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Nothing Mat(t)ers: A Feminist Critique of Postmodernism

Nothing Mat(t)ers: A Feminist Critique of Postmodernism

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8 NOTHING MAT(T)ERSThere is no clear conception <strong>of</strong> the meanings <strong>of</strong> poststructuralism andpostmodernism, their relation, distinction or significance. Pr<strong>of</strong>oundly elusive,purposively ambiguous, these are terms which are not used systematically, and aboutwhich there is no consensus. Yet they have come to dominate the critical andcultural landscape. 8 For Ihab Hassan (1987, p. xvi), postmodernism andpoststructuralism share many affinities, but “postmodernism appears larger, isinternational, in scope. Art, politics, technology, all <strong>of</strong> culture, fall within itscompass…” Andrew Ross, in Univ<strong>ers</strong>al Abandon? The Politics <strong>of</strong> <strong>Postmodernism</strong>,sees poststructuralism as “a late modernist phenomenon” (1989, p. xi) and locates itas a symptom and cause <strong>of</strong> the larger context <strong>of</strong> postmodernism (1989, p. xi). PeterDews (1987, p. xi) consid<strong>ers</strong> the “post-structuralist” work <strong>of</strong> Jacques Lacan, MichelFoucault, Jacques Derrida and Jean-François Lyotard as moving towards aconceptualization <strong>of</strong> postmodernity, the condition <strong>of</strong> the “present age”.With respect to deconstruction, Young (1981, p. viii, Preface) writes: “There isnot a great deal <strong>of</strong> consensus about what, if anything, post-structuralism is, apartperhaps from the recognition that it involves the work <strong>of</strong> Derrida.” Rajchman claimsthat the nouveau roman is postmodernist literature about itself, and “postmodernismis sometimes said to be the art <strong>of</strong> deconstruction” (1991, p. 121). Ragland-Sullivanfinds that poststructuralism is associated mainly with the name <strong>of</strong> Jacques Derrida,whom she criticizes for making “the text—Writing, Language—the condition <strong>of</strong>itself (1989, p. 56). She agrees with other writ<strong>ers</strong> who support Lacan’s claim that“everything in Derrida is already in his [Lacan’s] work” (1989, p. 42) with thisdifference: “Where ambiguities, opacities, slipperiness, and gaps in discourse are afinal point for Derrida, this was the place from which Lacan began to ask questions”(1989, p. 62).Deconstruction is a certain masturbation with the text, playing with the terms athand. Derrida demonstrates the careful, contingent manipulation <strong>of</strong> meanings and theendless deferral <strong>of</strong> sense:The movements <strong>of</strong> deconstruction do not destroy structures from the outside.They are not possible and effective, nor can they take accurate aim, except byinhabiting those structures. Inhabiting them in a certain way, because onealways inhabits, and all the more so when one does not suspect it. Operatingnecessarily from the inside, borrowing all from the old structure…theenterprise <strong>of</strong> deconstruction always in a certain way falls prey to its own work(1976, p. 24, italics in original).In other words, Derrida interrupts (coitus reservatus) but does not abstain! ElizabethGrosz defines deconstruction 9 as the procedure <strong>of</strong> investigating the binary logic <strong>of</strong>metaphysical texts through an operation <strong>of</strong> reading which involves rev<strong>ers</strong>al,displacement and indetermination:8. A 1991 Seminar is devoted to “The Genealogy <strong>of</strong> <strong>Postmodernism</strong>: Nietzsche, Heidegger, Derridaand Rorty,” under the direction <strong>of</strong> Bernd Magnus, Center for Ideas and Society, Univ<strong>ers</strong>ity <strong>of</strong>California, Riv<strong>ers</strong>ide.9. See her useful glossary <strong>of</strong> terms which introduces Sexual Subv<strong>ers</strong>ions.

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