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<strong>Tom</strong> <strong>Thomson</strong><br />
Life & Work by David P. Silcox<br />
First Snow in Autumn 1916<br />
<strong>Tom</strong> <strong>Thomson</strong>, First Snow in Autumn, 1916<br />
Oil on panel, 12.8 x 8.2 cm<br />
National Gallery of Canada, Ottawa<br />
<strong>Thomson</strong> was moved to record the first snow of the winter, probably in late October or<br />
early November 1916. He did so in a way that turns these few square centimetres into a<br />
maelstrom of pigment that is at once tightly organized yet almost chaotically in motion.<br />
In First Snow in Autumn, by omitting any sense of finish or tidiness, <strong>Thomson</strong><br />
achieves the freedom he had been working toward over the previous three years.<br />
Judging by his work during his final year, his all-consuming objective was to express<br />
emotion and passion. The issues of scale and artlessness—of making the act of painting<br />
look simple and casual—were also stirring in his work. Just a few weeks after he painted<br />
this little image he began work on ten large canvases, a daunting ambition.<br />
In this tiny painting, with just three basic colours (white, a mixed blue-grey, and a<br />
strange blend of browns that is sometimes greenish and sometimes deep orangey-grey),<br />
<strong>Thomson</strong> creates a radiant gem that is animated throughout. The painting has depth too,<br />
the scene is distinct and specific, and his sense of accuracy underlies a painted surface<br />
of compulsive, obsessive improvisation.<br />
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