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Downtown Dave and<br />
the Deep Pockets<br />
Granite State<br />
Blues Society<br />
nated for a 2015 Blues Blast Magazine<br />
quel, Chances Are Slim, was re-<br />
104 H BANDS The Blues Foundation • blues.org award for its debut album,<br />
Too Many Men. Eight O’Five Jive<br />
preserves an exciting era, not<br />
They are a great mix of fine musicians<br />
lost in time but alive and jivin’,<br />
with classic and original material<br />
Eugene Johnson<br />
who are no strangers to that is well suited for festivities,<br />
playing deep, scorching, heartfelt drinks, and a lively dance floor.<br />
music, up-tempo and energetic,<br />
with a firm finger on the pulse of<br />
blues and R&B. Their music is impassioned,<br />
The Elijah Butler Band<br />
with infectious grooves, Magic City Blues Society<br />
while paying tribute and respect<br />
The Elijah Butler Band is a Southern<br />
blues band from Birming-<br />
to the greats in the music that<br />
they truly love. They always play<br />
ham, Alabama, founded by Josh<br />
from the heart and soul, whether<br />
Butler and Gary Edmonds. The<br />
creating their own powerful originals<br />
or giving a new twist to an<br />
duo sought to compose an allstar<br />
lineup of Birmingham’s finest<br />
musicians to complement their<br />
old cover with the unique style<br />
and feel of the Pockets. Passion,<br />
noted teamwork of guitar and<br />
dynamics, and intensity are the<br />
vocals. They employed a powerhouse<br />
rhythm section that rests<br />
spirit of this band. They will groove<br />
you, move you, and soothe you.<br />
on the right foot of local legend<br />
Jesse Suttle on drums and the<br />
rollicking bass of Tuscaloosa native<br />
Eric Simmons. Adding a fifth<br />
Dreamboogie<br />
Melbourne Blues<br />
dimension of sound and rounding<br />
out the twin lead guitar work<br />
Everett and<br />
Appreciation Society<br />
Vocalist Rebecca brings elements and vocals is Matt Willis. Together<br />
of her musical idols—the great they bring a unique blend of soul,<br />
blues vocalists of the 1920s—to blues, and rock to the stage with<br />
the act. She aims to re-interpret harmonies, dual lead guitars, and<br />
Everett and Delta Storm are a<br />
the spirit of those great performers<br />
for today’s audiences, using as much as for their audience.<br />
a sense of playing for one another<br />
modern sounds while retaining<br />
the attitude of the music. Rebecca<br />
conveys the underlying<br />
Eric “Slim” Zahl<br />
truths upon which the blues are<br />
and the South<br />
based, using storytelling and the<br />
impact of the blues lyric. “Blues is West Swingers<br />
about the truth,” she says. “The<br />
Oslo Bluesklubb<br />
joys and sorrows of life, the challenges<br />
and excitements, love and enced by the sounds from the<br />
The band performs music influ-<br />
sex—blues addresses them all.” ’50s—in their own more rockin’<br />
The group has appeared at numerous<br />
festivals, toured Australia, and South West Swingers performs<br />
style. Eric “Slim” Zahl and the<br />
had a No 1 radio airplay track. with humor, musical skill, and impact.<br />
Since the band started in<br />
2006, they have logged an impressive<br />
number of club gigs and<br />
Eight O’Five Jive<br />
Nashville Blues Society festival appearances in Norway<br />
Based in Nashville, Tennessee, and England, and are known as a<br />
jump blues band Eight O’Five Jive fun live band. Zahl and the South<br />
is a three-time Nashville Industry West Swingers write their own<br />
Music Award winner for Best Live music, and released their debut<br />
Blues Performers and Best Blues album, Daddy’O, in 2011. The<br />
Artists. Their sound is reminiscent<br />
album was nominated for a Nor-<br />
of the classic era of the late wegian Grammy in the Best Blues<br />
1940s and ’50s, when blues, jazz, Album category. In 2013 the se-<br />
and swing fused during the birth<br />
of rock ’n’ roll. The band was nomi-<br />
leased. This album, too, received<br />
very good reviews in the press<br />
and Company<br />
St. Louis Blues Society<br />
St. Louis musician Eugene Johnson<br />
is a self-taught artist who has<br />
been playing music for as long<br />
as he can remember. Influenced<br />
heavily by the wide range of music<br />
in St. Louis, his style mixes blues,<br />
R&B, and soul to create a unique<br />
sound that comes through in his<br />
bass playing and powerful vocals.<br />
Johnson’s shows are soulful<br />
and come from the very roots<br />
of American music that simmer in<br />
St. Louis. Performing steadily in<br />
the St. Louis area, Eugene Johnson<br />
and Company have a sound<br />
that is both familiar and original,<br />
and always crowd pleasing.<br />
Delta Storm<br />
Kentucky Blues Society<br />
three-piece guitar, bass, and<br />
drums powerhouse from Cincinnati,<br />
Ohio. Everett Gagnon (guitar/<br />
vocals) was born in Brownsville,<br />
Tennessee, where the soul from<br />
the Stax sound, coupled with the<br />
blues from the neighboring Delta,<br />
infused his musical persona. With<br />
a three-octave vocal range and<br />
formidable guitar chops, Gagnon<br />
performs original blues songs<br />
that reflect a bluesman’s perspective<br />
and everyday life. Iconic<br />
Cincinnati bassist Tony Clark<br />
lays down the bottom, while veteran<br />
drummer Lynn Long nails<br />
the pocket. Long is also owner/<br />
engineer of Piccadilly Studios,<br />
where the group frequently records.<br />
Everett and Delta Storm<br />
released a 15-song all-original<br />
blues album in September 2015.<br />
Fat Bastard<br />
Blues Band<br />
Triangle Blues Society<br />
Two weeks and three rehearsals<br />
after their formation, the Fat Bastard<br />
Blues Band played their very<br />
first gig, winning the Triangle Blues<br />
Society’s 2009 Blues Challenge.<br />
They had no real aspirations of<br />
playing past their first trip to the<br />
International Blues Challenge in<br />
Memphis, but the response was<br />
so positive that there was really<br />
no choice for them but to continue.<br />
The Fat Bastards jump up<br />
and shake the room with performances<br />
that mark this band as a<br />
force of nature, a blue wind that<br />
rattles the trees like an oncoming<br />
storm, all while keeping fans<br />
dancing as if the floor were on<br />
fire. Expect their first EP in 2016.<br />
Fat Head<br />
Fort Smith Riverfront<br />
Blues Society<br />
Fat Head is a four-piece band<br />
from Fort Smith, Arkansas, whose<br />
sound includes influences of<br />
blues, rock, and soul. This quartet<br />
plays with a vigor and drive<br />
that mixes the blues with rockand-roll<br />
overtones. Sean Brinkman<br />
(drums, vocals) keeps the<br />
band tight with solid beats and<br />
tempo, inclining the listener to<br />
move. Michael Campbell (bass,<br />
vocals) drives the band with funky<br />
bass lines and a soulful voice that<br />
booms throughout the performance.<br />
Mike Huff (guitar, vocals)<br />
lends a steady rhythm, periodically<br />
adding leads that complement<br />
the others well. Hunter Smith<br />
(lead guitar) is a superb picker,<br />
but his slide playing truly sets<br />
him apart and takes the band’s<br />
performance to the next level.<br />
Fistful of Bacon<br />
Kentuckiana Blues Society<br />
Fistful of Bacon is a four-piece<br />
blues band from Bloomington and<br />
Nashville, Indiana. They are honored<br />
to be returning to Memphis<br />
to compete in their second International<br />
Blues Challenge this<br />
32nd International Blues Challenge<br />
BANDS H 105