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Tom Thomson

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<strong>Tom</strong> <strong>Thomson</strong><br />

Life & Work by David P. Silcox<br />

MacGregor, Roy. Northern Light: The Enduring Mystery of <strong>Tom</strong> <strong>Thomson</strong> and the<br />

Woman Who Loved Him. Toronto: Penguin Canada, 2010.<br />

MacTavish, Newton. The Fine Arts in Canada. Toronto: Macmillan, 1925.<br />

McInnis, Graham C. Canadian Art. Toronto: Macmillan, 1950.<br />

McKay, Marylin J. Picturing the Land: Narrating Territories in Canadian Landscape Art,<br />

1500–1950. Montreal: McGill-Queen’s University Press, 2011.<br />

Mellen, Peter. The Group of Seven. Toronto: McClelland & Stewart, 1970.<br />

Millard, Laura. Algonquin Memories: <strong>Tom</strong> <strong>Thomson</strong> in Algonquin Park. Owen Sound,<br />

ON: <strong>Thomson</strong> Books, 1998. Exhibition catalogue organized by <strong>Tom</strong> <strong>Thomson</strong> Art<br />

Gallery for Algonquin Gallery.<br />

Murray, Joan. The Art of <strong>Tom</strong> <strong>Thomson</strong>. Toronto: Art Gallery of Ontario, 1971.<br />

Exhibition catalogue.<br />

Cover of Northern Light: The Enduring Mystery of<br />

<strong>Tom</strong> <strong>Thomson</strong> and the Woman Who Loved Him<br />

by Roy MacGregor<br />

–––. <strong>Tom</strong> <strong>Thomson</strong>: Catalogue Raisonné. http://www.tomthomsoncatalogue.org, 2015.<br />

Preliminary Draft Catalogue Raisonné, including paintings, drawings, and<br />

commercial art.<br />

–––. A Treasury of <strong>Tom</strong> <strong>Thomson</strong>. Vancouver: Douglas & McIntyre, 2011.<br />

O’Brian, John, and Peter White. Beyond Wilderness: The Group of Seven, Canadian<br />

Identity, and Contemporary Art. Montreal: McGill-Queen’s University Press, 2007.<br />

Reid, Dennis. <strong>Tom</strong> <strong>Thomson</strong>: The Jack Pine. Ottawa: National Gallery of Canada,<br />

National Museum of Canada, 1975.<br />

Reid, Dennis, and Charles C. Hill, eds. <strong>Tom</strong> <strong>Thomson</strong>. Vancouver: Douglas &<br />

McIntyre, 2002. An indispensable resource, with essays by a number of curators on<br />

different aspects of <strong>Thomson</strong>’s life and work. Included in the new research they<br />

present are the results of extensive studies of <strong>Thomson</strong>’s paintings, using equipment<br />

such as X-rays, spectrometers, and micro-pigment analysis. In addition, Charles Hill,<br />

the foremost authority on <strong>Thomson</strong>, sets out a plausible dating of the paintings of<br />

<strong>Thomson</strong>’s last five years.<br />

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