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Tom Thomson

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<strong>Tom</strong> <strong>Thomson</strong><br />

Life & Work by David P. Silcox<br />

First Snow in Autumn 1916<br />

<strong>Tom</strong> <strong>Thomson</strong>, First Snow in Autumn, 1916<br />

Oil on panel, 12.8 x 8.2 cm<br />

National Gallery of Canada, Ottawa<br />

<strong>Thomson</strong> was moved to record the first snow of the winter, probably in late October or<br />

early November 1916. He did so in a way that turns these few square centimetres into a<br />

maelstrom of pigment that is at once tightly organized yet almost chaotically in motion.<br />

In First Snow in Autumn, by omitting any sense of finish or tidiness, <strong>Thomson</strong><br />

achieves the freedom he had been working toward over the previous three years.<br />

Judging by his work during his final year, his all-consuming objective was to express<br />

emotion and passion. The issues of scale and artlessness—of making the act of painting<br />

look simple and casual—were also stirring in his work. Just a few weeks after he painted<br />

this little image he began work on ten large canvases, a daunting ambition.<br />

In this tiny painting, with just three basic colours (white, a mixed blue-grey, and a<br />

strange blend of browns that is sometimes greenish and sometimes deep orangey-grey),<br />

<strong>Thomson</strong> creates a radiant gem that is animated throughout. The painting has depth too,<br />

the scene is distinct and specific, and his sense of accuracy underlies a painted surface<br />

of compulsive, obsessive improvisation.<br />

41

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