2 NOTHING MAT(T)ERSthe post-1945, postmodern ideology: “appearances are everything, it is forbidden togo beyond them…the world <strong>of</strong> enterprises, struggles, need, work, the whole realworld, disappears into thin air” (1968, p. 636). She charges that “with the intention<strong>of</strong> saying nothing, they mask the absence <strong>of</strong> content with formal convolutions…”(1968, p. 636). De Beauvoir links this “escape into fantasies about the absolute” and“defeatism” (1968, p. 637) to the degraded situation <strong>of</strong> France and the rise <strong>of</strong> fascismthere.Those who have stood at the door <strong>of</strong> the Mast<strong>ers</strong>’ House <strong>of</strong> science and subjectivity,<strong>of</strong> class and state power, have been struck by what O’Brien calls “an ironic sense inwhich the und<strong>ers</strong>tanding <strong>of</strong> how hegemony works might well be clarified in anethnography <strong>of</strong> Marxist intellectuals” (1989, p. 233). Maria-Antonietta Macciocchi,a former student <strong>of</strong> Louis Althusser, looks back at the men <strong>of</strong> her generation andrecalls life among the men <strong>of</strong> science and subjectivity, class and state power. Shechronicles their disappearance as the ending <strong>of</strong> an era:Nikos Poulantzas committed suicide on October 3, 1979. Lacan dissolved hisschool on March 16, 1980. Sartre died on April 15, 1980. Barthes, victim <strong>of</strong> anautomobile accident on February 18, 1980, died in the month <strong>of</strong> April in thesame year. Althusser strangled his wife on November 17, 1980. Lacan died onSeptember 19, 1981 (1983, p. 487).Certainly, their works influenced, engaged and denounced one another in manyways. Althusser reread Marx and Lacan, Lacan reinterpreted Freud, Barthes’Mythologies was indebted to Lévi-Strauss’s Mythologiques, Sartre influencedFoucault, and Poulantzas tried to write the methodological micro-histories called forby Althusser. Foucault said: “Open Althusser’s books” (Bellour: 1971, p. 192) eventhough he disagreed that Marx represented an epistemological break with Classicalthought. Louis Althusser read Lacan 1 as having accomplished for the unconsciouswhat he, Althusser, had done for the theory <strong>of</strong> the economic structure. Lévi-Strausssought to interpret the univ<strong>ers</strong>al unconscious with language, while Freud consideredthe particular. Their two approaches merge in Lacan’s work. Lacan turned to themathematical sciences to reveal the functions <strong>of</strong> the unconscious just as Lévi-Straussdescribed univ<strong>ers</strong>al codes with the use <strong>of</strong> mathematics (Ragland-Sullivan: 1987, p.138). This is not to deny the level <strong>of</strong> difference and disagreement within that period<strong>of</strong> French political and social theory. Althusser may have written <strong>of</strong> Freud andLacan, but in 1980 he violently denounced Lacan as that “magnificent, patheticHarlequin” (Clément: 1983, p. 21) at one <strong>of</strong> Lacan’s private seminars to which hehad gained access. Anti-Oedipus (1983) by Fé1ix Guattari and Gilles Deleuze was arebellion against Father Lacan, which had some success among the Lacanian school.Deleuze was a former pupil and analysand <strong>of</strong> Lacan; as was Althusser. SomeLacanians followed the forbidden work <strong>of</strong> Jacques Derrida, who criticized Lacan’sphallogocentricism in The Post Card (1987b). In the section “Le facteur de laverité”, Derrida argued that Lacanian psychoanalysis was prescriptive rather than1. Louis Althusser, (1984) “Freud and Lacan,” Essays on Ideology, London: V<strong>ers</strong>o, pp. 141–172.
A SPACE ODYSSEY 3simply descriptive. Derrida and Foucault argued over origin and madness. All <strong>of</strong>these authors whose roots lay either in scientific Marxism or functionaliststructuralism had denounced existentialism, yet at a certain point all were secretlyturning to Sartre, and to the Romantic novelist Stendhal, writ<strong>ers</strong> who embraced thehumanistic, metaphysical, historicist tradition that structuralism rejected(Macciocchi: 1983, p. 491).Macciocchi deliberately describes Althusser’s torments preceding his murder <strong>of</strong>his wife and his attempt to absolve his subjectivity. In the year before her death,Althusser test drove and pretended to purchase a Rolls Royce in London. In Italy, hespent an evening with an “earthy” woman who confided to a friend, “Yes, nothingbut little kisses…he’s afraid <strong>of</strong> the body” (1983, p. 530). At a Terni Work<strong>ers</strong>’Cultural Circle, he spoke for the first time on “The Pleasures <strong>of</strong> Marxism,”performing as at a carnival <strong>of</strong> denunciation and absurdity in the face <strong>of</strong> orthodoxyand passivity. After this, he confessed to Macciocchi: “I told the truth, and I savedmy soul” (1983, p. 535). She consid<strong>ers</strong>: “For the first time, I heard him speak in thefirst p<strong>ers</strong>on. However, people turned their backs on him, furious that he was showingthe gap between yesterday’s utopias and today’s realities, that he thereby touched theknot <strong>of</strong> theoretical reflexion, which was finally the knot <strong>of</strong> his own despair” (1983,p. 535). Macciocchi traced the “insolent” acts (1983, p. 538) <strong>of</strong> the twelve-monthperiod prior to Althusser’s murder <strong>of</strong> his wife, Hélène Rythmann, and discovered hisgrowing despair over communism, Marxism, and his work. But Macciocchi focuseson Althusser’s epistemological breakdown, and not its patriarchal expression andforce: “These three acts were the sundering…[la rupture]…<strong>of</strong> three inhibitions, <strong>of</strong>three chastity belts, with which marxism had cast subjects into iron statues. Humanpassions, the need to imagine, and the liberty <strong>of</strong> thinking—otherwise known asheresy” (1983, p. 538). The uxoricide is negated, used as a metaphor for Althusser’spurported self-destruction, almost in the way Derrida uses the story PierrotMurderer <strong>of</strong> His Wife to focus on subjectivity. 2 According to Macciocchi:By killing Hélène, in a final grip <strong>of</strong> love and hate, he sent to the tomb theMother, the nurse, the companion, the Jew he had protected from p<strong>ers</strong>ecution,and also the only voice that could prolong his own. He really wanted to silencehimself forever (1983, p. 537).Monique Plaza calls Althusser’s murder <strong>of</strong> Hélène Rythmann “ideology in action”(1984a, p. 75). She argues that “the murder <strong>of</strong> a woman is within the continuum <strong>of</strong>the discursive negation <strong>of</strong> women…ideology against women is not just a matter <strong>of</strong>words; it is also a matter <strong>of</strong> death” (1984a, p. 75). When Plaza presented this paperto an international symposium on Ideology at the Polytechnic <strong>of</strong> Central London in1981, organiz<strong>ers</strong> requested that she remove this discussion <strong>of</strong> Althusser’s murder <strong>of</strong>his wife (1984a, p. 82). Geraldine Finn argues that we must attend to the politicaland p<strong>ers</strong>onal:2. See discussion in Chapter 4.
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