12.07.2015 Views

Nothing Mat(t)ers: A Feminist Critique of Postmodernism

Nothing Mat(t)ers: A Feminist Critique of Postmodernism

Nothing Mat(t)ers: A Feminist Critique of Postmodernism

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

4 NOTHING MAT(T)ERSWe cannot afford to continue to separate the intellectual in a man (I choosemy terms carefully) from the emotional: the depression from the ideas; or thepolitical from the p<strong>ers</strong>onal: the commitment to class struggle from the stormymarriage, the dead wife… Neither Althusser, “France”, nor the world’sintellectuals and revolutionaries will acknowledge patriarchy as the powerful,pervasive and pernicious ideological state apparatus which it is; at the sametime, none <strong>of</strong> them escape its effects (Finn: 1981, p. 28, italics in original).When Althusser died in 1990, many masculine Marxists and philosoph<strong>ers</strong> still foundreference to the murder to be in very bad taste. One obituary read:It is still too early to draw up a balance sheet. The master has left too deep animpression on us. Above all, the man was so close to us, with his exquisitegentleness, his tact…Then came the tragedy, which he himself described, partly out <strong>of</strong> a sense <strong>of</strong>propriety and partly out <strong>of</strong> derision, as the “non-event”, the killing <strong>of</strong> his wife,the committal to hospital (Comte-Sponville: 1990, p. 16). 3Gregory Elliott is more indignant and feels that Althusser is unjustly attacked andbeset: “doubtless pour décourager les autres, some have not hesitated to identify thedeath <strong>of</strong> Hélène Althusser at her husband’s hands as the inevitable denouement <strong>of</strong>[his theoretical endeavour]” (1991, p. 28). Indeed, Hélène victimizes Louis Althusserby staging a supposed murder, murder rendered now in quotation:When, in November 1980, defeat came, provoked in part by the politicalsetbacks <strong>of</strong> the late ’70s, the pitiless form it took—the “murder” <strong>of</strong> hiscompanion <strong>of</strong> some thirty-five years— condemned him to oblivion thereafter(1991, p. 29).Melancholic musings on the Master beset by feminism and the woman hemurdered… A Master is Being Beaten.No manifesto has been endorsed by structuralism, the nouveau roman, semiotics,deconstruction, poststructuralism and postmodernism. The Saussurian-dominatedintellectual problematic was inaugurated by Lévi-Strauss in reaction to the Marxismand existentialism <strong>of</strong> Sartre and oth<strong>ers</strong>. Yet the indefinability and shiftingcategorization <strong>of</strong> Lacan, Derrida and Foucault contribute to the confusionsurrounding already abstract, slippery texts. It’s difficult to know who is what,where, and when. This is also complicated by their search for ancestors. 4 JohnRajchman (1991, p. 120) remarks that “postmodernism is what the French learnedAmericans were calling what they were thinking.” What follows is a briefpresentation <strong>of</strong> definitions and a history <strong>of</strong> the categories.3. I am grateful to Angela Miles who brought this reference to my attention.4. Nietzsche, for example, is und<strong>ers</strong>tood in conjunction with postmodern anti-narrative critique(Shapiro: 1989) and as a pr<strong>of</strong>ound influence on the modernist work <strong>of</strong> D.H.Lawrence, and Gide(Foster: 1981).

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!