no one will listen to you. You13. See Modleski (1991, pp. 3–6) for an account <strong>of</strong> Elaine Showalter’s switch to gender studies and“gynocidal feminisms”.14. Tom Wartenberg, speaking at the special session on Unruly Practices by Nancy Fraser, at theSociety <strong>of</strong> Phenomenology and Existential Philosophy, 29th Annual Meeting, October 11, 1990,Valhalla, Pennsylvania.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!