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<strong>Tom</strong> <strong>Thomson</strong><br />
Life & Work by David P. Silcox<br />
MacGregor, Roy. Northern Light: The Enduring Mystery of <strong>Tom</strong> <strong>Thomson</strong> and the<br />
Woman Who Loved Him. Toronto: Penguin Canada, 2010.<br />
MacTavish, Newton. The Fine Arts in Canada. Toronto: Macmillan, 1925.<br />
McInnis, Graham C. Canadian Art. Toronto: Macmillan, 1950.<br />
McKay, Marylin J. Picturing the Land: Narrating Territories in Canadian Landscape Art,<br />
1500–1950. Montreal: McGill-Queen’s University Press, 2011.<br />
Mellen, Peter. The Group of Seven. Toronto: McClelland & Stewart, 1970.<br />
Millard, Laura. Algonquin Memories: <strong>Tom</strong> <strong>Thomson</strong> in Algonquin Park. Owen Sound,<br />
ON: <strong>Thomson</strong> Books, 1998. Exhibition catalogue organized by <strong>Tom</strong> <strong>Thomson</strong> Art<br />
Gallery for Algonquin Gallery.<br />
Murray, Joan. The Art of <strong>Tom</strong> <strong>Thomson</strong>. Toronto: Art Gallery of Ontario, 1971.<br />
Exhibition catalogue.<br />
Cover of Northern Light: The Enduring Mystery of<br />
<strong>Tom</strong> <strong>Thomson</strong> and the Woman Who Loved Him<br />
by Roy MacGregor<br />
–––. <strong>Tom</strong> <strong>Thomson</strong>: Catalogue Raisonné. http://www.tomthomsoncatalogue.org, 2015.<br />
Preliminary Draft Catalogue Raisonné, including paintings, drawings, and<br />
commercial art.<br />
–––. A Treasury of <strong>Tom</strong> <strong>Thomson</strong>. Vancouver: Douglas & McIntyre, 2011.<br />
O’Brian, John, and Peter White. Beyond Wilderness: The Group of Seven, Canadian<br />
Identity, and Contemporary Art. Montreal: McGill-Queen’s University Press, 2007.<br />
Reid, Dennis. <strong>Tom</strong> <strong>Thomson</strong>: The Jack Pine. Ottawa: National Gallery of Canada,<br />
National Museum of Canada, 1975.<br />
Reid, Dennis, and Charles C. Hill, eds. <strong>Tom</strong> <strong>Thomson</strong>. Vancouver: Douglas &<br />
McIntyre, 2002. An indispensable resource, with essays by a number of curators on<br />
different aspects of <strong>Thomson</strong>’s life and work. Included in the new research they<br />
present are the results of extensive studies of <strong>Thomson</strong>’s paintings, using equipment<br />
such as X-rays, spectrometers, and micro-pigment analysis. In addition, Charles Hill,<br />
the foremost authority on <strong>Thomson</strong>, sets out a plausible dating of the paintings of<br />
<strong>Thomson</strong>’s last five years.<br />
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