8 NOTHING MAT(T)ERSThere is no clear conception <strong>of</strong> the meanings <strong>of</strong> poststructuralism andpostmodernism, their relation, distinction or significance. Pr<strong>of</strong>oundly elusive,purposively ambiguous, these are terms which are not used systematically, and aboutwhich there is no consensus. Yet they have come to dominate the critical andcultural landscape. 8 For Ihab Hassan (1987, p. xvi), postmodernism andpoststructuralism share many affinities, but “postmodernism appears larger, isinternational, in scope. Art, politics, technology, all <strong>of</strong> culture, fall within itscompass…” Andrew Ross, in Univ<strong>ers</strong>al Abandon? The Politics <strong>of</strong> <strong>Postmodernism</strong>,sees poststructuralism as “a late modernist phenomenon” (1989, p. xi) and locates itas a symptom and cause <strong>of</strong> the larger context <strong>of</strong> postmodernism (1989, p. xi). PeterDews (1987, p. xi) consid<strong>ers</strong> the “post-structuralist” work <strong>of</strong> Jacques Lacan, MichelFoucault, Jacques Derrida and Jean-François Lyotard as moving towards aconceptualization <strong>of</strong> postmodernity, the condition <strong>of</strong> the “present age”.With respect to deconstruction, Young (1981, p. viii, Preface) writes: “There isnot a great deal <strong>of</strong> consensus about what, if anything, post-structuralism is, apartperhaps from the recognition that it involves the work <strong>of</strong> Derrida.” Rajchman claimsthat the nouveau roman is postmodernist literature about itself, and “postmodernismis sometimes said to be the art <strong>of</strong> deconstruction” (1991, p. 121). Ragland-Sullivanfinds that poststructuralism is associated mainly with the name <strong>of</strong> Jacques Derrida,whom she criticizes for making “the text—Writing, Language—the condition <strong>of</strong>itself (1989, p. 56). She agrees with other writ<strong>ers</strong> who support Lacan’s claim that“everything in Derrida is already in his [Lacan’s] work” (1989, p. 42) with thisdifference: “Where ambiguities, opacities, slipperiness, and gaps in discourse are afinal point for Derrida, this was the place from which Lacan began to ask questions”(1989, p. 62).Deconstruction is a certain masturbation with the text, playing with the terms athand. Derrida demonstrates the careful, contingent manipulation <strong>of</strong> meanings and theendless deferral <strong>of</strong> sense:The movements <strong>of</strong> deconstruction do not destroy structures from the outside.They are not possible and effective, nor can they take accurate aim, except byinhabiting those structures. Inhabiting them in a certain way, because onealways inhabits, and all the more so when one does not suspect it. Operatingnecessarily from the inside, borrowing all from the old structure…theenterprise <strong>of</strong> deconstruction always in a certain way falls prey to its own work(1976, p. 24, italics in original).In other words, Derrida interrupts (coitus reservatus) but does not abstain! ElizabethGrosz defines deconstruction 9 as the procedure <strong>of</strong> investigating the binary logic <strong>of</strong>metaphysical texts through an operation <strong>of</strong> reading which involves rev<strong>ers</strong>al,displacement and indetermination:8. A 1991 Seminar is devoted to “The Genealogy <strong>of</strong> <strong>Postmodernism</strong>: Nietzsche, Heidegger, Derridaand Rorty,” under the direction <strong>of</strong> Bernd Magnus, Center for Ideas and Society, Univ<strong>ers</strong>ity <strong>of</strong>California, Riv<strong>ers</strong>ide.9. See her useful glossary <strong>of</strong> terms which introduces Sexual Subv<strong>ers</strong>ions.
A SPACE ODYSSEY 9Deconstruction is neither a destruction <strong>of</strong> prevailing intellectual norms andtheoretical ideals, nor their replacement or reconstruction by new, moreacceptable forms. Deconstruction in its technical sense ref<strong>ers</strong> to a series <strong>of</strong>tactics and devices rather than a method: strategies to reveal the unarticulatedpresuppositions on which metaphysical and logocentric texts are based (Grosz:1989, p. xv).But mostly, deconstruction means never having to say you’re wrong. Or a feminist.As Derrida likes it: “I am not against feminism, but I am not simply for feminism”(1989b, p. 228). Deconstruction hopes to endlessly defer feminism.Western philosophy has been categorized according to classical, medieval, andmodern periods. Now a postmodern era has been announced, variously datedas post-Enlightenment; post-September, 1939 (World War II) (Hassan: 1987, p. 88);post-November, 1963 (the assassination <strong>of</strong> Kennedy) (McCaffery: 1986, p. vii); andpost-Heidegger’s Letter on Humanism (Benjamin: 1988, p. 2). Modernism itself isan elastic period, and “may rightly be assimilated to romanticism, romanticismrelated to the enlightenment, the latter to the renaissance, and so back, if not to theOlduvai Gorge, then certainly to ancient Greece” (Hassan: 1987, p. 88).<strong>Postmodernism</strong> then is 2001, A Space Odyssey, starring both Australopithecus andAstronaut. Hominids and their tools. Their projections?In Against <strong>Postmodernism</strong>, A Marxist <strong>Critique</strong>, Alex Callinicos (1990a, p. 5)discusses poststructuralism in the postmodern epoch:It is necessary to distinguish between the philosophical theories developedbetween the 1950s and the 1970s and subsequently grouped together under theheading <strong>of</strong> ‘poststructuralism’ and their appropriation in the past decade insupport <strong>of</strong> the claim that a postmodern epoch is emerging. The running hasbeen made in this latter development primarily by North Americanphilosoph<strong>ers</strong>, critics and social theorists, with the help <strong>of</strong> a couple <strong>of</strong> Parisianfigures, Lyotard and Jean Baudrillard who appear, when set beside Deleuze,Derrida and Foucault, as the epigoni <strong>of</strong> poststructuralism.In his chapter, “Toward a Concept <strong>of</strong> <strong>Postmodernism</strong>,” Ihab Hassan, one <strong>of</strong>postmodernism’s earliest chronicl<strong>ers</strong> and promot<strong>ers</strong>, points to the following who“evoke a number <strong>of</strong> related cultural tendencies, a constellation <strong>of</strong> values, a repertoire<strong>of</strong> procedures and attitudes” (1987, p. 85) that are called postmodernism: Derrida,Lyotard, Foucault, Lacan, Deleuze, Baudrillard 10 , Beckett and Robbe-Grillet.Hassan includes in this list Godot and Superman (the movie, I assume, not the bookby Nietzsche). John Rajchman (1991) provides a Foucauldian history <strong>of</strong> thecategory, postmodernism. Parisian debates have ordered American postmoderndiscourse, yet “Foucault rejected the category [postmodern]; Guattari despises it,Derrida has no use for it; Lacan and Barthes did not live, and Althusser was in nostate, to learn about it; and Lyotard found it in America” (1991, p. 119).10. In Jean Baudrillard, From Marxism to <strong>Postmodernism</strong> and Beyond, Douglas Kellner locatescont. next page
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