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The origins of the telescope - DWC - KNAW

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optics prepared a blue-print <strong>of</strong> <strong>the</strong> instrument later called ‘<strong>the</strong> <strong>telescope</strong>.’<br />

When Galileo first encountered <strong>the</strong> instrument, ‘<strong>the</strong> <strong>telescope</strong>’ was still in<br />

<strong>the</strong> making. In his contribution to this volume Mario Biagioli shows that contrary<br />

to his own later words Galileo probably saw a copy <strong>of</strong> a real instrument in<br />

<strong>the</strong> hands <strong>of</strong> his friend Paolo Sarpi before he presented his own instrument to<br />

<strong>the</strong> Doge <strong>of</strong> Venice. Albert Van Helden discusses how Galileo turned this device<br />

useful for military purposes into an instrument for astronomical observing.<br />

However, astronomy was not <strong>the</strong> only field in which <strong>the</strong> <strong>telescope</strong> caused<br />

changes in <strong>the</strong> hands <strong>of</strong> its first users. First, <strong>the</strong> <strong>telescope</strong> had an enormous<br />

impact on <strong>the</strong> craft <strong>of</strong> lens-making because <strong>of</strong> <strong>the</strong> quality demands which<br />

<strong>telescope</strong> lenses imposed, which were much higher than for eyeglasses. Fokko<br />

Jan Dijksterhuis taps <strong>the</strong> notebooks <strong>of</strong> Isaac Beeckman to show how Descartes’<br />

friend struggled with new and not-so-new lens-making techniques. Giuseppe<br />

Molesini studies surviving <strong>telescope</strong> lenses to reconstruct <strong>the</strong> lens-making techniques<br />

<strong>of</strong> Torricelli and o<strong>the</strong>r 17 th -century Italian <strong>telescope</strong> makers. Second,<br />

in <strong>the</strong> field <strong>of</strong> optics, Antoni Malet’s contribution to this volume discusses<br />

<strong>the</strong> legacy <strong>of</strong> <strong>the</strong> first <strong>the</strong>ory <strong>of</strong> <strong>the</strong> <strong>telescope</strong> by Kepler. Contrary to received<br />

opinion, he argues, Kepler was a determining factor who shaped optical <strong>the</strong>ory<br />

until <strong>the</strong> 1660s, when a new concept <strong>of</strong> optical imagery emerged. Third, <strong>the</strong><br />

<strong>telescope</strong> was important to navigation. Henk Zoomers shows in this volume<br />

how through <strong>the</strong> channels <strong>of</strong> <strong>the</strong> Dutch East India Company <strong>the</strong> <strong>telescope</strong><br />

travelled as far as Sou<strong>the</strong>ast Asia. Finally, Albert Clement, <strong>the</strong> representative <strong>of</strong><br />

<strong>the</strong> 2008-conference’s host (<strong>the</strong> Middelburg Roosevelt Academy), highlights<br />

how <strong>the</strong> <strong>telescope</strong> was even influential in music. In all those disciplines, enterprises<br />

and fields <strong>of</strong> endeavour <strong>the</strong> <strong>telescope</strong> acquired new functions and meanings,<br />

and in this process <strong>of</strong> circulation and appropriation, <strong>the</strong> contributions to<br />

this book bring out, ‘<strong>the</strong> <strong>telescope</strong>’ as a cultural artefact was continually made<br />

and re-made.<br />

8<br />

introduction

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