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Downtown Dave and<br />

the Deep Pockets<br />

Granite State<br />

Blues Society<br />

nated for a 2015 Blues Blast Magazine<br />

quel, Chances Are Slim, was re-<br />

104 H BANDS The Blues Foundation • blues.org award for its debut album,<br />

Too Many Men. Eight O’Five Jive<br />

preserves an exciting era, not<br />

They are a great mix of fine musicians<br />

lost in time but alive and jivin’,<br />

with classic and original material<br />

Eugene Johnson<br />

who are no strangers to that is well suited for festivities,<br />

playing deep, scorching, heartfelt drinks, and a lively dance floor.<br />

music, up-tempo and energetic,<br />

with a firm finger on the pulse of<br />

blues and R&B. Their music is impassioned,<br />

The Elijah Butler Band<br />

with infectious grooves, Magic City Blues Society<br />

while paying tribute and respect<br />

The Elijah Butler Band is a Southern<br />

blues band from Birming-<br />

to the greats in the music that<br />

they truly love. They always play<br />

ham, Alabama, founded by Josh<br />

from the heart and soul, whether<br />

Butler and Gary Edmonds. The<br />

creating their own powerful originals<br />

or giving a new twist to an<br />

duo sought to compose an allstar<br />

lineup of Birmingham’s finest<br />

musicians to complement their<br />

old cover with the unique style<br />

and feel of the Pockets. Passion,<br />

noted teamwork of guitar and<br />

dynamics, and intensity are the<br />

vocals. They employed a powerhouse<br />

rhythm section that rests<br />

spirit of this band. They will groove<br />

you, move you, and soothe you.<br />

on the right foot of local legend<br />

Jesse Suttle on drums and the<br />

rollicking bass of Tuscaloosa native<br />

Eric Simmons. Adding a fifth<br />

Dreamboogie<br />

Melbourne Blues<br />

dimension of sound and rounding<br />

out the twin lead guitar work<br />

Everett and<br />

Appreciation Society<br />

Vocalist Rebecca brings elements and vocals is Matt Willis. Together<br />

of her musical idols—the great they bring a unique blend of soul,<br />

blues vocalists of the 1920s—to blues, and rock to the stage with<br />

the act. She aims to re-interpret harmonies, dual lead guitars, and<br />

Everett and Delta Storm are a<br />

the spirit of those great performers<br />

for today’s audiences, using as much as for their audience.<br />

a sense of playing for one another<br />

modern sounds while retaining<br />

the attitude of the music. Rebecca<br />

conveys the underlying<br />

Eric “Slim” Zahl<br />

truths upon which the blues are<br />

and the South<br />

based, using storytelling and the<br />

impact of the blues lyric. “Blues is West Swingers<br />

about the truth,” she says. “The<br />

Oslo Bluesklubb<br />

joys and sorrows of life, the challenges<br />

and excitements, love and enced by the sounds from the<br />

The band performs music influ-<br />

sex—blues addresses them all.” ’50s—in their own more rockin’<br />

The group has appeared at numerous<br />

festivals, toured Australia, and South West Swingers performs<br />

style. Eric “Slim” Zahl and the<br />

had a No 1 radio airplay track. with humor, musical skill, and impact.<br />

Since the band started in<br />

2006, they have logged an impressive<br />

number of club gigs and<br />

Eight O’Five Jive<br />

Nashville Blues Society festival appearances in Norway<br />

Based in Nashville, Tennessee, and England, and are known as a<br />

jump blues band Eight O’Five Jive fun live band. Zahl and the South<br />

is a three-time Nashville Industry West Swingers write their own<br />

Music Award winner for Best Live music, and released their debut<br />

Blues Performers and Best Blues album, Daddy’O, in 2011. The<br />

Artists. Their sound is reminiscent<br />

album was nominated for a Nor-<br />

of the classic era of the late wegian Grammy in the Best Blues<br />

1940s and ’50s, when blues, jazz, Album category. In 2013 the se-<br />

and swing fused during the birth<br />

of rock ’n’ roll. The band was nomi-<br />

leased. This album, too, received<br />

very good reviews in the press<br />

and Company<br />

St. Louis Blues Society<br />

St. Louis musician Eugene Johnson<br />

is a self-taught artist who has<br />

been playing music for as long<br />

as he can remember. Influenced<br />

heavily by the wide range of music<br />

in St. Louis, his style mixes blues,<br />

R&B, and soul to create a unique<br />

sound that comes through in his<br />

bass playing and powerful vocals.<br />

Johnson’s shows are soulful<br />

and come from the very roots<br />

of American music that simmer in<br />

St. Louis. Performing steadily in<br />

the St. Louis area, Eugene Johnson<br />

and Company have a sound<br />

that is both familiar and original,<br />

and always crowd pleasing.<br />

Delta Storm<br />

Kentucky Blues Society<br />

three-piece guitar, bass, and<br />

drums powerhouse from Cincinnati,<br />

Ohio. Everett Gagnon (guitar/<br />

vocals) was born in Brownsville,<br />

Tennessee, where the soul from<br />

the Stax sound, coupled with the<br />

blues from the neighboring Delta,<br />

infused his musical persona. With<br />

a three-octave vocal range and<br />

formidable guitar chops, Gagnon<br />

performs original blues songs<br />

that reflect a bluesman’s perspective<br />

and everyday life. Iconic<br />

Cincinnati bassist Tony Clark<br />

lays down the bottom, while veteran<br />

drummer Lynn Long nails<br />

the pocket. Long is also owner/<br />

engineer of Piccadilly Studios,<br />

where the group frequently records.<br />

Everett and Delta Storm<br />

released a 15-song all-original<br />

blues album in September 2015.<br />

Fat Bastard<br />

Blues Band<br />

Triangle Blues Society<br />

Two weeks and three rehearsals<br />

after their formation, the Fat Bastard<br />

Blues Band played their very<br />

first gig, winning the Triangle Blues<br />

Society’s 2009 Blues Challenge.<br />

They had no real aspirations of<br />

playing past their first trip to the<br />

International Blues Challenge in<br />

Memphis, but the response was<br />

so positive that there was really<br />

no choice for them but to continue.<br />

The Fat Bastards jump up<br />

and shake the room with performances<br />

that mark this band as a<br />

force of nature, a blue wind that<br />

rattles the trees like an oncoming<br />

storm, all while keeping fans<br />

dancing as if the floor were on<br />

fire. Expect their first EP in 2016.<br />

Fat Head<br />

Fort Smith Riverfront<br />

Blues Society<br />

Fat Head is a four-piece band<br />

from Fort Smith, Arkansas, whose<br />

sound includes influences of<br />

blues, rock, and soul. This quartet<br />

plays with a vigor and drive<br />

that mixes the blues with rockand-roll<br />

overtones. Sean Brinkman<br />

(drums, vocals) keeps the<br />

band tight with solid beats and<br />

tempo, inclining the listener to<br />

move. Michael Campbell (bass,<br />

vocals) drives the band with funky<br />

bass lines and a soulful voice that<br />

booms throughout the performance.<br />

Mike Huff (guitar, vocals)<br />

lends a steady rhythm, periodically<br />

adding leads that complement<br />

the others well. Hunter Smith<br />

(lead guitar) is a superb picker,<br />

but his slide playing truly sets<br />

him apart and takes the band’s<br />

performance to the next level.<br />

Fistful of Bacon<br />

Kentuckiana Blues Society<br />

Fistful of Bacon is a four-piece<br />

blues band from Bloomington and<br />

Nashville, Indiana. They are honored<br />

to be returning to Memphis<br />

to compete in their second International<br />

Blues Challenge this<br />

32nd International Blues Challenge<br />

BANDS H 105

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